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Statements

Subject Item: dbr:Caliphate_of_Córdoba
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bayezid_II_Hamam
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Beit_al-Tutunji
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Sayf_al-Din_Salar
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Sba'iyyin_Madrasa
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Menara_gardens
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Minbar
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Miniature_(illuminated_manuscript)
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Moresque
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Moroccan_architecture
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Ben_Youssef_Madrasa
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Ben_Youssef_Mosque
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bengal_Sultanate
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bengali_Muslims
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bernard_B._Jacobs_Theatre
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bill_Wilkie
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bou_Inania_Madrasa
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Bou_Inania_Madrasa_(Meknes)
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Dawoodi_Bohra
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Animals_in_Islam
dbo:wikiPageWikiLink: dbr:Arabesque

Subject Item: dbr:Arabesque
rdf:type: yago:Genre105845332 yago:Concept105835747 yago:Whole100003553 yago:Category105838765 yago:WikicatAdventureComedyFilms yago:Design103178782 yago:Part105867413 yago:SocialEvent107288639 yago:WikicatDecorativeArts yago:Motif103789014 yago:WikicatOrnaments yago:Artifact100021939 yago:Show106619065 yago:WikicatFilmsDirectedByStanleyDonen owl:Thing yago:Object100002684 yago:WikicatIslamicArchitecturalElements yago:WikicatArtGenres yago:PhysicalEntity100001930 yago:Art102743547 yago:PsychologicalFeature100023100 yago:Cognition100023271 yago:Abstraction100002137 yago:WikicatFilmsBasedOnNovels yago:Idea105833840 yago:Component105868954 yago:WikicatSpyComedyFilms yago:WikicatVisualMotifs yago:WikicatFilmsBasedOnBooks yago:Event100029378 yago:Kind105839024 yago:Structure105726345 yago:Decoration103169390 yago:Movie106613686 yago:Form105930736 yago:Product104007894 yago:YagoPermanentlyLocatedEntity dbo:MusicGenre yago:Creation103129123 yago:Content105809192 yago:WikicatPatterns
rdfs:label: Arabesko (ornamaĵo) Arabesc Arabesco Arabesco Arabeska (architektura) Arabesque (beaux-arts) Арабеска (орнамент) アラベスク 아라베스크 Arabascach Arabesk (beeldende kunst) زخرفة عربية Arabesque Arabesco Arabes Арабеска (орнамент) Arabesk Arabesko Arabeske 阿拉伯紋樣 Arabeska (ornament)
rdfs:comment: El arabesco, palabra proveniente del italiano arabesco, también denominado ataurique (del árabe توريق, tawrīq, "follaje"), se refiere al adorno de figuras geométricas vegetales y patrones extravagantes que imita formas de hojas, flores, frutos, cintas, y aparecen casi siempre en las paredes de ciertas construcciones árabes, como las mezquitas, consideradas como un arte pictórico. アラベスク（arabesque）は、モスクの壁面装飾に通常見られるイスラム美術の一様式で、幾何学的文様（しばしば植物や動物の形をもととする）を反復して作られている。