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Statements

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Subject Item: dbr:Found_footage_(film_technique)
rdfs:label: 尋獲佚失影片 Found footage Found footage (film technique) Найденная плёнка Found footage (genre) Found footage (technika filmowa) Found footage (filmtechniek) تسجيلات مكتشفة (تقنية سينمائية) Found Footage Found footage (genre) Metratge trobat Знайдений кадр 파운드 푸티지 ファウンド・フッテージ Metraje encontrado (género)
rdfs:comment: Found footage is een filmsubgenre waarin het gehele of een substantieel deel van het werk wordt gepresenteerd alsof het ontdekte film- of video-opnames zijn . De gebeurtenissen op het scherm worden meestal gezien door de camera van een of meer van de betrokken personages, vaak vergezeld van hun realtime commentaar buiten de camera . Voor extra realisme kan de cinematografie worden gedaan door de acteurs zelf terwijl ze optreden, en worden wankel camerawerk en naturalistisch acteerwerk veel gebruikt. Het beeldmateriaal kan worden gepresenteerd alsof het "rauw" en compleet is of alsof het tot een verhaal is bewerkt door degenen die het "hebben gevonden". Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were discovered film or video recordings. The events on screen are typically seen through the camera of one or more of the characters involved, often accompanied by their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed. The footage may be presented as if it were "raw" and complete or as if it had been edited into a narrative by those who "found" it. التسجيلات المكتشفة هي نوع من الأفلام الروائية تعرض كل أو معظم أجزائها كما لو أنها تسجيلات سينمائية أو تسجيلات فيديو عثر عليها. تعرض الأحداث عادة من خلال تسجيلات قام بتصويرها أحد (أو بعض) شخصيات الفيلم، وغالبا ما يرافقها تعليقاته التي قام بها في الوقت الحقيقي. في سبيل أن تبدو التسجيلات حقيقية، قد تترك السينماتوغرافية ليقوم بها الممثلون أثناء تأديتهم الدور، كما تستخدم عادة تقنيّتا والتمثيل الطبيعي. يمكن تقديم التسجيلات وكأنها تسجيلات «خام» وكاملة أو أنه قد قام بتحريرها من«عثر عليها» لتشكل سردية ما. ファウンド・フッテージ（英語：found footage）は、映画（やテレビ番組）のジャンルの1つで、モキュメンタリーの一種。撮影者が行方不明などになったため、埋もれていた映像という設定のフィクション作品。撮影者と無関係な者の手に渡り、そのまま公開されることになったという設定でもある。第三者によって発見された (found) 未編集の映像 (footage) なので、ファウンド・フッテージと呼ばれる。ホラー作品が多い。なお「ファウンド・フッテージ」という語は元々別の意味で使われていた（ファウンド・フッテージ (映像技法)を参照）。しかし、現在ではもっぱら、このような話法を持った疑似ドキュメンタリーに使われている。たとえば、『バラエティ』誌は2012年の『グレイヴ・エンカウンターズ2』について言及する時、「偽のファウンド・フッテージ映画（faux found-footage film）」という表現を用いた。映画学者のは混乱を避けるため、こういった語り口に仕掛けのある映画を「discovered footage」と呼びたいと言っている。 Found footage – technika filmowa, w której film stylizowany jest na znalezione amatorskie nagranie, a wydarzenia prezentowane są z perspektywy kamery należącej zwykle do jednego z bohaterów filmu. Pierwotnie termin found footage używany był w innym kontekście, pojęć tych nie należy ze sobą mylić. 파운드 푸티지(영어: found footage)는 영화 (또는 텔레비전 프로그램) 장르의 하나로, 모큐멘터리의 일종. 촬영자가 행방 불명 등이 되었기 때문에, 파묻혀 있던 영상이라는 설정의 허구 작품. 촬영자와 무관계한 사람의 손에 건너가, 그대로 공개됐다는 설정이다. 제삼자에 의해서 발견된 (found) 미편집의 영상 (footage)이므로, 파운드 푸티지로 불린다. 공포 작품이 많다. 