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Statements

Subject Item
dbr:Charles_Meryon
rdfs:label
Charles Meryon Charles Meryon Charles Meryon Charles Meryon Charles Meryon Мерион, Шарль Charles Meryon シャルル・メリヨン Charles Meryon
rdfs:comment
Charles Meryon, född den 23 november 1821 i Paris, död den 13 februari 1868 i Charenton, var en fransk tecknare och etsare. Шарль Мерион (фр. Charles Meryon; 23 ноября 1821, Париж — 13 февраля 1868, Шарантон-ле-Пон, департамент Валь-де-Марн) — французский художник и гравёр. Charles Meryon (1821-1868), grabador francés. Entre 1850 y 1854 realizó una serie de más de cien aguafuertes inspirados en los viejos barrios de París. Apenas valorado a lo largo de su vida, Meryon es apreciado y reconocido hoy por su estilo preciso y cuidadoso, imbuido de un poético romanticismo y un toque de macabra ironía, como puede verse en su dibujo Le Pont-au-Change, París (1852, Clark Art Institute, Williamstown, Massachusetts). * Retrato de Charles Meryon por Léopold Flameng * * Ábside de Notre Dame, 1850–54. Grabado. * "San Francisco MDCCCLV" * Le Pont-au-Change, París, hacia 1784 Charles Meryon (Parigi, 23 novembre 1821 – Charenton-le-Pont, 14 febbraio 1868) è stato un incisore, pittore, disegnatore e poeta francese. Charles Meryon (auch Charles Méryon; * 23. November 1821 in Paris; † 17. Februar 1868 in Charenton-le-Pont, Département Val-de-Marne) war ein französischer Maler und Graveur. シャルル・メリヨン（英: Charles Meryon, 仏: Charles Méryon, 1821年11月23日 - 1868年2月13日）は、フランスの版画家。19世紀フランスを代表する銅版画（エッチング）作者の一人で、パリの風景を描いた作品が知られる。 Charles Meryon (Parijs, 23 november 1821 – Charenton-Saint Maurice, 13 februari 1868) was een Frans etser, schilder en tekenaar. Charles Meryon, né à Paris, le 23 novembre 1821, et mort à Charenton (Val-de-Marne), le 13 février 1868, est un graveur français. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum.
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Category:Charles Meryon
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Q247505
dbp:first
Frederick
dbp:last
Wedmore
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176
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Méryon, Charles
dbo:abstract
Charles Meryon (auch Charles Méryon; * 23. November 1821 in Paris; † 17. Februar 1868 in Charenton-le-Pont, Département Val-de-Marne) war ein französischer Maler und Graveur. Charles Meryon (Parijs, 23 november 1821 – Charenton-Saint Maurice, 13 februari 1868) was een Frans etser, schilder en tekenaar. Charles Meryon, né à Paris, le 23 novembre 1821, et mort à Charenton (Val-de-Marne), le 13 février 1868, est un graveur français. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum. Meryon's mother was a dancer at the Paris Opera, who moved to London around 1814 to dance there. In 1818 she had a daughter by Viscount Lowther, the future William Lowther, 2nd Earl of Lonsdale, a wealthy aristocrat and politician, and 1821 Charles Meryon by Dr Charles Lewis Meryon, an English doctor, returning to Paris for the birth, and remaining there for the rest of her life. The household in Paris was supported financially by both fathers, but more so by Lowther, whose indirect funding remained important throughout Meryon's life; he made very little money from his art. Starting at the age of 16, Meryon spent ten years as a naval cadet and finally officer, which included tours of the Mediterranean, and a four year voyage around the world, for most of it based in New Zealand, where the French then maintained an imperial toe-hold. On his return he fought and was wounded in a pro-government militia during political disturbances in 1848. He had become seriously interested in art during his naval career, starting to take lessons. He gradually and reluctantly realized that his colour-blindness ruled out painting, and by 1848 settled on etching, then out of favour as a medium for fine art, though about to undergo a considerable revival. His best period lasted between 1850 and about 1856, before his increasing mental illness reduced his output. He spent fourteen months in an asylum in 1858 and 1859, then continued to work until 1866, when he re-entered the asylum for the final time. シャルル・メリヨン（英: Charles Meryon, 仏: Charles Méryon, 1821年11月23日 - 1868年2月13日）は、フランスの版画家。19世紀フランスを代表する銅版画（エッチング）作者の一人で、パリの風景を描いた作品が知られる。 Charles Meryon (Parigi, 23 novembre 1821 – Charenton-le-Pont, 14 febbraio 1868) è stato un incisore, pittore, disegnatore e poeta francese. Charles Meryon, född den 23 november 1821 i Paris, död den 13 februari 1868 i Charenton, var en fransk tecknare och etsare. Шарль Мерион (фр. Charles Meryon; 23 ноября 1821, Париж — 13 февраля 1868, Шарантон-ле-Пон, департамент Валь-де-Марн) — французский художник и гравёр. Charles Meryon (1821-1868), grabador francés. Entre 1850 y 1854 realizó una serie de más de cien aguafuertes inspirados en los viejos barrios de París. Apenas valorado a lo largo de su vida, Meryon es apreciado y reconocido hoy por su estilo preciso y cuidadoso, imbuido de un poético romanticismo y un toque de macabra ironía, como puede verse en su dibujo Le Pont-au-Change, París (1852, Clark Art Institute, Williamstown, Massachusetts). * Retrato de Charles Meryon por Léopold Flameng * La Galeria de Nôtre-Dame en París, 1853. Grabado. 274 × 161 mm. Rotterdam, Museum Boijmans Van Beuningen (inv.no. L 1968/12) * Ábside de Notre Dame, 1850–54. Grabado. * "San Francisco MDCCCLV" * Le Pont-au-Change, París, hacia 1784
dbp:authorLink
Frederick Wedmore
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wikipedia-en:Charles_Meryon?oldid=1119090659&ns=0
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