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Sir John Frederick Neville Cardus, CBE (2 April 1888 – 28 February 1975) was an English writer and critic. From an impoverished home background, and mainly self-educated, he became The Manchester Guardian's cricket correspondent in 1919 and its chief music critic in 1927, holding the two posts simultaneously until 1940. His contributions to these two distinct fields in the years before the Second World War established his reputation as one of the foremost critics of his generation.

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  • جون فردريك نفيل كاردس (بالإنجليزية: Neville Cardus)‏ ‏(3 أبريل 1888 - 28 فبراير 1975) هو كاتب وناقد إنجليزي من أسره فقيرة وقد تلقى تعليمه من تلقاء نفسه بشكل أساسي. وأصبح مراسلاً رياضياً لرياضة الكريكيت في صحيفة الجارديان الصادرة في مدينة مانشستر عام 1919 وشغل منصب رئيس زاوية النقد الموسيقي في الصحيفة عام 1927 وقد عمل في الوظيفتين المذكورتين سابقاً في وقت واحد حتى العام 1940. لقد كانت اسهاماته في هذين المجالين واضحة بحيث أصبح واحداً من أشهر النقاد في جيله قبل عدة سنوات من الحرب العالمية الثانية. لقد كان نهج كاردس في كتابة التقارير عن رياضية الكريكيت اسلوباً مبتكراً حيث عمل على تحويل ما كان واقعياً بحدٍ كبير في السابق إلى وصفاً حياً حيث أمن معاصريه بأن كتابته أثرت في نفس كل كاتب تقارير عن رياضة الكريكيت وعلى الرغم من أن الجزء الأكبر من معجبيه كانوا يقرؤون كتبه وتقاريره عن الكريكيت إلا أن مهنته الرئيسية اعتُبرت ناقداً موسيقياً، وقد تأثر بالجيل القديم من النقاد خصوصاً صامويل لانجفورد وأرنست نيومان في بداية حياته النقدية بدون تلقي أي تدريب موسيقي رسمي ولكنه طور موهبته النقدية الشخصية والرومانسية الذاتية التي تناقض التحليل الموضوعي الذي مارسه نيومان حيث كانت أراءه وأحكامه صريحة وقاسية في أغلب الأحيان والتي تسببت باحتكاكات وخلافات مع الفنانين العالمين في بعض الأوقات. ومع ذلك، فقد كان سحره الشخصي وطريقته الاجتماعية تمكنه من تكوين صداقات دائمة في عالمي الكريكت والموسيقي من بينهم نيومان والسيد توماس بيتشام والسيد دونالد برادمان. لقد أُرسل كاردس إلى أستراليا إبان سنوات الحرب العالمية الثانية حيث كتب هناك عن صباح سدني وقدم محادثات دورية على الراديو. كما كتب أيضا عدد من الكتب عن الموسيقي وأكمل سيرته الذاتية. وقد استأنف علاقاته مع صحيفة جارديان في مانشستر كناقد موسيقي بعد عودته إلى إنجلترا حيث استمر في الكتابة عن الكريكت وأصدر كتباً في كلا تخصصيه الاثنين: الكريكت والنقد الموسيقي. ولقد اعتُرف بأعماله علناً بتعينه كرفيق في الترتيب الإمبراطوري البريطاني وحاز على جائزة الفارس. ومُنح عدداً من الأوسمة في عالمي: الموسيقي والكريكت وفي أخر سنواته كما أصبح معلماً وشخصية ملهمة. للكتاب الطموحين من الشباب. (ar)
  • John Frederick Neville Cardus (3 avril 1888 - 28 février 1975) est un écrivain, journaliste, critique littéraire et critique musical anglais. Autodidacte, il est issu d'une famille pauvre. Il travaille au Guardian (à l'époque Manchester Guardian) jusqu'en 1940, à la fois en tant que correspondant sportif spécialiste du cricket à partir de 1919 et critique musical à partir de l'année 1927. Sa contribution à ces deux domaines distincts dans les années ayant précédé la Seconde Guerre mondiale a fait de lui l'un des principaux critiques de sa génération. (fr)
  • Sir John Frederick Neville Cardus, CBE (2 April 1888 – 28 February 1975) was an English writer and critic. From an impoverished home background, and mainly self-educated, he became The Manchester Guardian's cricket correspondent in 1919 and its chief music critic in 1927, holding the two posts simultaneously until 1940. His contributions to these two distinct fields in the years before the Second World War established his reputation as one of the foremost critics of his generation. Cardus's approach to cricket writing was innovative, turning what had previously been largely a factual form into vivid description and criticism; he is considered by contemporaries to have influenced every subsequent cricket writer. Although he achieved his largest readership for his cricket reports and books, he considered music criticism as