기존의 영상을 콜라주해 만들어진 영상 등도 이와 같이 '파운드 푸티지' (found footage)라고 불린다. Found footage (svenska: Upphittad film) är en gren inom filmskapande, inom vilken en film helt eller delvis är presenterad som om det vore upphittade film- eller videoinspelningar. En av found footage-genres typiska karaktärsdrag är att filmens handling ses genom en kamera tillhörande en eller flera av filmens karaktärer, ofta åtföljda av deras samtida kommentarer utanför kameran. För större trovärdighet kan filmningen göras av skådespelarna själva under själva akten, tillsammans med skakigt kameraarbete och naturalistiskt skådespel. Den "upphittade" filmen kan presenteras som om den var "rå" och redan komplett, eller som att den redigerats till en berättelse av "upphittarna". Found Footage (Filmes Perdidos, no Brasil) é um gênero de filme surgido nos anos 1980. Trata-se de um filme se passando por um documentário filmado com uma simples câmera de filmar. Muitas vezes o estilo é usado para filmes de terror. Até hoje o estilo faz sucesso. El metraje encontrado (found footage en inglés) es una técnica narrativa en las películas de terror y los falsos documentales en que todo o una parte esencial del filme ficticio es presentado como si fuese material descubierto. Found Footage (deutsch: Gefundenes Filmmaterial) ist ein filmwissenschaftlicher Begriff, der eine Bedeutungserweiterung erlebt hat. Inzwischen werden, je nach Umfeld, Filmbeispiele zweier eigentlich grundverschiedener Genres als Found-Footage-Filme bezeichnet. El found footage o metratge trobat és una tècnica narrativa cinematogràfica utilitzada principalment en el cinema de terror o falsos documentals en el qual tota o una gran part de la pel·lícula de ficció és presentat com si fos material descobert o gravacions de vídeo. Els esdeveniments en pantalla son normalment mostrats a través de la càmera d'un o més personatges que involucrats, sovint s'acompanya amb comentaris a temps real fora de toma. Per aconseguir versemblança, la fotografia és realitzada pels mateixos actors a mesura que l'interpreten, s'utilitzen moviments de càmera no estabilitzada i una actuació natural. El metratge pot ser presentat com si fossin bruts i complets, o com si fos editat en una línia narrativa per aquells que la van «trobar».L'ús més comú de la tècnica és en les 拾得录像（英語：Found footage），又译为「尋獲影片」、“拾得资料片段”、“拾得片段”等，是电影（或电视剧）片种之一，伪纪录片的一种。其表现形式通常被设定为遗弃或丢失而后被重新发现的录影。为了显示出逼真的效果，摄影可能会由演员自行完成，和自然甚至超自然的表演等元素都被考虑在作品内。这种拍摄手法通常被运用在恐怖片上，来营造“这些镜头是事件唯一幸存的记录，参与者如今均已失踪或死亡”的氛围。它也被运用在喜剧片（如X计划、）、科幻片（如跨界失控、木卫二报告）、剧情片（如、）等类型的影片上。 На́йденная плёнка (англ. found footage) — кинематографический жанр, в основном фильмов ужасов, в котором весь фильм или существенная его часть представляются зрителю как материалы с найденных записей на кино- или видеокамере, часто оставшихся после пропавших или умерших героев фильма. Развивающиеся события показываются через записи камер одного или нескольких героев, которые часто комментируют происходящее, оставаясь вне поля зрения камеры. Съёмка может вестись самими актёрами в процессе действия и часто сопровождается эффектом «трясущейся камеры» и максимальным приближением действия к реальности. Хотя жанр прослеживается как минимум до итальянского фильма 1980 года «Ад каннибалов», он был популяризован в 2000-х такими фильмами, как «Ведьма из Блэр» (1999), «Паранормальное явление» (2007), Знайдений кадр (англ. Found footage) — це піджанр кінематографу, в якому кіно- чи відеоряд цілком або частково зумисне зображається не редагованим, а сюжетно подається ніби загублений творцями і згодом знайдений іншими особами. Таким чином фільм ніби зображає реальні події, при цьому нерідко передбачається, що оригінальні творці відеоряду загинули, зникли безвісти чи загубили його при втечі. Більшість фільмів піджанру належать до фільмів жахів.
