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- A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term perfect identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive synthesis). Until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. Its most common occurrence is between the fifth and upper root of all major and minor triads and their extensions. An example of a perfect fourth is the beginning of the "Bridal Chorus" from Wagner's Lohengrin ("Treulich geführt", the colloquially-titled "Here Comes the Bride"). Other examples are the first two notes of the Christmas carol "Hark! The Herald Angels Sing" and "El Cóndor Pasa", and, for a descending perfect fourth, the second and third notes of "O Come All Ye Faithful". The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it occurs "above the bass in chords with three or more notes". If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C. (en)
- L'intervallo di quarta giusta è l'intervallo esistente tra due note distanti fra loro 2 toni ed un semitono diatonico. Ad esempio, la quarta giusta di Do è Fa. Anche se l'intervallo, se eseguito con note in un registro sufficientemente alto, risulta consonante all'orecchio, la quarta giusta non è una consonanza: in un registro basso o se l'intervallo è realizzato da note distanti (intervallo di undicesima o diciottesima) la quarta è dissonante, e in generale va trattata come dissonanza nella condotta a due parti. (it)
- 完全四度（かんぜんよんど、かんぜんよど）とは、音楽における音程のひとつである。P4 (Perfect 4th) と略記する。純正音程の振動数の比は3:4。完全五度のである。 (ja)
- 純四度（英文：Perfect fourth，簡寫：P4，希臘名：diatessaron）指音數為2又2分之1的音程，共有五個半音，是純五度的，屬於完全協和，有時也會用來調音（低音提琴）。 (zh)
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- L'intervallo di quarta giusta è l'intervallo esistente tra due note distanti fra loro 2 toni ed un semitono diatonico. Ad esempio, la quarta giusta di Do è Fa. Anche se l'intervallo, se eseguito con note in un registro sufficientemente alto, risulta consonante all'orecchio, la quarta giusta non è una consonanza: in un registro basso o se l'intervallo è realizzato da note distanti (intervallo di undicesima o diciottesima) la quarta è dissonante, e in generale va trattata come dissonanza nella condotta a due parti. (it)
- 完全四度（かんぜんよんど、かんぜんよど）とは、音楽における音程のひとつである。P4 (Perfect 4th) と略記する。純正音程の振動数の比は3:4。完全五度のである。 (ja)
- 純四度（英文：Perfect fourth，簡寫：P4，希臘名：diatessaron）指音數為2又2分之1的音程，共有五個半音，是純五度的，屬於完全協和，有時也會用來調音（低音提琴）。 (zh)
- A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). (en)
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