his principal vocation. Without any formal musical training, he was initially influenced by the older generation of critics, in particular Samuel Langford and Ernest Newman, but developed his own individual style of criticism—subjective, romantic and personal, in contrast to the objective analysis practised by Newman. Cardus's opinions and judgments were often forthright and unsparing, which sometimes caused friction with leading performers. Nevertheless, his personal charm and gregarious manner enabled him to form lasting friendships in the cricketing and musical worlds, with among others Newman, Sir Thomas Beecham and Sir Donald Bradman. Cardus spent the Second World War years in Australia, where he wrote for The Sydney Morning Herald and gave regular radio talks. He also wrote books on music, and completed his autobiography. After his return to England he resumed his connection with The Manchester Guardian as its London music critic. He continued to write on cricket, and produced books on both his specialisms. Cardus's work was publicly recognised by his appointment as a Commander of the Order of the British Empire (CBE) in 1964 and the award of a knighthood in 1967, while the music and cricket worlds acknowledged him with numerous honours. In his last years, he became a guru and inspirational figure to aspiring young writers. (en)
  • John Frederick Neville Cardus, CBE (3 de abril de 1888 – 28 de fevereiro de 1975) foi um escritor e crítico inglês. A partir de uma perspectiva humilde, sendo autodidata, ele se tornou correspondente de críquete do The Manchester Guardian, em 1919, e seu principal crítico de música em 1927, tendo os dois cargos simultaneamente até 1940. Suas contribuições para esses dois campos distintos, nos anos precedentes à Segunda Guerra Mundial, estabeleceram sua reputação como um dos principais críticos da sua geração. A abordagem de Cardus na escrita sobre críquete foi inovadora, transformando o que anteriormente tinha sido, em grande parte, formulários factuais, em descrições e críticas vívidas; seus contemporâneos consideram-no influente em todos os críticos de críquete desde então. Apesar de ter alcançado o seu maior número de leitores com seus livros e relatórios de críquete, ele considerava a crítica musical a sua principal vocação. Sem qualquer formação musical formal, ele foi inicialmente influenciado pela geração mais antiga de críticos, em especial Samuel Langford e Ernest Newman, mas desenvolveu seu próprio estilo individual de crítica — subjetivo, romântico e pessoal, em contraste com a análise objetiva de Newman. As opiniões de Cardus eram muitas vezes diretas e implacáveis, o que por vezes causou atritos com grandes artistas. No entanto, seu charme pessoal e suas maneiras populares permitiram-lhe criar amizades duradouras no críquete e no mundo musical, como com Sir Thomas Beecham e Sir Donald Bradman, entre outros. Cardus passou os anos da Segunda Guerra Mundial na Austrália, onde ele escreveu para o Sydney Morning Herald e participou regularmente de programas de rádio. Lá, ele também escreveu livros sobre música e terminou sua autobiografia. Após seu retorno à Inglaterra, ele retomou sua ligação com The Manchester Guardian como crítico de música em Londres. Ele continuou a escrever sobre críquete, e escreveu livros sobre ambas suas especialidades. O trabalho de Cardus foi publicamente reconhecido com sua nomeação como um Companion of the Order of the British Empire (CBE), em 1964, e o prêmio de cavaleiro em 1966, enquanto os mundos da música e do críquete reconheceram-no com inúmeras homenagens. Em seus últimos anos, ele se tornou um guru e figura inspiradora para jovens aspirantes a escritores. (pt)
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  • Neville Cardus, pictured in old age (en)
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  • London music critic, 1951–75 (en)
