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Statements

Subject Item
dbr:Cinema_of_West_Bengal
rdf:type
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rdfs:label
Tollywood 西ベンガルの映画 Кинематограф Западной Бенгалии Sinema Bengal Barat Cinéma bengali Бенгальський кінематограф Cinema of West Bengal
rdfs:comment
Le cinéma bengali est un cinéma indien en bengali basé à Tollygunge, quartier de Calcutta. Il ne doit pas être confondu avec le cinéma bangladais, aussi en bengali, et le cinéma en télougou, dont le surnom est aussi Tollywood, mot-valise remontant à 1932 et fusionnant Tollygunge et Hollywood. Le cinéma bengali a produit des cinéastes de renommée internationale tels que Satyajit Ray, Mrinal Sen, Ritwik Ghatak et (en). C'est aussi en son sein qu'est né le cinéma parallèle, ou nouveau cinéma indien, un mouvement cinématographique du cinéma indien des années 1950, alternative au cinéma commercial indien grand public. Inspiré du néoréalisme italien , le cinéma parallèle commença juste avant la Nouvelle Vague française et la Nouvelle Vague japonaise, et fut un précurseur de la Nouvelle Vague in Tollywood, also known as Cinema of West Bengal, is an Indian film industry of Bengali-language motion pictures. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim. Sinema Bengal Barat (bahasa Bengali: টলিউড), Tollywood yang merujuk kepada industri film Bengali yang berbasis di kota Kolkata, Bengal Barat, India. Asal muasal julukan Tollywood, sebuah lakuran dari kata Tollygunge dan Hollywood, berawal pada tahun 1932. Industri tersebut dikenal karena memproduksi beberapa sinema paralel yang paling banyak mendapatkan mendapatkan sambutan dalam sinema India, serta beberapa pembuat filmnya yang meraih sambutan internasional, contohnya yang paling terkenal adalah Satyajit Ray, , Mrinal Sen, Tapan Sinha dan Buddhadeb Dasgupta. Кинематограф Западной Бенгалии (бенг. টলিউড — Толливуд). Обозначение «Толливуд» (позднее термин Толливуд (телугу టాలీవుడ్) стал обозначать кинематограф телугу) появилось в 1932 году от слияния названий центра американской киноиндустрии Голливуда и района Калькутты Толлигунга, где располагалось большинство студий Бенгалии. С учётом сходства звучания слов «Толли» и «Голли» термин «Толливуд» довольно крепко вошёл в обращение в индийской культуре, особенно после того, как его стал активно применять молодёжный журнал Junior Statesman. Это стало прецедентом для именования новых центров кинематографа в других частях Индии. Бенгальський кінематограф (টলিউড) — назва індійської кіноіндустрії мовою бенгалі. Деякий час називався Толлівуд на честь міста поблизу Колкати (Західна Бенгалія). Слід відрізняти від Східної Бенгалії, яке відомо як . загалом на 2017 рік створено більше ніж 450 кінострічок. Tollywood es el centro de la industria del cine de Bengala Occidental. Tollywood es una palabra contracción de Tollygunge y Hollywood.​​ 西ベンガルの映画（にしベンガルのえいが、Cinema of West Bengal）は、インドの映画のうちベンガル語で製作された映画であり、西ベンガル州コルカタ・に拠点を置く映画産業を指す。トリガンジとハリウッドを掛け合わせた「トリウッド(Tollywood)」の通称で知られ、1932年にはこの通称が使われていた。 かつて西ベンガル映画はインド映画の中心的存在であり、歴史的にも重要な映画産業だった。同映画産業はインド映画産業の中で最も芸術性・批評性の高い芸術映画（パラレル映画）を数多く製作しており、パラレル映画の製作者は国内のナショナル・フィルム・アワードや国外の著名な映画祭で高い評価を得ている。しかし、20世紀後半に入ると商業映画を主体とするボリウッドや南インド映画の台頭により勢いを失い、産業規模は縮小していった。
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Бенгальський кінематограф (টলিউড) — назва індійської кіноіндустрії мовою бенгалі. Деякий час називався Толлівуд на честь міста поблизу Колкати (Західна Бенгалія). Слід відрізняти від Східної Бенгалії, яке відомо як . загалом на 2017 рік створено більше ніж 450 кінострічок. Le cinéma bengali est un cinéma indien en bengali basé à Tollygunge, quartier de Calcutta. Il ne doit pas être confondu avec le cinéma bangladais, aussi en bengali, et le cinéma en télougou, dont le surnom est aussi Tollywood, mot-valise remontant à 1932 et fusionnant Tollygunge et Hollywood. Le cinéma bengali a produit des cinéastes de renommée internationale tels que Satyajit Ray, Mrinal Sen, Ritwik Ghatak et (en). C'est aussi en son sein qu'est né le cinéma parallèle, ou nouveau cinéma indien, un mouvement cinématographique du cinéma indien des années 1950, alternative au cinéma commercial indien grand public. Inspiré du néoréalisme italien , le cinéma parallèle commença juste avant la Nouvelle Vague française et la Nouvelle Vague japonaise, et fut un précurseur de la Nouvelle Vague indienne des années 1960. Depuis que La Complainte du sentier (1955) de Satyajit Ray a reçu le prix du meilleur documentaire au Festival de Cannes 1956, les films bengalis ont fréquemment été présentés dans des festivals internationaux au cours des décennies suivantes, ce qui a permis aux cinéastes bengalis de toucher un public mondial. Le plus influent d'entre eux fut Satyajit Ray, dont les films ont connu le succès auprès du public européen, américain et asiatique. Son œuvre a ensuite eu un impact mondial et influença cinéastes tels que Martin Scorsese, James Ivory, Abbas Kiarostami, Elia Kazan, François Truffaut, Carlos Saura, Isao Takahata, Wes Anderson ou Danny Boyle. Sinema Bengal Barat (bahasa Bengali: টলিউড), Tollywood yang merujuk kepada industri film Bengali yang berbasis di kota Kolkata, Bengal Barat, India. Asal muasal julukan Tollywood, sebuah lakuran dari kata Tollygunge dan Hollywood, berawal pada tahun 1932. Industri tersebut dikenal karena memproduksi beberapa sinema paralel yang paling banyak mendapatkan mendapatkan sambutan dalam sinema India, serta beberapa pembuat filmnya yang meraih sambutan internasional, contohnya yang paling terkenal adalah Satyajit Ray, , Mrinal Sen, Tapan Sinha dan Buddhadeb Dasgupta. Tollywood es el centro de la industria del cine de Bengala Occidental. Tollywood es una palabra contracción de Tollygunge y Hollywood.