An Entity of Type: album, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Commontime is the fifth studio album by the English rock band Field Music. It was released by Memphis Industries on 5 February 2016. The album has been described as the band's most accessible to date, and encompasses a wide range of genres and influences, including the funk style that Field Music's David Brewis previously explored on Old Fears, an album by his side project School of Language. Commontime has a stronger pop music sound than Field Music's previous albums, in part inspired by David and Peter Brewis’ children listening to a lot of Hall & Oates and American number-one singles.

Property Value
dbo:abstract
  • Commontime is the fifth studio album by the English rock band Field Music. It was released by Memphis Industries on 5 February 2016. The album has been described as the band's most accessible to date, and encompasses a wide range of genres and influences, including the funk style that Field Music's David Brewis previously explored on Old Fears, an album by his side project School of Language. Commontime has a stronger pop music sound than Field Music's previous albums, in part inspired by David and Peter Brewis’ children listening to a lot of Hall & Oates and American number-one singles. As with other Field Music works, Commontime features unique song structures, unconventional instrumentation, and unusual time signatures that occasionally shift mid-song. It also includes interweaving vocals and sophisticated harmonies, with more instances of the Brewis brothers singing together than past Field Music albums, as well as prominent use of strings and brass instruments. The album features a wider array of supporting musicians than on the band's previous works, including the band's original keyboardist Andrew Moore, Peter's wife Jennie Brewis on vocals, and backup singer Liz Corney from the band Cornshed Sisters. Commontime was the first album released by Field Music since David and Peter Brewis became fathers, and several of its songs are about parenthood and family, as well as the shift in responsibility and priorities imposed by children. Other songs are about coming to terms with ageing and middle age, and although Commontime is less overtly political than previous Field Music albums, the Brewis brothers said the album conveys a message that experiencing joy and fun despite difficult political times is in itself an act of political defiance. Recorded at Field Music's home studio in Sunderland, the music for Commontime was written and recorded in spontaneous bursts over six months. "The Noisy Days Are Over" is the first single from the album, followed by “Disappointed”. The musician Prince wrote about the first single on Twitter, which generated media attention for the album and band. Field Music undertook their first American tour since 2010 in support of Commontime, though the U.S. portion of the tour was shortened at the band's request due to the challenges from parenthood. The album became the first Field Music album to reach the Top 40 in the UK Albums Chart. Commontime received positive reviews, with an aggregated Metacritic rating of 79/100, and appeared on a handful of year-end lists of the best albums of 2016. Several reviewers compared Commontime to the work of such artists as David Bowie, Talking Heads, XTC, Hot Chip, and Peter Gabriel. (en)
dbo:soundRecording
dbo:thumbnail
dbo:wikiPageExternalLink
dbo:wikiPageID
  • 48700893 (xsd:integer)
dbo:wikiPageLength
  • 83133 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1054567064 (xsd:integer)
dbo:wikiPageWikiLink
dbp:align
  • right (en)
dbp:artist
dbp:bgcolor
  • #ffeeaa (en)
dbp:cover
  • Field Music Commontime album cover.jpg (en)
dbp:description
  • "Disappointed" is an example of Field Music's greater emphasis on choruses in Commontime, while also featuring a synth-led melody with a new wave sound. (en)
  • "The Noisy Days Are Over" features a fast-paced and energetic tempo, a circular and repetitive bassline, and a dance-floor groove, with David and Peter Brewis on vocal harmonies. (en)
  • "Same Name" features falsetto vocals by David Brewis, along with a funky guitar riff and low-key drumming, as well as small flourishes of synthesisers. (en)
dbp:filename
  • Disappointed_by_Field_Music.ogg (en)
  • Same_Name_by_Field_Music.ogg (en)
  • The Noisy Days Are Over by Field Music.ogg (en)
dbp:genre
dbp:label
dbp:length
  • 3475.0
dbp:mc
  • 79 (xsd:integer)
dbp:misc
  • 0001-10-13 (xsd:gMonthDay)
dbp:name
  • Commontime (en)
dbp:nextTitle
dbp:nextYear
  • 2018 (xsd:integer)
dbp:pos
  • right (en)
dbp:prevTitle
dbp:prevYear
  • 2015 (xsd:integer)
dbp:producer
  • Field Music (en)
dbp:quote
  • We listen to Hall & Oates and just drool over how smooth and perfect the backing vocals are. Me and Peter always have had upfront backing vocals on our records, which not many contemporary bands do, but to embrace it consciously probably does come from Hall & Oates. There's also a sense of letting rip a little bit with the lead vocals, which we're generally too English and embarrassed to do. But Daryl does it O.K., so if Daryl does it, then maybe we can give it a go. (en)
  • We've moved on to a kind of domesticity and now it's more about the balance between that and somehow managing to sustain this bizarre career we have. ... We have less time in the studio, we have less time to just ponder things. I've always felt that was an integral part of my songwriting process to have an idea and just think about it for a few weeks. Now that's a luxury we really don't have. It's meant that when we go into the studio it's kind of feverish. (en)
dbp:quoted
  • true (en)
dbp:released
  • 2016-02-05 (xsd:date)
dbp:rev
  • dbr:AllMusic
  • The Guardian (en)
  • The Independent (en)
  • The Irish Times (en)
  • Clash (en)
  • Drowned in Sound (en)
  • Mojo (en)
  • NME (en)
  • Pitchfork (en)
  • PopMatters (en)
dbp:rev10score
  • 8 (xsd:integer)
dbp:rev2score
  • 6 (xsd:integer)
dbp:rev3score
  • 8 (xsd:integer)
dbp:rev9score
  • 7.800000 (xsd:double)
dbp:salign
  • right (en)
dbp:source
  • David Brewis (en)
dbp:title
  • "Disappointed" (en)
  • "Same Name" (en)
  • "The Noisy Days Are Over" (en)
dbp:type
  • music (en)
  • studio (en)
dbp:width
  • 30 (xsd:integer)
dbp:wikiPageUsesTemplate
dcterms:subject
gold:hypernym
rdf:type
rdfs:comment
  • Commontime is the fifth studio album by the English rock band Field Music. It was released by Memphis Industries on 5 February 2016. The album has been described as the band's most accessible to date, and encompasses a wide range of genres and influences, including the funk style that Field Music's David Brewis previously explored on Old Fears, an album by his side project School of Language. Commontime has a stronger pop music sound than Field Music's previous albums, in part inspired by David and Peter Brewis’ children listening to a lot of Hall & Oates and American number-one singles. (en)
rdfs:label
  • Commontime (album) (en)
owl:sameAs
prov:wasDerivedFrom
foaf:depiction
foaf:homepage
foaf:isPrimaryTopicOf
is dbo:wikiPageRedirects of
is dbo:wikiPageWikiLink of
is dbp:nextTitle of
is dbp:prevTitle of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License