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dbo:abstract: Found footage (svenska: Upphittad film) är en gren inom filmskapande, inom vilken en film helt eller delvis är presenterad som om det vore upphittade film- eller videoinspelningar. En av found footage-genres typiska karaktärsdrag är att filmens handling ses genom en kamera tillhörande en eller flera av filmens karaktärer, ofta åtföljda av deras samtida kommentarer utanför kameran. För större trovärdighet kan filmningen göras av skådespelarna själva under själva akten, tillsammans med skakigt kameraarbete och naturalistiskt skådespel. Den "upphittade" filmen kan presenteras som om den var "rå" och redan komplett, eller som att den redigerats till en berättelse av "upphittarna". Det mest vanliga användandet av tekniken är inom skräckfilmsgenren, där filmen utges vara den enda överlevande inspelningen från händelserna, där de inblandade personerna nu är försvunna eller döda. Det har också använts inom komedifilmer (t.ex. och Project X - Hemmafesten) samt inom science fiction-genren (t.ex. och Europa Report). Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were discovered film or video recordings. The events on screen are typically seen through the camera of one or more of the characters involved, often accompanied by their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed. The footage may be presented as if it were "raw" and complete or as if it had been edited into a narrative by those who "found" it. The most common use of the technique is in horror films, such as Cannibal Holocaust, The Blair Witch Project, Paranormal Activity, Diary of the Dead, REC, Cloverfield, and Trollhunter, where the footage is purported to be the only surviving record of the events, with the participants now missing or dead. It has also been used in science fiction (e.g., Chronicle, Project Almanac, Europa Report), drama (e.g., Zero Day, Exhibit A), comedy (e.g., Project X) and family (e.g., Earth to Echo) films. Although found footage was originally the name of an entirely different genre, it is now frequently used to describe pseudo-documentaries crafted with this narrative technique. The film magazine Variety has, for example, used the term "faux found-footage film" to describe the 2012 film Grave Encounters 2. Film scholar David Bordwell criticizes this recent usage, arguing that it sows confusion, and instead prefers the term "discovered footage" for the narrative gimmick. 拾得录像（英語：Found footage），又译为「尋獲影片」、“拾得资料片段”、“拾得片段”等，是电影（或电视剧）片种之一，伪纪录片的一种。其表现形式通常被设定为遗弃或丢失而后被重新发现的录影。为了显示出逼真的效果，摄影可能会由演员自行完成，和自然甚至超自然的表演等元素都被考虑在作品内。这种拍摄手法通常被运用在恐怖片上，来营造“这些镜头是事件唯一幸存的记录，参与者如今均已失踪或死亡”的氛围。它也被运用在喜剧片（如X计划、）、科幻片（如跨界失控、木卫二报告）、剧情片（如、）等类型的影片上。 파운드 푸티지(영어: found footage)는 영화 (또는 텔레비전 프로그램) 장르의 하나로, 모큐멘터리의 일종. 촬영자가 행방 불명 등이 되었기 때문에, 파묻혀 있던 영상이라는 설정의 허구 작품. 촬영자와 무관계한 사람의 손에 건너가, 그대로 공개됐다는 설정이다. 제삼자에 의해서 발견된 (found) 미편집의 영상 (footage)이므로, 파운드 푸티지로 불린다. 공포 작품이 많다. 기존의 영상을 콜라주해 만들어진 영상 등도 이와 같이 '파운드 푸티지' (found footage)라고 불린다. Found Footage (deutsch: Gefundenes Filmmaterial) ist ein filmwissenschaftlicher Begriff, der eine Bedeutungserweiterung erlebt hat. Inzwischen werden, je nach Umfeld, Filmbeispiele zweier eigentlich grundverschiedener Genres als Found-Footage-Filme bezeichnet. El metraje encontrado (found footage en inglés) es una técnica narrativa en las películas de terror y los falsos documentales en que todo o una parte esencial del filme ficticio es presentado como si fuese material descubierto. El género se inspira en la técnica literaria del manuscrito encontrado. Los eventos en pantalla comúnmente son vistos a través de la cámara de uno o de otros personajes involucrados, a menudo acompañados por comentarios en tiempo real fuera de toma. Para conseguir realismo, la fotografía es realizada por los mismos actores a medida que la interpretan, elementos visuales de cámara no estabilizada y una actuación muy natural. El metraje puede ser presentado como si fuese «en bruto» y completo, o como si fuese editado en una línea narrativa por aquellos que lo «encontraron». El uso más común de la técnica es en las películas de terror, donde el metraje pretende ser la única grabación de sobrevivencia de los eventos, con los participantes ya perdidos o muertos. Esto es también usado en la comedia (por ejemplo, Babysitting, Proyecto X), ciencia ficción (por