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Statements

Subject Item
dbr:Joe_Meek
rdf:type
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rdfs:label
조 믹 Joe Meek Joe Meek Joe Meek Joe Meek Joe Meek Joe Meek Joe Meek Joe Meek Joe Meek
rdfs:comment
Robert George "Joe" Meek, född 5 april 1929 i Newent, Gloucestershire, död 3 februari 1967 i London, var en nyskapande brittisk musikproducent och låtskrivare.Mest känd är han för sin låt Telstar som han skrev och producerade åt The Tornados 1962 som blev den första låten av en brittisk grupp att nå förstaplatsen på Billboard Hot 100 i USA. Trots sin korta musikaliska karriär hann han producera många populära låtar med artister som The Honeycombs, Lonnie Donegan, Michael Cox, och hans bidrag till musikhistorien är mycket stort. Meeks konceptalbum 1960 räknas som ett inflytelserikt album och tidningen skrev om dess betydelse i en artikel med namnet "100 Records that Set the World on Fire (When No One Was Listening)". Robert George "Joe" Meek (5 de abril de 1929-3 de febrero de 1967) fue un productor discográfico, músico, ingeniero de sonido y compositor británico pionero de la música pop experimental y de la era espacial. También colaboró en el desarrollo de prácticas de grabación como el overdubbing, el sampling y la reverberación.​ Meek está considerado uno de los ingenieros de sonido más influyentes de todos los tiempos, siendo uno de los primeros en desarrollar ideas como la del estudio de grabación como instrumento, y convirtiéndose en uno de los primeros productores en ser reconocido por su identidad individual como artista.​ Joe Meek (5. dubna 1929 – 3. února 1967) byl anglický hudební producent. Svou hudební kariéru zahájil jako zvukový inženýr v polovině padesátých let. V roce 1960 založil spolu s hudební vydavatelství Triumph Records. Produkoval nahrávky mnoha interpretů, mezi něž patří například , a . V roce 1960 vydal vlastní konceptuální album nazvané I Hear a New World. Ke konci života upadal do depresí a měl velké dluhy. V roce 1967 se zastřelil. Joe Meek (Robert George Meek, * 5. April 1929 in , Gloucestershire; † 3. Februar 1967 in Islington) war ein britischer Musikproduzent, Songwriter und Inhaber einer Plattenfirma. Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Joe Meek, właśc. Robert Georgie Meek (ur. 5 kwietnia 1929, zm. 3 lutego 1967) – pionier brytyjskich reżyserów nagrań lat '50–'60 XX w., kompozytor, wynalazca, pierwszy w historii niezależny producent muzyczny, którego działalność miała silny wpływ na rozwój muzyki i kultury rockowej. Współpracował z takimi artystami i zespołami jak , , The Tornados, i . 로버트 조지 "조" 믹(Robert George "Joe" Meek, 1929년 4월 5일 – 1967년 2월 3일)은 영국의 음반 제작자, 음향 엔지니어, 작곡가다. 및 의 선구자로 평가된다. 또한 오버더빙, 샘플링, 리버브 등 다양한 음반 제작기술의 개발에 관여하여 왔다. 인하여 믹은 역대 가장 영향력 있는 음향 엔지니어로 평가되기도 하며, 는 발상을 처음 낳은 인물 중 한 명으로도 평가된다. 개성파 예술인의 면모로도 또한 유명하다. 〈〉, 〈〉, 〈Angela Jones〉, 〈〉, 〈Tribute to Buddy Holly〉 등 믹이 제작한 싱글이 이렇게 많이 차트에 올랐다. 특히나 그의 자작곡 〈〉는 미국 핫 100에 처음 1위로 치올려진 영국 록 그룹의 레코드다. 이것은 역시 영국에서도 1위에 올랐고, 5주를 응립하는 데 성공했다. 믹은 이 레코드로 1962년 아이버 노벨 어워드 "가장 많이 팔린 A면" 부문을 수상했다. 대중음악 영화 《》의 음악에도 참여했다. 1960년 콘셉트 앨범 《》는 혁신적인 일렉트릭 음향을 활용한 것으로, 아쉽게도 생전 완전한 형태로 발매되지 못했다. Robert George (Joe) Meek (Newent, Gloucestershire, 5 april 1929 – Londen, 3 februari 1967) was een onafhankelijke muziekproducent, geluidstechnicus en liedjesschrijver. Hij was verantwoordelijk voor drie nummer 1-hits in de Engelse hitparade: * John Leyton, Johnny Remember Me (1961); * The Tornados, Telstar (1962); * The Honeycombs, Have I the Right? (1964). Joe Meek was toondoof en had moeite om timbres te onderscheiden. Dat was geen beletsel voor een carrière in de muziekwereld. Joe Meek (Robert George Meek), né le 5 avril 1929 à Newent, Gloucestershire (Royaume-Uni) et