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- German fascism extracted Romanticism from the naphthalene of the past, established its ideological kinship with it, included it in its canon of forerunners, and after some cleansing on racial grounds, absorbed it into the system of its ideology and thereby gave this trend, which in its time was not apolitical, a purely political and topical meaning ... Schelling, Adam Müller and others thanks to the fascists again became our contemporaries, though in the specific sense in which every corpse taken out of its century-old coffin for any need becomes a "contemporary". In his book The Tasks of National Socialist Literary Criticism, Walther Linden, who revised the history of German literature from a fascist point of view, considers the most valuable for fascism that stage in the development of German Romanticism when it freed itself from the influences of the French Revolution and thanks to Adam Müller, Görres, Arnim and Schelling began to create truly German national literature on the basis of German medieval art, religion and patriotism. (en)
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