ejemplo, Project Almanac, Europa Report) y drama (por ejemplo, Exhibit A, Zero Day). La técnica tiene orígenes de las películas experimentales y vanguardistas. Su precursor sería Holocausto caníbal (1980), estableciéndose más tarde con películas como The Blair Witch Project (1999) y Cloverfield (2008). Es importante recalcar que la película no se muestra en primera persona real; lo que ve el espectador es una grabación realizada, en teoría, por los protagonistas, no se pretende simular que las imágenes correspondan siempre a la visión del personaje, si bien en muchas ocasiones coinciden. El metraje encontrado es originalmente el nombre de un género totalmente diferente, pero a veces ha sido usado para describir falsos documentales con esta técnica narrativa. La revista Variety ha usado el término «falsa película de metraje encontrado» para describir a la película Grave Encounters 2. El erudito cinematográfico David Bordwell ha criticado este reciente uso debido a la confusión que crea, y en su lugar prefiere el término «metraje descubierto» para un truco narrativo. Знайдений кадр (англ. Found footage) — це піджанр кінематографу, в якому кіно- чи відеоряд цілком або частково зумисне зображається не редагованим, а сюжетно подається ніби загублений творцями і згодом знайдений іншими особами. Таким чином фільм ніби зображає реальні події, при цьому нерідко передбачається, що оригінальні творці відеоряду загинули, зникли безвісти чи загубили його при втечі. Більшість фільмів піджанру належать до фільмів жахів. El found footage o metratge trobat és una tècnica narrativa cinematogràfica utilitzada principalment en el cinema de terror o falsos documentals en el qual tota o una gran part de la pel·lícula de ficció és presentat com si fos material descobert o gravacions de vídeo. Els esdeveniments en pantalla son normalment mostrats a través de la càmera d'un o més personatges que involucrats, sovint s'acompanya amb comentaris a temps real fora de toma. Per aconseguir versemblança, la fotografia és realitzada pels mateixos actors a mesura que l'interpreten, s'utilitzen moviments de càmera no estabilitzada i una actuació natural. El metratge pot ser presentat com si fossin bruts i complets, o com si fos editat en una línia narrativa per aquells que la van «trobar».L'ús més comú de la tècnica és en les pel·lícules de terror (ex. The Blair Witch Project, Paranormal Activity), on el metratge pretén ser l'única gravació de supervivència, on els protagonistes o la resta de personatges estan perduts o morts. També s'ha estat utilitzant en la comèdia (ex. , Project X), en la ciència-ficció (ex. , ) i en el drama (ex. , ). La tècnica té orígens en pel·lícules experimentals i avantguardistes. El seu precursor és Cannibal Holocaust (1980), darrerament pel·lícules com The Blair Witch Project (1999) i Cloverfield (2008).La pel·lícula no es mostra en primera personal real, el que veu l'espectador és una gravació realitzada, teòricament, pels protagonistes, no es pretén simular que les imatges corresponen sempre a la visió del personatge, encara que en moltes ocasions coincideixen. El terme “found footage” és originàriament el nom d'un gènere completament diferent, però a vegades ha estat utilitzat per descriure pseudo-documentals amb aquesta tècnica narrativa. La revista Variety ha utilitzat el terme «falsa pel·lícula de metratge trobat» per descriure la pel·lícula . L'erudit cinematogràfic David Bordwell ha criticat aquest utilització degut a la confusió que crea en l'espectador, per aquest motiu prefereix el terme «metratge descobert» per un truc narratiu. Les pel·lícules found footage fan ús d'un o més d'aquestes quatre tècniques cinematogràfiques: perspectiva en primera persona, pseudo-documental o fals documental (mockumentary), metratge de noticiaris i metratges de supervivència. التسجيلات المكتشفة هي نوع من الأفلام الروائية تعرض كل أو معظم أجزائها كما لو أنها تسجيلات سينمائية أو تسجيلات فيديو عثر عليها. تعرض الأحداث عادة من خلال تسجيلات قام بتصويرها أحد (أو بعض) شخصيات الفيلم، وغالبا ما يرافقها تعليقاته التي قام بها في الوقت الحقيقي. في سبيل أن تبدو التسجيلات حقيقية، قد تترك السينماتوغرافية ليقوم بها الممثلون أثناء تأديتهم الدور، كما تستخدم عادة تقنيّتا والتمثيل الطبيعي. يمكن تقديم التسجيلات وكأنها تسجيلات «خام» وكاملة أو أنه قد قام بتحريرها من«عثر عليها» لتشكل سردية ما. يغلب استخدام هذه التقنية في أفلام