mort à Islington à Londres le 3 février 1967, fut un pionnier parmi les producteurs britanniques de musique et un auteur compositeur reconnu comme l'un des premiers producteurs indépendants au monde. Robert George Meek, meglio conosciuto come Joe Meek (Newent, 5 aprile 1929 – Londra, 3 febbraio 1967), è stato un produttore discografico, tecnico del suono e compositore inglese. Meek ideò e perfezionò varie tecniche in studio fra cui la sovraincisione, il campionamento e il riverbero. Meek viene inoltre considerato uno dei più influenti ingegneri del suono di tutti i tempi per essere stato uno dei primi ad aver trasformato lo studio di registrazione in uno strumento e ad aver reso le tecniche di produzione un'espressione artistica. Il suo innovativo uso delle tecniche di produzione spinsero alcuni a definirlo "il Phil Spector inglese." Durante la sua vita, Meek lavorò per artisti come John Leyton, , , The Honeycombs, e i Tornados, insieme ai quali scrisse la famosa Telstar (1962).
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Joe Meek
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Joe Meek
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Robert George Meek
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London, England
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1967-02-03
dbp:birthPlace
Newent, Gloucestershire, England
dbo:birthDate
1929-04-05
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n29:Joe_Meek_historic.jpg?width=300
dbp:alias
Robert Duke, Peter Jacobs
dbp:birthDate
1929-04-05
dbp:birthName
Robert George Meek
dbp:caption
1960.0
dbp:deathDate
1967-02-03
dbp:description
"Telstar" featured a clavioline, a keyboard instrument with a distinctive electronic sound. The piece won an Ivor Novello Award and sold over five million copies worldwide.
dbp:filename
Telstar.ogg
dbp:genre
dbr:Space_age_pop dbr:Outsider_music dbr:Rock_and_roll Experimental pop
dbp:label
UK: Triumph , Pye Nixa, Piccadilly, Decca, Ember, Oriole, Columbia, Top Rank, HMV, Parlophone USA: Tower, London, Coral
dbp:occupation
Record producer, sound engineer, songwriter
dbp:title
The Tornadoes – "Telstar"
dbp:yearsActive
1954
dbo:abstract
Robert George "Joe" Meek (5 de abril de 1929-3 de febrero de 1967) fue un productor discográfico, músico, ingeniero de sonido y compositor británico pionero de la música pop experimental y de la era espacial. También colaboró en el desarrollo de prácticas de grabación como el overdubbing, el sampling y la reverberación.​ Meek está considerado uno de los ingenieros de sonido más influyentes de todos los tiempos, siendo uno de los primeros en desarrollar ideas como la del estudio de grabación como instrumento, y convirtiéndose en uno de los primeros productores en ser reconocido por su identidad individual como artista.​ 로버트 조지 "조" 믹(Robert George "Joe" Meek, 1929년 4월 5일 – 1967년 2월 3일)은 영국의 음반 제작자, 음향 엔지니어, 작곡가다. 및 의 선구자로 평가된다. 또한 오버더빙, 샘플링, 리버브 등 다양한 음반 제작기술의 개발에 관여하여 왔다. 인하여 믹은 역대 가장 영향력 있는 음향 엔지니어로 평가되기도 하며, 는 발상을 처음 낳은 인물 중 한 명으로도 평가된다. 개성파 예술인의 면모로도 또한 유명하다. 〈〉, 〈〉, 〈Angela Jones〉, 〈〉, 〈Tribute to Buddy Holly〉 등 믹이 제작한 싱글이 이렇게 많이 차트에 올랐다. 특히나 그의 자작곡 〈〉는 미국 핫 100에 처음 1위로 치올려진 영국 록 그룹의 레코드다. 이것은 역시 영국에서도 1위에 올랐고, 5주를 응립하는 데 성공했다. 믹은 이 레코드로 1962년 아이버 노벨 어워드 "가장 많이 팔린 A면" 부문을 수상했다. 대중음악 영화 《》의 음악에도 참여했다. 1960년 콘셉트 앨범 《》는 혁신적인 일렉트릭 음향을 활용한 것으로, 아쉽게도 생전 완전한 형태로 발매되지 못했다. 프로듀서로서의 성공은 그리 길지 못했고, 그는 점차 빚과 우울증의 늪에 잠겨 갔다. 1967년 2월 3일 음악인 소유의 산탄총으로 집 주인 바이올렌 셴턴을 쏘아 죽이고 뒤미처 자신도 자살했다. 믹은 수천에 달하는 녹음물을 미공개 상태로 두고 떠났는데, 이것을 후에 "The Tea Chest Tapes"로 이름 붙여놓고 있다. 2009년 는 "뛰어난 프로듀서의 선구자적 정신을 기리는 의미"로 "제작 혁신을 표창하는 조 믹상"을 제정했다. 2014년 《NME》는 가장 위대한 프로듀서로 믹을 선정, "믹은 완벽한 소리를 찾겠다는 목표 하에 끝없이 새로운 아이디어를 발상, 시도했다. ... 그 유산은 오늘날 귀하들이 좋아하는 음악에서 너무나도 쉬 확인이 가능하다."