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  • chief music critic 1927–40 (en)
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  • Mr Cardus's phrasing and diction are music itself, and his comments so graphic that one lives and moves for the time being in the scenes and situations associated with the music, and the composer becomes a living presence. (en)
  • Flight was his secret, flight and the curving line, now higher, now lower, tempting, inimical; every ball like every other ball, yet somehow unlike; each over in collusion with the others, part of a plot. Every ball a decoy, a spy sent out to get the lie of the land; some balls simple, some complex, some easy, some difficult; and one of them—ah, which?—the master ball. (en)
  • There was nothing pitiable in him, nothing inviting sympathy in this wreck of a physique. He was wrapped in a monk-like gown, and his face was strong and disdainful, every line on it graven by intrepid living. (en)
  • : The opera in fact is the only one in existence that might conceivably have been composed by God. (en)
  • It was his eager observing of all [the] qualities inherent in music's art and artfulness – and his ability to write about them with such elegance, irony and seriousness – which made Neville Cardus so special (en)
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  • Cardus, in his Autobiography, writing of Wilfred Rhodes (en)
  • Daniel Barenboim's tribute to Cardus. (en)
  • Reader's letter to The Sydney Morning Herald. (en)
  • Cardus, writing of his meeting with Frederick Delius, October 1929. (en)
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  • John Frederick Neville Cardus (3 avril 1888 - 28 février 1975) est un écrivain, journaliste, critique littéraire et critique musical anglais. Autodidacte, il est issu d'une famille pauvre. Il travaille au Guardian (à l'époque Manchester Guardian) jusqu'en 1940, à la fois en tant que correspondant sportif spécialiste du cricket à partir de 1919 et critique musical à partir de l'année 1927. Sa contribution à ces deux domaines distincts dans les années ayant précédé la Seconde Guerre mondiale a fait de lui l'un des principaux critiques de sa génération. (fr)
  • جون فردريك نفيل كاردس (بالإنجليزية: Neville Cardus)‏ ‏(3 أبريل 1888 - 28 فبراير 1975) هو كاتب وناقد إنجليزي من أسره فقيرة وقد تلقى تعليمه من تلقاء نفسه بشكل أساسي. وأصبح مراسلاً رياضياً لرياضة الكريكيت في صحيفة الجارديان الصادرة في مدينة مانشستر عام 1919 وشغل منصب رئيس زاوية النقد الموسيقي في الصحيفة عام 1927 وقد عمل في الوظيفتين المذكورتين سابقاً في وقت واحد حتى العام 1940. لقد كانت اسهاماته في هذين المجالين واضحة بحيث أصبح واحداً من أشهر النقاد في جيله قبل عدة سنوات من الحرب العالمية الثانية. (ar)
  • Sir John Frederick Neville Cardus, CBE (2 April 1888 – 28 February 1975) was an English writer and critic. From an impoverished home background, and mainly self-educated, he became The Manchester Guardian's cricket correspondent in 1919 and its chief music critic in 1927, holding the two posts simultaneously until 1940. His contributions to these two distinct fields in the years before the Second World War established his reputation as one of the foremost critics of his generation. (en)
  • John Frederick Neville Cardus, CBE (3 de abril de 1888 – 28 de fevereiro de 1975) foi um escritor e crítico inglês. A partir de uma perspectiva humilde, sendo autodidata, ele se tornou correspondente de críquete do The Manchester Guardian, em 1919, e seu principal crítico de música em 1927, tendo os dois cargos simultaneamente até 1940. Suas contribuições para esses dois campos distintos, nos anos precedentes à Segunda Guerra Mundial, estabeleceram sua reputação como um dos principais críticos da sua geração. (pt)
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  • Neville Cardus (en)
  • نفيل كاردس (ar)
  • Neville Cardus (fr)
  • Neville Cardus (pt)
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