الرعب (على سبيل المثال ، مشروع ساحرة بلير، نشاط خارق، )، حيث يزعم أن التسجيلات المكتشفة هي السجّل الوحيد المتبقي للأحداث. كما تم استخدامه في الكوميديا (مثل ، المشروع إكس)، الخيال العلمي (على سبيل المثال، وقائع، مشروع سجل الأيام، تقرير أوروبا) دراما (على سبيل المثال، ، ). كان مصطلح التسجيلات المكتشفة يستخدم في الأصل لوصف نوع سنمائي مختلف تماما، ويستخدم في بعض الأحيان لوصف أفلام وثائقية زائفة تستخدم أسلوب السرد هذا. استخدمت مجلة الأفلام ، على سبيل المثال، مصطلح «تسجيلات مكتشفة زائفة» لوصف فيلم Grave Encounters 2. أفلام التسجلات المكتشفة عادة ما تستخدم واحدة أو أكثر من أربع تقنيات سينمائية: منظور الشخص الأول، شبه وثائقي أو موكومنتري، تسجيلات من الأخبار، تسجيلات من كاميرات المراقبة. في تحليل قام به موقع ناقد التسجيلات المكتشفة ل 500 فيلم تسجيلات مكتشفة وجد أن التقنيات الأربع المذكورة شكلت غالبية مصادر التسجيلات. На́йденная плёнка (англ. found footage) — кинематографический жанр, в основном фильмов ужасов, в котором весь фильм или существенная его часть представляются зрителю как материалы с найденных записей на кино- или видеокамере, часто оставшихся после пропавших или умерших героев фильма. Развивающиеся события показываются через записи камер одного или нескольких героев, которые часто комментируют происходящее, оставаясь вне поля зрения камеры. Съёмка может вестись самими актёрами в процессе действия и часто сопровождается эффектом «трясущейся камеры» и максимальным приближением действия к реальности. Хотя жанр прослеживается как минимум до итальянского фильма 1980 года «Ад каннибалов», он был популяризован в 2000-х такими фильмами, как «Ведьма из Блэр» (1999), «Паранормальное явление» (2007), «Репортаж» (2007) и «Монстро» (2008). Жанр близок к псевдодокументальным фильмам. Found Footage (Filmes Perdidos, no Brasil) é um gênero de filme surgido nos anos 1980. Trata-se de um filme se passando por um documentário filmado com uma simples câmera de filmar. Muitas vezes o estilo é usado para filmes de terror. Até hoje o estilo faz sucesso. Found footage is een filmsubgenre waarin het gehele of een substantieel deel van het werk wordt gepresenteerd alsof het ontdekte film- of video-opnames zijn . De gebeurtenissen op het scherm worden meestal gezien door de camera van een of meer van de betrokken personages, vaak vergezeld van hun realtime commentaar buiten de camera . Voor extra realisme kan de cinematografie worden gedaan door de acteurs zelf terwijl ze optreden, en worden wankel camerawerk en naturalistisch acteerwerk veel gebruikt. Het beeldmateriaal kan worden gepresenteerd alsof het "rauw" en compleet is of alsof het tot een verhaal is bewerkt door degenen die het "hebben gevonden". De techniek wordt het meest gebruikt in horrorfilms (bijvoorbeeld Cannibal Holocaust, The Blair Witch Project, Paranormal Activity, REC, Cloverfield), waarbij wordt beweerd dat het beeldmateriaal het enige overgebleven bewijs van de gebeurtenissen is, waarbij de deelnemers nu ontbreken of dood zijn. Het wordt ook gebruikt in sciencefiction (bijvoorbeeld Chronicle, Project Almanac, Europa Report ), drama (bijvoorbeeld Zero Day, Exhibit A ), komedie (bijvoorbeeld Project X ) en familiefilms (bijvoorbeeld Earth to Echo ). Found footage – technika filmowa, w której film stylizowany jest na znalezione amatorskie nagranie, a wydarzenia prezentowane są z perspektywy kamery należącej zwykle do jednego z bohaterów filmu. Pierwotnie termin found footage używany był w innym kontekście, pojęć tych nie należy ze sobą mylić. Pierwsze filmy found footage powstały już w latach 70., lecz technika ta zyskała większą popularność po sukcesie filmu Blair Witch Project w 1999 roku. Konwencja found footage jest najczęściej spotykana w horrorach (Nadzy i rozszarpani, Blair Witch Project, Paranormal Activity, REC, V/H/S), ale bywa również stosowana w filmach z innych gatunków (Projekt: Monster, Kronika, Projekt X). ファウンド・フッテージ（英語：found footage）は、映画（やテレビ番組）のジャンルの1つで、モキュメンタリーの一種。撮影者が行方不明などになったため、埋もれていた映像という設定のフィクション作品。撮影者と無関係な者の手に渡り、そのまま公開されることになったという設定でもある。第三者によって発見された (found) 未編集の映像 (footage) なので、ファウンド・フッテージと呼ばれる。ホラー作品が多い。なお「ファウンド・フッテージ」という語は元々別の意味で使われていた（ファウンド・フッテージ (映像技法)を参照）。しかし、現在ではもっぱら、このような話法を持った疑似ドキュメンタリーに使われている。たとえば、『バラエティ』誌は2012年の『グレイヴ・エンカウンターズ2』について言及する時、「偽のファウンド・フッテージ映画（faux found-footage film）」という表現を用いた。映画学者のは混乱を避けるため、こういった語り口に仕掛けのある映画を「discovered footage」と呼びたいと言っている。
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