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Caterina Mancini (10 November 1924 – 21 January 2011) was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s. Mancini was born at Genzano di Roma. She made her debut in 1948, as Giselda in I Lombardi, in Florence. In 1950, she appeared in Bologna and Venice,in Norma, and made her debut at La Scala in Milan, in Lucrezia Borgia, in 1951. Her career was in many ways similar to that of Anita Cerquetti; both had short but brilliant careers, and both were more or less eclipsed by Maria Callas, and nowadays almost forgotten.

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  • Caterina Mancini (10 November 1924 – 21 January 2011) was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s. Mancini was born at Genzano di Roma. She made her debut in 1948, as Giselda in I Lombardi, in Florence. In 1950, she appeared in Bologna and Venice,in Norma, and made her debut at La Scala in Milan, in Lucrezia Borgia, in 1951. The same year, she sang in many Verdi operas on radio broadcast (RAI) to commemorate 50th anniversary of Verdi's death. Many of these broadcasts have been released by the record company Cetra, notably, Nabucco, Ernani, Attila, La battaglia di Legnano, Il trovatore, and Aïda. She sang mostly in Italy, notably as Anaide in Mosè in Egitto inFlorence (1955), and as Amelia in Il duca d'Alba, in Verona (1956). She made occasional appearances in France and Spain. Other notable roles included: Amelia, Elisabetta, Gioconda, Santuzza, Tosca. Mancini was a dramatic coloratura soprano, possessing a large and powerful, yet surprisingly flexible voice, which made her an excellent exponent of early Verdi operas. Health problems in the early 1960s led her to withdraw little by little from the stage. In fact, on 30 November 1963 she sang the contralto part in a performance of the oratorio Messiah, for the Dallas Opera. The event was dedicated to the memory of John F. Kennedy, who had been slain in that city a few days earlier. The other soloists included Jon Vickers and Norman Treigle, and it was conducted by Nicola Rescigno. It was billed as her "first appearance as a contralto and in an English work." Her career was in many ways similar to that of Anita Cerquetti; both had short but brilliant careers, and both were more or less eclipsed by Maria Callas, and nowadays almost forgotten. (en)
  • Caterina Mancini (Genzano di Roma, Italia, 10 de noviembre de 1924-Roma, Italia, 21 de enero] de 2011) fue una soprano dramática italiana, activa en los escenarios en la década de 1950. Debutó en Florencia en 1948, como Giselda en I Lombardi, luego en Boloña y Venecia y en La Scala de Milán, en Lucrezia Borgia en 1951. Cantó en Francia y España y como Amelia en Un ballo in maschera, Don Carlo, La Gioconda, Cavalleria rusticana y Tosca. (es)
  • Caterina Mancini (née le 10 novembre 1924 à Genzano di Roma et morte le 21 janvier 2011 à Rome) est une soprano italienne qui s'est particulièrement illustrée dans les emplois de soprano dramatique colorature, notamment les opéras de jeunesse de Giuseppe Verdi. (fr)
  • カテリーナ・マンチーニ(Caterina Mancini, 1924年11月10日 - 2011年1月21日)は、イタリアのソプラノ歌手。 ジェンツァーノ・ディ・ローマの生まれ。1948年にフィレンツェでジュゼッペ・ヴェルディの《十字軍のロンバルディア人》のジゼルダ役でデビューを飾る。1950年にはボローニャとヴェニスでヴィンチェンツォ・ベッリーニの《ノルマ》を歌って好評を博し、翌年にはガエターノ・ドニゼッティの《ルクレツィア・ボルジア》でミラノ・スカラ座に登場した。同年、イタリア放送協会のヴェルディ没後50周年としてヴェルディの名作オペラを放送する企画に参加した。1960年代初頭に体調を崩して次第にオペラから遠ざかり、1963年にジョン・F・ケネディの暗殺で騒然としていたダラスでゲオルク・フリードリヒ・ヘンデルの《メサイア》でコントラルト歌手として出演した。 ローマにて死去。 (ja)
  • Caterina Mancini (Genzano di Roma, 10 novembre 1924 – Roma, 21 gennaio 2011) è stata un soprano italiano. (it)
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  • Caterina Mancini (Genzano di Roma, Italia, 10 de noviembre de 1924-Roma, Italia, 21 de enero] de 2011) fue una soprano dramática italiana, activa en los escenarios en la década de 1950. Debutó en Florencia en 1948, como Giselda en I Lombardi, luego en Boloña y Venecia y en La Scala de Milán, en Lucrezia Borgia en 1951. Cantó en Francia y España y como Amelia en Un ballo in maschera, Don Carlo, La Gioconda, Cavalleria rusticana y Tosca. (es)
  • Caterina Mancini (née le 10 novembre 1924 à Genzano di Roma et morte le 21 janvier 2011 à Rome) est une soprano italienne qui s'est particulièrement illustrée dans les emplois de soprano dramatique colorature, notamment les opéras de jeunesse de Giuseppe Verdi. (fr)
  • カテリーナ・マンチーニ(Caterina Mancini, 1924年11月10日 - 2011年1月21日)は、イタリアのソプラノ歌手。 ジェンツァーノ・ディ・ローマの生まれ。1948年にフィレンツェでジュゼッペ・ヴェルディの《十字軍のロンバルディア人》のジゼルダ役でデビューを飾る。1950年にはボローニャとヴェニスでヴィンチェンツォ・ベッリーニの《ノルマ》を歌って好評を博し、翌年にはガエターノ・ドニゼッティの《ルクレツィア・ボルジア》でミラノ・スカラ座に登場した。同年、イタリア放送協会のヴェルディ没後50周年としてヴェルディの名作オペラを放送する企画に参加した。1960年代初頭に体調を崩して次第にオペラから遠ざかり、1963年にジョン・F・ケネディの暗殺で騒然としていたダラスでゲオルク・フリードリヒ・ヘンデルの《メサイア》でコントラルト歌手として出演した。 ローマにて死去。 (ja)
  • Caterina Mancini (Genzano di Roma, 10 novembre 1924 – Roma, 21 gennaio 2011) è stata un soprano italiano. (it)
  • Caterina Mancini (10 November 1924 – 21 January 2011) was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s. Mancini was born at Genzano di Roma. She made her debut in 1948, as Giselda in I Lombardi, in Florence. In 1950, she appeared in Bologna and Venice,in Norma, and made her debut at La Scala in Milan, in Lucrezia Borgia, in 1951. Her career was in many ways similar to that of Anita Cerquetti; both had short but brilliant careers, and both were more or less eclipsed by Maria Callas, and nowadays almost forgotten. (en)
rdfs:label
  • Caterina Mancini (es)
  • Caterina Mancini (en)
  • Caterina Mancini (fr)
  • Caterina Mancini (it)
  • カテリーナ・マンチーニ (ja)
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