고 이름 높혔다. Joe Meek (Robert George Meek), né le 5 avril 1929 à Newent, Gloucestershire (Royaume-Uni) et mort à Islington à Londres le 3 février 1967, fut un pionnier parmi les producteurs britanniques de musique et un auteur compositeur reconnu comme l'un des premiers producteurs indépendants au monde. Sa production la plus célèbre est Telstar, enregistré en 1962 par les Tornados, instrumental qui a été le premier morceau rock britannique à atteindre la 1re place au Billboard Hot 100. Son concept-album est considéré comme un tournant dans la musique moderne pour son utilisation de sons électroniques. Son succès commercial en tant que producteur a été de courte durée et Meek sombra peu à peu dans la dépression et les dettes. Il s'est suicidé le 3 février 1967, âgé de 37 ans, huit ans jour pour jour après la mort de son idole Buddy Holly. Joe Meek (5. dubna 1929 – 3. února 1967) byl anglický hudební producent. Svou hudební kariéru zahájil jako zvukový inženýr v polovině padesátých let. V roce 1960 založil spolu s hudební vydavatelství Triumph Records. Produkoval nahrávky mnoha interpretů, mezi něž patří například , a . V roce 1960 vydal vlastní konceptuální album nazvané I Hear a New World. Ke konci života upadal do depresí a měl velké dluhy. V roce 1967 se zastřelil. Joe Meek (Robert George Meek, * 5. April 1929 in , Gloucestershire; † 3. Februar 1967 in Islington) war ein britischer Musikproduzent, Songwriter und Inhaber einer Plattenfirma. Robert George "Joe" Meek, född 5 april 1929 i Newent, Gloucestershire, död 3 februari 1967 i London, var en nyskapande brittisk musikproducent och låtskrivare.Mest känd är han för sin låt Telstar som han skrev och producerade åt The Tornados 1962 som blev den första låten av en brittisk grupp att nå förstaplatsen på Billboard Hot 100 i USA. Trots sin korta musikaliska karriär hann han producera många populära låtar med artister som The Honeycombs, Lonnie Donegan, Michael Cox, och hans bidrag till musikhistorien är mycket stort. Meeks konceptalbum 1960 räknas som ett inflytelserikt album och tidningen skrev om dess betydelse i en artikel med namnet "100 Records that Set the World on Fire (When No One Was Listening)". Joe Meek producerade och skrev även en hel del musik för filmer, bland annat för 1963, en film om popmusik med bland annat Heinz Burt, Kenny Ball i huvudrollerna. Mot slutet av sitt liv blev Meek paranoid och deprimerad, delvis på grund av att han var homosexuell under en period då det var olagligt i Storbritannien, men också på grund av en ökande användning av droger. Dessutom var han i ekonomiska bekymmer då den franska kompositören Jean Ledrut stämde honom för att ha stulit melodin till 'Telstar', och medan fallet var i domstolen kunde Meek inte få ut någon royalty från hiten. Den 3 februari 1967 mördade Joe Meek sin hyresvärd med ett hagelgevär, innan han tog sitt eget liv genom att skjuta sig själv. Strax efter hans död fattade domstolen sitt beslut: Joe Meek hade inte stulit melodin till 'Telstar' från Jean Ledrut. Robert George Meek, meglio conosciuto come Joe Meek (Newent, 5 aprile 1929 – Londra, 3 febbraio 1967), è stato un produttore discografico, tecnico del suono e compositore inglese. Meek ideò e perfezionò varie tecniche in studio fra cui la sovraincisione, il campionamento e il riverbero. Meek viene inoltre considerato uno dei più influenti ingegneri del suono di tutti i tempi per essere stato uno dei primi ad aver trasformato lo studio di registrazione in uno strumento e ad aver reso le tecniche di produzione un'espressione artistica. Il suo innovativo uso delle tecniche di produzione spinsero alcuni a definirlo "il Phil Spector inglese." Durante la sua vita, Meek lavorò per artisti come John Leyton, , , The Honeycombs, e i Tornados, insieme ai quali scrisse la famosa Telstar (1962). Robert George (Joe) Meek (Newent, Gloucestershire, 5 april 1929 – Londen, 3 februari 1967) was een onafhankelijke muziekproducent, geluidstechnicus en liedjesschrijver. Hij was verantwoordelijk voor drie nummer 1-hits in de Engelse hitparade: * John Leyton, Johnny Remember Me (1961); * The Tornados, Telstar (1962); * The Honeycombs, Have I the Right? (1964). Joe Meek was toondoof en had moeite om timbres te onderscheiden. Dat was geen beletsel voor een carrière in de muziekwereld. Joe Meek, właśc. Robert Georgie Meek (ur. 5 kwietnia 1929, zm. 3 lutego 1967) – pionier brytyjskich reżyserów nagrań lat '50–'60 XX w., kompozytor, wynalazca, pierwszy w historii niezależny producent muzyczny, którego działalność miała silny wpływ na rozwój muzyki i kultury rockowej. Współpracował z takimi artystami i zespołami jak , , The Tornados, i . To Meek wprowadził do studia nagraniowego takie narzędzia jak kompresor, efekt pogłosu, (odtwarzania taśmy „od tyłu”) jak też początki samplingu. Zaadaptował do współczesnych mu brzmień muzycznych , instrument muzyczny z lat '30 XX w., który później wykorzystali muzycy Tangerine Dream i Pink Floyd. W przeciwieństwie do innych producentów, dążył bardziej do uzyskania określonego wrażenia ogólnego niż do precyzyjnego uchwycenia wszystkich dźwięków, generowanych przez muzyków w studiu. W ciągu swej krótkiej kariery stał się samotnym twórcą „dźwiękowego autografu” swojego własnego brzmieniowego piętna, który nadawał produkowanym przez siebie nagraniom. Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" (Heinz, 1963), "Angela Jones" (Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" (Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in the UK singles chart, with Meek receiving an Ivor Novello Award for this production as the "Best-Selling A-Side" of 1962. He also produced music for films such as Live It Up! (US title Sing and Swing, 1963), a pop music film. Meek's concept album I Hear a New World (1960), which contains innovative use of electronic sounds, was not fully released in his lifetime. His reputation for experiments in recording music was acknowledged by the Music Producers Guild who in 2009 created "The Joe Meek Award for Innovation in Production" as a "homage to [the] remarkable producer's pioneering spirit". In 2014, Meek was ranked the greatest producer of all time by NME, elaborating: "Meek was a complete trailblazer, attempting endless new ideas in his search for the perfect sound. ... The legacy of his endless experimentation is writ large over most of your favourite music today." At the time of his death, Meek possessed thousands of unreleased recordings later dubbed "The Tea Chest Tapes". His commercial success as a producer was short-lived, and he gradually sank into debt and depression. On 3 February 1967, using a shotgun owned by musician Heinz Burt, Meek killed his landlady, Violet Shenton, and then shot himself.
gold:hypernym
dbr:Producer
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n13:49490926
dbp:wordnet_type
n33:synset-musician-noun-1
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wikipedia-en:Joe_Meek?oldid=1124650545&ns=0
dbo:wikiPageLength
55711
dbo:activeYearsEndYear
1967-01-01
dbo:activeYearsStartYear
1954-01-01
dbo:alias
Robert Duke, Peter Jacobs
dbo:genre
dbr:Outsider_music dbr:Space_age_pop dbr:Experimental_pop dbr:Rock_and_roll
dbo:recordLabel
dbr:Ember_Records_(UK_label) dbr:Oriole_Records_(UK) dbr:HMV dbr:London_Records dbr:Triumph_Records_(UK) dbr:Rank_Organisation dbr:Decca_Records dbr:Tower_Records_(record_label) dbr:Parlophone dbr:Coral_Records dbr:Columbia_Graphophone_Company dbr:Pye_Records
dbo:soundRecording
dbr:Joe_Meek__Sound__1
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wikipedia-en:Joe_Meek