幾何学的文様の選択と整形・配列の方法は、人物を描くことを禁じるスンニ派のイスラム的世界観に基づいている（シーア派ではムハンマドを除いて描くことは認められている）。ムスリムにとってこれらの文様は、可視的物質世界を超えて広がる無限のパターンを構成している。イスラム世界の多くの人々にとって、これらの文様はまさに無限の（したがって遍在する）、唯一神アラー（イスラムで言う無明時代では「アラート」という女神）の創造のありのままを象徴する。さらに言うなら、イスラムのアラベスク芸術家は、キリスト教美術の主要な技法であるイコンを用いずに、明確な精神性を表現しているとも言えよう。 Arabeska – ornament wywodzący się ze starożytnej sztuki hellenistyczno-rzymskiej. Jest to ornament roślinny, w formie stylizowanej wici roślinnej, której często towarzyszą dodatkowe elementy (np. elementy uzbrojenia, owoce, postacie ludzkie). Arabeska występuje w architekturze, rzemiośle, rzadziej w malarstwie i używana jest głównie do wypełniania płaszczyzn. Z Europy trafiła do świata islamu, gdzie stosowano ją w formie silnie przestylizowanej. Ponowną popularność przeżywała w okresie renesansu i klasycyzmu. Arabeskoa (jatorriz, italieraz arabesko) apaingarri mota bat da, barazki geometrikoen figuraz osatua dago, baita itxura bitxia duten horri, lore, fruitu, zinta eta animalien irudi geometrikoz, beti ere, lerro gurutzatuen antolamendu korapilatsu bat osatuz. Ia beti arabiar eraikin jakin batzuetan agertzen dira, esaterako meskitetan. Arabeskoaren dekorazioaren adibideak: Kordobako meskita, Mihrab-a eta Granadako Alhambra. Mudejar artean ere erabili izan zen, esaterako, Sevillako Alkazarreko Pedro I jauregiaren aurreko aldean. Арабеска (итал. arabesco, фр. arabesque — арабский) — разновидность орнамента, «состоящего из геометрических фигур, причудливого переплетения линий, завитков, растительных побегов, стилизованных цветов. Строится, как правило, симметрично относительно одной, двух осей или центра. Имеет измельчённый характер рисунка, особенно плотный и насыщенный, поэтому арабеска воспринимается как сплошной узор „коврового стиля“». Arabesk, stiliserat växtornament i slingor och bukter som är smala och breda som stjälkar och blad. I äldre tid kallades arabesker ofta moresker, en benämning som även använts om andra snarlika ornament, bland annat de av Peter Flötner använda bladornament i tidig tysk renässansstil. The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, a Арабеска (італ. arabesco, укр. арабський) — європейська назва складного східного середньовічного орнаменту, що складається з геометричних і рослинних елементів. Арабеска може включати вишукану графіку арабського шрифту. Особливого поширення набули арабески в епоху Відродження, а пізніше арабесками стали називати химерний орнамент тільки з рослинних форм (стилізованого листя, квітів, стебел тощо), що утворюють складні переплетіння. Un arabesc és un motiu artístic ornamental molt desenvolupat en l'art islàmic que es fa servir normalment en els edificis. Sol estar format per sanefes que recorden motius vegetals (sobretot fulles i flors). Per les seves formes corbes, de vegades inclouen cites de l'Alcorà entre els dibuixos. El seu nom ve perquè recorda la cal·ligrafia àrab i aquest poble el va utilitzar molt en les seves construccions medievals. El seu origen, però, és anterior, ja que es poden trobar arabescs als temples assiris. ( 다른 뜻에 대해서는 아라베스크 (동음이의) 문서를 참고하십시오.) 아라베스크(Arabesque)는 아랍인이 창안한 장식 무늬로, 식물의 줄기와 잎을 도안화하여, 당초(唐草) 무늬나 기하학 무늬로 배합시킨 것이다. 이슬람교에서는 우상이 금지되었기 때문에 벽의 장식과 서책(書冊)의 장정, 그리고 공예품 등에 아랍 문자가 도안화되고, 거기에 식물 무늬를 배치하여 이슬람의 독특한 장식 미술을 만들었다. 