About: Fifth (chord)

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In music, the fifth factor of a chord is the note or pitch that is the fifth scale degree, counting the root or tonal center. When the fifth is the bass note, or lowest note, of the expressed chord, the chord is in second inversion . Conventionally, the fifth is second in importance to the root, with the fifth being perfect in all primary triads (I, IV, V and i, iv, v). In jazz chords and theory however, the fifth is often omitted, or assumed, in preference for the chord quality determining third and chord extensions and additions.

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  • In music, the fifth factor of a chord is the note or pitch that is the fifth scale degree, counting the root or tonal center. When the fifth is the bass note, or lowest note, of the expressed chord, the chord is in second inversion . Conventionally, the fifth is second in importance to the root, with the fifth being perfect in all primary triads (I, IV, V and i, iv, v). In jazz chords and theory however, the fifth is often omitted, or assumed, in preference for the chord quality determining third and chord extensions and additions. The fifth in a major and minor chord is perfect (G♮ in C). When the fifth of a major chord is raised it is an augmented chord (G♯ in C) . When the fifth of a minor chord is lowered it is a diminished chord (G♭ in C) . The open fifth and power chord consists of only the root, fifth and their octave doublings. (en)
  • 在音樂理論中,我們稱一個和弦的五音,是作為該和弦頂上的那個音符。舉例來說,拿G當五音的三和弦用的三個音會是C-E-G。基本上,和弦的名稱便是以根音來命名的。因此,以G為五音的三和弦稱作C和弦。五音時常跟音階的屬音混淆,後者是用來代表音階的音符,而不是和弦的音符。 (zh)
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  • 在音樂理論中,我們稱一個和弦的五音,是作為該和弦頂上的那個音符。舉例來說,拿G當五音的三和弦用的三個音會是C-E-G。基本上,和弦的名稱便是以根音來命名的。因此,以G為五音的三和弦稱作C和弦。五音時常跟音階的屬音混淆,後者是用來代表音階的音符,而不是和弦的音符。 (zh)
  • In music, the fifth factor of a chord is the note or pitch that is the fifth scale degree, counting the root or tonal center. When the fifth is the bass note, or lowest note, of the expressed chord, the chord is in second inversion . Conventionally, the fifth is second in importance to the root, with the fifth being perfect in all primary triads (I, IV, V and i, iv, v). In jazz chords and theory however, the fifth is often omitted, or assumed, in preference for the chord quality determining third and chord extensions and additions. (en)
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  • Fifth (chord) (en)
  • 五音 (和弦) (zh)
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