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- Teruggi, Daniel . "Technology and Musique Concrete: The Technical Developments of the Groupe de Recherches Musicales and Their Implication in Musical Composition". Organised Sound 12, no. 3:213–231. (en)
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- Dack, John . "Technology and the Instrument". In Musik Netz Werke: Konturen der neuen Musikkultur, edited by Lydia Grün and Frank Wiegand, 39–54. Bielefeld: Transcript Verlag. . (en)
- Palombini, Carlos . "Musique Concrète Revisited". Electronic Musicological Review 4 :. (en)
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- Lange, A. . "Musique concrète and Early Electronic Music". In The Wire Primers: A Guide To Modern Music, edited by Rob Young, 173–180. London: Verso. (en)
- Anon. . "Un orchestre de Haut-Parleurs". INA–GRM website . (en)
- James, Richard S. . Interview with Pierre Henry, cited in "Expansion of Sound Resources in France, 1913–1940, and Its Relationship to Electronic Music". doctoral thesis, University of Michigan, note 91, p. 79. (en)
- Schaeffer, Pierre, and Guy Reibel . Solfege de l'objet sonore, reprint edition 1998, with a preface by Daniel Teruggi, Guy Reibel, and Beatriz Ferreyra. Paris: Coedition Ina-Publications. (en)
- Gradenwitz, Peter . "Experiments in Sound: Ten-Day Demonstrationin Paris Offers the Latest in 'Musique Concrète'". The New York Times . (en)
- Poullin, Jacques The Application of Recording Techniques to the Production of New Musical Materials and Forms. Applications to 'Musique Concrete. National Research Council of Canada Technical Translation TT-646, translated by D. A. Sinclair from the original in L'Onde Électrique 34, no. 324 : 282–291. Ottawa: National Research Council of Canada. (en)
- Dack, John . "Pierre Schaeffer and the Significance of Radiophonic Art". Contemporary Music Review 10, no. 2:3–11. (en)
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