후에는 조수(鳥獸) 등의 무늬도 배합하게 되었고, 르네상스 이후에는 유럽에서도 유행되었다. Die Arabeske, aus italienisch arabesco („maurisch, orientalisch“), ist ein aus spätantiken, hellenistischen Vorbildern entwickeltes Rankenornament. Mit dem Begriff werden sowohl die flächenfüllenden, naturnahen Akanthusranken der Renaissance als auch die stilisierteren Blattrankenornamente in der islamischen Kunst benannt. Beide stehen nicht in direkter Abhängigkeit zueinander, haben aber ähnliche Wurzeln. O arabesco é uma forma de decoração artística que consiste em "decorações de superfície baseadas em padrões lineares rítmicos de rolagem e entrelaçamento de folhagens, gavinhas" ou linhas simples, muitas vezes combinadas com outros elementos. Outra definição é "ornamento foliáceo, usado no mundo islâmico, normalmente usando folhas, derivadas de meias-palmeiras estilizadas, que foram combinadas com hastes em espiral". Geralmente consiste em um único desenho que pode ser 'lado a lado' ou repetido quantas vezes desejar. Dentro da vasta gama de arte decorativa eurasiana que inclui motivos correspondendo a esta definição básica, o termo "arabesco" é usado consistentemente como um termo técnico pelos historiadores da arte para descrever apenas elementos da decoração encontrados em duas fases: ar التزويق أو الزخرفة العربية أو الرقش هو الفن العربي. وهو عبارة عن نماذج للتزيين معقدة لأن زخارفه متداخلة ومتقاطعة وتمثل أشكالا هندسية وزهورا وأوراقا وثمارا. وهذا الفن يميز الفن الإسلامي والذي ظهر في تزيين السيراميك وفي العمارة الإسلامية. وقد انتشر في أوروبا ولاقي رواجا في القرنين 15و16. وهذا الفن ظهر نتيجة امتزاج الحضارة العربية وتطورها في العصر الإسلامي الذهبي مع الشعوب الأخرى ألا أنه كان جليا لدى الأندلسيين الذين طوروه بشكل كبير ولاسيما في مجال الأعمدة ونصف الأعمدة المربعة وفوق الجدران وعلي الأسقف. وإلى جانب العمارة وجدت الزخرفة التي وصفت بأنها لغة الفن الإسلامي، وتقوم على زخرفة المساجد والقصور والقباب بأشكال هندسية أو نباتية جميلة تبعث في النفس الراحة والهدوء والانشراح. وسمي هذا الفن الزخرفي الإسلامي في أوروبا باسم «أرابسك» (بالفرنسية: Arabesque)‏ وبالأسبانية Atairique أي التوريق. وقد اش Au sens premier, l’arabesque est un motif ornemental composé de rinceaux végétaux pouvant former des entrelacs plus ou moins complexes. Les arabesques ont été identifiés en Occident au XVe siècle comme un élément de l'art islamique, d'où leur nom. Mais en Occident ce terme a été utilisé pour désigner par extension des entrelacs et des rinceaux divers, y compris ceux de tradition occidentale, même lorsqu'ils n'ont aucune correspondance avec les motifs arabes. L'arabesco è uno stile ornamentale composto da elementi calligrafici e/o motivi geometrici. Il termine deriva dal fatto che lo stile era adoperato, e lo è ancor oggi, per decorare le superfici perimetrali, sia esterne che interne, soprattutto di moschee. Questa meticolosa attenzione e cura dell'ornamento, è stata anche indotta dalle norme maomettane, che, in linea di massima, proibiscono le figurazioni umane. Een arabesk, ook wel spanningsboog of bewegingscurve, is in de architectuur en de beeldende kunst een vorm van oppervlaktedecoratie met ritmische patronen, repeterende bewegingslijnen en een typische gebruik van gebladerte en spiralen. Gewoonlijk bestaat de arabesk uit een ontwerp dat als een tegel eindeloos naast zichzelf geplaatst kan worden en waarbij de overgangen tussen elk van die herhalingen naadloos zijn. Ornáidíocht líneach shlaodach, bunaithe go minic ar fhoirmeacha plandúla. Faightear ar feadh na staire é, ach ba bhreá leis na healaíontóirí Ioslamacha go príomha é. 