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- Shot of a Japanese pagoda , set among ordinary rooftops and trees, with tree-lined mountains and sky in the background. (en)
- Noriko, in traditional costume, lying on a futon and covered with a blanket, stares at the ceiling, smiling (en)
- In a semi-darkened room, an ordinary vase is seen on the floor in the background, behind which is a screen upon which the shadows of branches appear (en)
- Noriko, wearing the same dress as in the Noh sequence, is shown seated on a sofa from a slightly lower angle; a window and some books are dimly visible in the background. (en)
- Shot from below of a large tree in full bloom. (en)
- Without warning, Noriko's expression has changed to one of pensive melancholy; the vase is then seen again for ten more seconds, and the next scene begins. (en)
- An attractive young Japanese woman, wearing a white blouse, is shown talking, photographed from below; a lamp, some bottles on a mantlepiece and part of a painting are visible in the left background. (en)
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- Theatrical release poster (en)
- A six-second shot of a vase, in front of a shōji screen, upon which the shadows of branches are visible... (en)
- In a dialogue between Noriko and her friend Aya , Aya is seen from below, as if from the seated Noriko's point of view (en)
- After her father falls asleep at the Kyoto inn, Noriko looks at the ceiling and appears to smile... (en)
- ... however, in the reverse shot, Noriko is also seen from below, rather than from Aya's point of view, retaining the "low" camera angle. (en)
- Noriko lying on futon as before, but looking upset and very near tears (en)
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