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Subject Item
n2:_The_Movement_Image
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L'immagine-movimento. Cinema 1 Cinema 1: The Movement Image
rdfs:comment
L'immagine-movimento. Cinema 1 (titolo originale francese Cinéma 1. L'Image-mouvement) è un libro del 1983 del filosofo francese Gilles Deleuze: combina la filosofia con la critica cinematografica. Pubblicato in origine da Les Éditions de Minuit, fu tradotto in italiano da Jean-Paul Manganaro ed edito dalla Ubulibri nel 1984. Nella prefazione all'edizione francese - presente anche in quella italiana - Deleuze affermava che «Questo studio non è una storia del cinema. È una tassonomia, un tentativo di classificazione delle immagini e dei segni», riconoscendo poi le influenze su questo libro del pragmatista americano Charles Sanders Peirce e del filosofo francese Henri Bergson. I saggi contenuti vanno dal periodo del cinema muto agli anni '70, includendo il lavoro di autori come D. W. Griffit Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. In these books the author combines philosophy and cinema, explaining in the preface to the French edition of Cinema 1 that "[t]his study is not a history of cinema. It is a taxonomy, an attempt at the classifications of images and signs"; and that the "first volume has to content itself with […] only one part of the classification". To make this division between the movement-image and the time-image Deleuze draws upon the work of the French p
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Cinema 1: The Movement Image Cinéma 1. L'image-mouvement
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Cinema 1: The Movement Image
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Cover of the French edition
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France
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Cinéma 2. L'image-temps
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2
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French
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11089931
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296
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Francis Bacon - Logique de la sensation
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1983
dbp:titleOrig
Cinéma 1. L'image-mouvement
dbp:translator
dbr:Hugh_Tomlinson Barbara Habberjam
dbo:abstract
L'immagine-movimento. Cinema 1 (titolo originale francese Cinéma 1. L'Image-mouvement) è un libro del 1983 del filosofo francese Gilles Deleuze: combina la filosofia con la critica cinematografica. Pubblicato in origine da Les Éditions de Minuit, fu tradotto in italiano da Jean-Paul Manganaro ed edito dalla Ubulibri nel 1984. Nella prefazione all'edizione francese - presente anche in quella italiana - Deleuze affermava che «Questo studio non è una storia del cinema. È una tassonomia, un tentativo di classificazione delle immagini e dei segni», riconoscendo poi le influenze su questo libro del pragmatista americano Charles Sanders Peirce e del filosofo francese Henri Bergson. I saggi contenuti vanno dal periodo del cinema muto agli anni '70, includendo il lavoro di autori come D. W. Griffith, Abel Gance, Erich von Stroheim, Charlie Chaplin, Sergej Ėjzenštejn, Luis Buñuel, Howard Hawks, Robert Bresson, Jean-Luc Godard, Sidney Lumet, Robert Altman; fra gli italiani Roberto Rossellini, Michelangelo Antonioni, Pier Paolo Pasolini. Al primo volume ne seguì un secondo nel 1985, dal titolo Cinéma 2, L'Image-temps e pubblicato in lingua italiana nel maggio del 1989 con il titolo L'immagine-tempo. Cinema 2. In ambedue i libri la cinematografia viene teorizzata usando concetti quali tempo, movimento e vita. Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. In these books the author combines philosophy and cinema, explaining in the preface to the French edition of Cinema 1 that "[t]his study is not a history of cinema. It is a taxonomy, an attempt at the classifications of images and signs"; and that the "first volume has to content itself with […] only one part of the classification". To make this division between the movement-image and the time-image Deleuze draws upon the work of the French philosopher Henri Bergson's theory of matter (movement) and mind (time). In Cinema 1, Deleuze specifies his classification of the movement-image through both Bergson's theory of matter and the philosophy of the American pragmatist C. S. Peirce. The cinema covered in the book ranges from the silent era to the late 1970s, and includes the work of D. W. Griffith, G. W. Pabst, Abel Gance, and Sergei Eisenstein from the early days of film; mid-20th century filmmakers such as Akira Kurosawa, John Ford, Carl Theodor Dreyer, and Alfred Hitchcock; and contemporary – for Deleuze – directors Robert Bresson, Werner Herzog, Martin Scorsese, and Ingmar Bergman. The second volume includes the work of a different series of filmmakers (although there are some overlaps). Claire Colebrook writes that while both books are clearly about cinema, Deleuze also uses films to theorise – through movement and time – life as a whole. David Deamer writes that Deleuze's film philosophy "is neither the site of a privileged discourse by philosophy on film, nor film finding its true home as philosophy. Neither discipline needs the other. Yet together philosophy and film can create […] an atmosphere for thought."
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