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Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.

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  • Las mujeres han hecho contribuciones significativas a la música punk rock y su subcultura desde sus inicios en la década de 1970.​​En contraste con las escenas de música rock y heavy metal de la década de 1970, que estaban dominadas por hombres, la mentalidad anárquica y contracultural de la escena punk de mediados y finales de la década de 1970 alentó a las mujeres a participar. Esta participación jugó un papel en el desarrollo histórico de la música punk, especialmente en los EE. UU. y el Reino Unido en ese momento, y continúa influyendo y capacitando a las generaciones futuras.​ Las mujeres han participado en la escena punk como cantantes principales, instrumentistas, como bandas exclusivamente femeninas, colaboradoras de fanzines y diseñadoras de moda.​ La historiadora del rock escribió que la imagen popular de las jóvenes músicas punk centrada en los aspectos de la moda de la escena (medias de rejilla, pelo de punta, etc.) era estereotipada. Afirma que muchas, si no todas las mujeres punks, estaban más interesadas en la ideología y las implicaciones sociopolíticas que en la moda.​ La historiadora de la música sostiene que antes del punk, las mujeres en la música rock eran prácticamente invisibles; por el contrario, en el punk, sostiene, "sería posible escribir toda la historia de la música punk sin mencionar ninguna banda masculina, y creo que a mucha gente le sorprendería mucho". (es)
  • Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers. Rock historian Helen Reddington wrote that the popular image of young punk women musicians as focused on the fashion aspects of the scene (Fishnet stockings, spiky hair, etc.) was stereotypical. She states that many, if not all women punks were more interested in the ideology and socio-political implications, rather than the fashion. Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues, "It would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of [people] would find that very surprising." Johnny Rotten wrote that "During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn’t combative, but compatible." Chrissie Hynde echoed similar sentiments when discussing her start in the punk scene, "That was the beauty of the punk thing: sexual discrimination didn't exist in that scene." The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. Sonic Youth's Kim Gordon states, "I think women are natural anarchists, because you're always operating in a male framework." Others take issue with the notion of equal recognition, such as guitarist Viv Albertine, who stated that "the A&R men, the bouncers, the sound mixers, no one took us seriously. So, no, we got no respect anywhere we went. People just didn't want us around." (en)
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  • Las mujeres han hecho contribuciones significativas a la música punk rock y su subcultura desde sus inicios en la década de 1970.​​En contraste con las escenas de música rock y heavy metal de la década de 1970, que estaban dominadas por hombres, la mentalidad anárquica y contracultural de la escena punk de mediados y finales de la década de 1970 alentó a las mujeres a participar. Esta participación jugó un papel en el desarrollo histórico de la música punk, especialmente en los EE. UU. y el Reino Unido en ese momento, y continúa influyendo y capacitando a las generaciones futuras.​ Las mujeres han participado en la escena punk como cantantes principales, instrumentistas, como bandas exclusivamente femeninas, colaboradoras de fanzines y diseñadoras de moda.​ (es)
  • Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers. (en)
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  • Mujeres en el punk rock (es)
  • Women in punk rock (en)
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