​​ 西ベンガルの映画（にしベンガルのえいが、Cinema of West Bengal）は、インドの映画のうちベンガル語で製作された映画であり、西ベンガル州コルカタ・に拠点を置く映画産業を指す。トリガンジとハリウッドを掛け合わせた「トリウッド(Tollywood)」の通称で知られ、1932年にはこの通称が使われていた。 かつて西ベンガル映画はインド映画の中心的存在であり、歴史的にも重要な映画産業だった。同映画産業はインド映画産業の中で最も芸術性・批評性の高い芸術映画（パラレル映画）を数多く製作しており、パラレル映画の製作者は国内のナショナル・フィルム・アワードや国外の著名な映画祭で高い評価を得ている。しかし、20世紀後半に入ると商業映画を主体とするボリウッドや南インド映画の台頭により勢いを失い、産業規模は縮小していった。 Tollywood, also known as Cinema of West Bengal, is an Indian film industry of Bengali-language motion pictures. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim. Ever since Satyajit Ray's Pather Panchali (1955) was awarded Best Human Document at the 1956 Cannes Film Festival, Bengali films frequently appeared in international fora and film festivals for the next several decades. This allowed Bengali filmmakers to reach a global audience. The most influential among them was Satyajit Ray, whose films became successful among European, American and, Asian audiences. His work subsequently had a worldwide impact, with filmmakers such as Martin Scorsese, James Ivory, Abbas Kiarostami, Elia Kazan, François Truffaut, Carlos Saura, Isao Takahata, Wes Anderson and Danny Boyle being influenced by his cinematic style, and many others such as Akira Kurosawa praising his work. The "youthful coming-of-age dramas that have flooded art houses since the mid-fifties owe a tremendous debt to the Apu trilogy". Kanchenjungha (1962) introduced a narrative structure that resembles later hyperlink cinema. Ray's 1967 script for a film to be called The Alien, which was eventually cancelled, is widely believed to have been the inspiration for Steven Spielberg's E.T. (1982). Ira Sachs' Forty Shades of Blue (2005) was a loose remake of Charulata (1964), and in Gregory Nava's My Family (1995), the final scene is duplicated from the final scene of The World of Apu. Similar references to Ray films are found in recent works such as Sacred Evil (2006), the Elements trilogy of Deepa Mehta, and in films of Jean-Luc Godard. Another prominent Bengali filmmaker is Mrinal Sen, whose films have been well known for their Marxist views. During his career, Mrinal Sen's films have received awards from major film festivals, including Cannes, Berlin, Venice, Moscow, Karlovy Vary, Montreal, Chicago, and Cairo. Retrospectives of his films have been shown in major cities of the world. Another Bengali filmmaker, Ritwik Ghatak, began reaching a global audience long after his death; beginning in the 1990s, a project to restore Ghatak's films was undertaken, and international exhibitions (and subsequent DVD releases) have belatedly generated an increasingly global audience. Some of his films have strong similarities to later famous international films, such as Ajantrik (1958) resembling the Herbie films (1967–2005), and Bari Theke Paliye (1958) resembling François Truffaut's The 400 Blows (1959) and Another Bengali filmmaker is Tapan Sinha, whose films have been well known for Best literature Adaptation and Larger than life. The cinematographer Subrata Mitra, who made his debut with Ray's The Apu Trilogy, also had an important influence on cinematography across the world. One of his most important techniques was bounce lighting, to recreate the effect of daylight on sets. He pioneered the technique while filming Aparajito (1956), the second part of The Apu Trilogy. Some of the experimental techniques which Satyajit Ray pioneered include photo-negative flashbacks and X-ray digressions while filming Pratidwandi (1972). Кинематограф Западной Бенгалии (бенг. টলিউড — Толливуд). Обозначение «Толливуд» (позднее термин Толливуд (телугу టాలీవుడ్) стал обозначать кинематограф телугу) появилось в 1932 году от слияния названий центра американской киноиндустрии Голливуда и района Калькутты Толлигунга, где располагалось большинство студий Бенгалии. С учётом сходства звучания слов «Толли» и «Голли» термин «Толливуд» довольно крепко вошёл в обращение в индийской культуре, особенно после того, как его стал активно применять молодёжный журнал Junior Statesman. Это стало прецедентом для именования новых центров кинематографа в других частях Индии. Бенгальский кинематограф представлен такими авторитетными режиссёрами, как Сатьяджит Рай, Ритвик Гхатак и Мринал Сен, чьи фильмы, принадлежащие к , регулярно входили в программу международных кинофестивалей и получали престижные премии.
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India:
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2013
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163
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2019
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325
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