阿拉伯紋樣（阿拉伯文：زخرفة عربية，英文：Arabesque），又可翻譯為伊斯蘭紋樣、伊拉克纹样、波斯纹样、伊朗纹样，指的是一類在伊斯蘭國家中被普遍使用的紋樣，常見於清真寺的牆壁、淋浴間的瓷磚、各類地毯和書本上，特點是運用大量的幾何圖形、星星、月亮、植物和阿拉伯文書法作連環嵌套的裝飾，這些瑰麗繁瑣的圖形有嚴格的構圖模式。 Arabesko (arabe عربي, latinliterigite ′arabi) estas ornamaĵo origine fontanta el la islama arto. Arabes adalah motif artistik berdasarkan penerapan pengulangan pola-pola bentuk geometri dan pola kombinasi yang beragam; bentuk-bentuk ini sering menggunakan tema tanaman (flora) dan kadang-kadang juga bertemakan hewan (fauna). Arabes adalah, sebagaimana dibayangkan dalam namanya, unsur-unsur yang sering ditemui menghiasi dinding masjid. Pilihan bentuk-bentuk geometri yang harus digunakan dan bagaimana mereka harus diformat didasarkan pada pandangan Islam terhadap dunia. Untuk Muslim, bentuk-bentuk ini, diambil bersama-sama, merupakan pola yang tak terhingga yang melampaui dunia lahiriah yang terlihat. Untuk kebanyakan orang di dunia Islam, mereka dengan beton melambangkan yang tak terbatas, dan karena itu ia tidak berbasis atau memiliki penyebab sekaligus melambangkan sifat penciptaan T Arabeska je plošný dekorativní prvek, složený z rostlinných motivů (listí, šlahouny rostlin). První arabesky jsou známy již z dob Starověkého Řecka, tyto relativně komplikované vzory se objevují v tzv. helénistickém umění ve formě ornamentů na vlysech. V období italské renesance, kdy přišly opět do módy různé antické motivy, se tyto dekorativní motivy opět vrátily do evropského výtvarného umění. Německá a holandská výtvarná škola k nim pak později dodala další doprovodné motivy – hlavy, masky apod. V období rokoka se pak arabeska opět vrátila zejména na štucích.
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dcterms:subject: dbc:Visual_motifs dbc:Visual_arts_genres dbc:Moorish_architecture dbc:Arabic_art dbc:Islamic_art dbc:Arabic_architecture dbc:Islamic_culture dbc:Islamic_architectural_elements dbc:Arab_inventions dbc:Ornaments
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dbo:abstract: Арабеска (итал. arabesco, фр. arabesque — арабский) — разновидность орнамента, «состоящего из геометрических фигур, причудливого переплетения линий, завитков, растительных побегов, стилизованных цветов. Строится, как правило, симметрично относительно одной, двух осей или центра. Имеет измельчённый характер рисунка, особенно плотный и насыщенный, поэтому арабеска воспринимается как сплошной узор „коврового стиля“». 阿拉伯紋樣（阿拉伯文：زخرفة عربية，英文：Arabesque），又可翻譯為伊斯蘭紋樣、伊拉克纹样、波斯纹样、伊朗纹样，指的是一類在伊斯蘭國家中被普遍使用的紋樣，常見於清真寺的牆壁、淋浴間的瓷磚、各類地毯和書本上，特點是運用大量的幾何圖形、星星、月亮、植物和阿拉伯文書法作連環嵌套的裝飾，這些瑰麗繁瑣的圖形有嚴格的構圖模式。 ( 다른 뜻에 대해서는 아라베스크 (동음이의) 문서를 참고하십시오.) 아라베스크(Arabesque)는 아랍인이 창안한 장식 무늬로, 식물의 줄기와 잎을 도안화하여, 당초(唐草) 무늬나 기하학 무늬로 배합시킨 것이다. 이슬람교에서는 우상이 금지되었기 때문에 벽의 장식과 서책(書冊)의 장정, 그리고 공예품 등에 아랍 문자가 도안화되고, 거기에 식물 무늬를 배치하여 이슬람의 독특한 장식 미술을 만들었다. 