About: Momente

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Momente (Moments) is a work by the German composer Karlheinz Stockhausen, written between 1962 and 1969, scored for solo soprano, four mixed choirs, and thirteen instrumentalists (four trumpets, four trombones, three percussionists, and two electric keyboards). A "cantata with radiophonic and theatrical overtones", it is described by the composer as "practically an opera of Mother Earth surrounded by her chicks". It was Stockhausen's first piece composed on principles of modular transposability, and his first musical form to be determined from categories of sensation or perception rather than by numerical units of musical terminology, which marks a significant change in the composer's musical approach from the abstract forms of the 1950s.

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  • Momente (Moments) is a work by the German composer Karlheinz Stockhausen, written between 1962 and 1969, scored for solo soprano, four mixed choirs, and thirteen instrumentalists (four trumpets, four trombones, three percussionists, and two electric keyboards). A "cantata with radiophonic and theatrical overtones", it is described by the composer as "practically an opera of Mother Earth surrounded by her chicks". It was Stockhausen's first piece composed on principles of modular transposability, and his first musical form to be determined from categories of sensation or perception rather than by numerical units of musical terminology, which marks a significant change in the composer's musical approach from the abstract forms of the 1950s. (en)
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  • 6318787 (xsd:integer)
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  • 1088975943 (xsd:integer)
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  • Großer Sendesaal of the WDR in 1954, where the first version was premiered (en)
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dbp:date
  • January 2018 (en)
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  • 1.300000 (xsd:double)
dbp:language
  • German (en)
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  • Momente (en)
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  • 1962-05-21 (xsd:date)
dbp:reason
  • Is this 'separate booklet' identical with the one included with the CD, or what? (en)
dbp:reference
  • 0001-03-01 (xsd:gMonthDay)
  • Frisius, Rudolf. 2008. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. . (en)
  • Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. . (en)
  • Stockhausen, Karlheinz. 2009. Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. . (en)
  • Rigoni, Michel. 1998. Stockhausen: ... un vaisseau lancé vers le ciel, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. . (en)
  • Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. (en)
  • Kurtz, Michael. 1992. Stockhausen: A Biography. Translated by Richard Toop. London: Faber and Faber. . (en)
  • Stockhausen, Karlheinz. 1989. Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars. . (en)
  • Bauermeister, Mary. 2011. Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen. Munich: Edition Elke Heidenreich bei C. Bertelsmann. . (en)
  • Bosseur, Jean-Yves. 1967. "Chronique musicale: aspect de l'innovation musicale au XXe siècle: "Momente" de Stockhausen." La pensée, no.134:118–124. (en)
  • Peters, Günter. 1999. " '... How Creation Is Composed': Spirituality in the Music of Karlheinz Stockhausen". Perspectives of New Music 37, no. 1 : 97–131. (en)
  • Maconie, Robin. 1976. The Works of Karlheinz Stockhausen. London, New York, Toronto: Oxford University Press. (en)
  • Stockhausen, Karlheinz. 1978. "Momente für Solosopran, 4 Chorgruppen und 13 Instrumentalisten : Europa Version 1972". In his Texte zur Musik 4, edited by Christoph von Blumröder, 56–68. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg. . (en)
  • Griffiths, Paul. 1981. Modern Music: The Avant Garde since 1945. New York: George Braziller. . (en)
  • Kohl, Jerome. 1999. "Four Recent Books on Stockhausen". Perspectives of New Music 37, no. 1 : 213–245. (en)
  • Stockhausen, Karlheinz. 1971a. Ein Schlüssel für "Momente": 14 erste und 13 zweite Skizzen, Siculiana, Januar 1962. Kassel: Boczkowski. Reprinted, Kürten: Stockhausen-Verlag, 1981. (en)
  • Maconie, Robin. 1973. "Momente in London". Tempo new series, no. 104 : 32–33. (en)
  • Stockhausen, Karlheinz. 1963a. "Momentform: Neue Beziehungen zwischen Aufführungsdauer, Werkdauer und Moment." In Texte zur Musik, vol. 1, 189–210. Cologne: DuMont Schauberg. (en)
  • Griffiths, Paul. 1973. "New Music: Stockhausen". The Musical Times 114, no. 1561 : 283. (en)
  • Stockhausen, Karlheinz. 1971b. "Momente für Solosopran, 4 Chorgruppen und 13 Instrumentalisten". In his Texte zur Musik 3, edited by Dieter Schnebel, 31–39. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg. . (en)
  • Stockhausen, Karlheinz. 1964b. "Nr. 13: Momente für Sopran, 4 Chorgruppen und 13 Instrumentalisten ." In his Texte zur Musik, vol. 2 , edited by Dieter Schnebel, 130–134. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg. (en)
  • Parmenter, Ross. 1964. "World of Music: Delegates to Be Well Primed for Shock". The New York Times : X13. (en)
  • Smalley, Roger. 1974. "Momente: Material for the Listener and Composer" . The Musical Times 115, no. 1571 : 23–28 and no. 1574 : 289–295. (en)
dbp:scoring
  • (en)
  • soprano (en)
  • four mixed choirs (en)
  • thirteen instrumentalists (en)
dbp:text
  • various text fragments (en)
dbp:translation
  • Moments (en)
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  • Momente (Moments) is a work by the German composer Karlheinz Stockhausen, written between 1962 and 1969, scored for solo soprano, four mixed choirs, and thirteen instrumentalists (four trumpets, four trombones, three percussionists, and two electric keyboards). A "cantata with radiophonic and theatrical overtones", it is described by the composer as "practically an opera of Mother Earth surrounded by her chicks". It was Stockhausen's first piece composed on principles of modular transposability, and his first musical form to be determined from categories of sensation or perception rather than by numerical units of musical terminology, which marks a significant change in the composer's musical approach from the abstract forms of the 1950s. (en)
rdfs:label
  • Momente (en)
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