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- 음악이 경과하는 속에서 볼 수 있는 음 현상 (ko)
- vztahový řád mezi tóny v melodickém a harmonickém významu (cs)
- ترتيب حدة و/أو تآلف العمل الموسيقي في تسلسل هرمي للعلاقات والاستقرار والجاذبية والاتجاه (ar)
- type d'arrangement des notes et des accords ; langage musical utilisé en occident (fr)
- Systematik zur Beschreibung von Tonleitern und Tonarten (de)
- musiikissa käytetty järjestelmä (fi)
- rodzaj systemu dźwiękowego (pl)
- sistema musical (es)
- zene (hu)
- arrangements of pitches or chords to induce a hierarchy of perceived relations, stabilities, and attractions (en)
- sistema di principi armonici e melodici che ordinano le note e gli accordi musicali (it)
- razporeditev tonov ali akordov, da se ustvari hierarhija zaznanih odnosov, stabilnosti in privlačnosti (sl)
- принцип лада (ru)
- bir müzik eserinin perdelerinin ve / veya akorlarının algılanan ilişkiler, istikrarlar, cazibe merkezleri ve yönlülük hiyerarşisinde düzenlenmesidir (tr)
- ordening van toonhoogtes of akkoorden tot een hiërarchisch geheel (nl)
- sistema jeràrquic de relacions harmòniques i melòdiques (ca)
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- Schenker, Heinrich. 1906–35. Neue musikalische Theorien und Phantasien. 3 vols. in 4. Vienna and Leipzig: Universal Edition. (en)
- Lefferts, Peter. 1995. "Signature-Systems and Tonal Types in the Fourteenth-Century French Chanson". Plainsong and Medieval Music 4:117–147. (en)
- Marpurg, Friedrich Wilhelm. 1757. Systematische Einleitung in die musikalische Setzkunst, nach den Lehrsätzen des Herrn Rameau, Leipzig: J. G. I. Breitkopf. Translation of (en)
- Meyer, Leonard B. 1967. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Chicago and London: University of Chicago Press. (en)
- Perle, George. 1991. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern, sixth edition, revised. Berkeley and Los Angeles: University of California Press. . (en)
- Lowinsky, Edward. 1962. Tonality and Atonality in Sixteenth-Century Music. Berkeley and Los Angeles: University of California Press. (en)
- Alembert, Jean le Rond d'. 1752. '' (en)
- Rogers, Michael R. 2004. Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies, second edition. [Carbondale]: Southern Illinois University Press. ; . (en)
- Kholopov, Yuri.. (en)
- Kopp, David. 2011. "Chromaticism and the Question of Tonality. The Oxford Handbook of Neo-Riemannian Music Theories, edited by Edward Gollin and Alexander Rehding, 400–418. Oxford and New York: Oxford University Press. . (en)
- Moore, Allan F. 1995. "The So-called 'Flattened Seventh' in Rock". Popular Music 14, no. 2:185–201. Reprinted in Allan F. Moore, Critical Essays in Popular Musicology, 283–300. Aldershot: Ashgate, 2007. . (en)
- Mangani, Marco, and Daniele Sabaino. 2008. "Tonal Types and Modal Attribution in Late Renaissance Polyphony: New Observations". Acta Musicologica 80:231–250. (en)
- Mayfield, Connie. 2013. Theory Essentials, second edition. Boston: Schirmer Cengage Learning. (en)
- ''. Paris: David l'aîné. Facsimile reprint, New York: Broude Bros., 1966. Translated by (en)
- Terefenko, Dariusz. 2014. Jazz Theory: From Basic to Advanced Study. New York: Routledge. ; ; . (en)
- Schoenberg, Arnold. 1978. Theory of Harmony, translated by Roy E. Carter. Berkeley & Los Angeles: University of California Press. . Reprinted 1983, . Pbk ed. 1983, . (en)
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