후에는 조수(鳥獸) 등의 무늬도 배합하게 되었고, 르네상스 이후에는 유럽에서도 유행되었다. The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of Islamic art but they develop what was already a long tradition by the coming of Islam. The past and current usage of the term in respect of European art is confused and inconsistent. Some Western arabesques derive from Islamic art, but others are closely based on ancient Roman decorations. In the West they are essentially found in the decorative arts, but because of the generally non-figurative nature of Islamic art, arabesque decoration is there often a very prominent element in the most significant works, and plays a large part in the decoration of architecture. Claims are often made regarding the theological significance of the arabesque and its origin in a specifically Islamic view of the world; however, these are without support from written historical sources since, like most medieval cultures, the Islamic world has not left us documentation of their intentions in using the decorative motifs they did. At the popular level such theories often appear uninformed as to the wider context of the arabesque. In similar fashion, proposed connections between the arabesque and Arabic knowledge of geometry remains a subject of debate; not all art historians are persuaded that such knowledge had reached, or was needed by, those creating arabesque designs, although in certain cases there is evidence that such a connection did exist. The case for a connection with Islamic mathematics is much stronger for the development of the geometric patterns with which arabesques are often combined in art. Geometric decoration often uses patterns that are made up of straight lines and regular angles that somewhat resemble curvilinear arabesque patterns; the extent to which these too are described as arabesque varies between different writers. Ornáidíocht líneach shlaodach, bunaithe go minic ar fhoirmeacha plandúla. Faightear ar feadh na staire é, ach ba bhreá leis na healaíontóirí Ioslamacha go príomha é. Arabeska – ornament wywodzący się ze starożytnej sztuki hellenistyczno-rzymskiej. Jest to ornament roślinny, w formie stylizowanej wici roślinnej, której często towarzyszą dodatkowe elementy (np. elementy uzbrojenia, owoce, postacie ludzkie). Arabeska występuje w architekturze, rzemiośle, rzadziej w malarstwie i używana jest głównie do wypełniania płaszczyzn. Z Europy trafiła do świata islamu, gdzie stosowano ją w formie silnie przestylizowanej. Ponowną popularność przeżywała w okresie renesansu i klasycyzmu. Przykłady arabesek można znaleźć np. na Ara Pacis, w Polsce – na nagrobku Jana Olbrachta i w kaplicy Zygmuntowskiej na Wawelu. التزويق أو الزخرفة العربية أو الرقش هو الفن العربي. وهو عبارة عن نماذج للتزيين معقدة لأن زخارفه متداخلة ومتقاطعة وتمثل أشكالا هندسية وزهورا وأوراقا وثمارا. وهذا الفن يميز الفن الإسلامي والذي ظهر في تزيين السيراميك وفي العمارة الإسلامية. وقد انتشر في أوروبا ولاقي رواجا في القرنين 15و16. وهذا الفن ظهر نتيجة امتزاج الحضارة العربية وتطورها في العصر الإسلامي الذهبي مع الشعوب الأخرى ألا أنه كان جليا لدى الأندلسيين الذين طوروه بشكل كبير ولاسيما في مجال الأعمدة ونصف الأعمدة المربعة وفوق الجدران وعلي الأسقف. وإلى جانب العمارة وجدت الزخرفة التي وصفت بأنها لغة الفن الإسلامي، وتقوم على زخرفة المساجد والقصور والقباب بأشكال هندسية أو نباتية جميلة تبعث في النفس الراحة والهدوء والانشراح. وسمي هذا الفن الزخرفي الإسلامي في أوروبا باسم «أرابسك» (بالفرنسية: Arabesque)‏ وبالأسبانية Atairique أي التوريق. وقد اشتهر الفنان المسلم بالفن السريالي التجريدي حيث الوحدة الزخرفية النباتية كالورقة أو الزهرة، وكان يجردها من شكلها الطبيعي حتى لا تعطى إحساسا بالذبول والفناء، ويحورها في أشكال هندسية حتى تعطي الشعور بالدوام والبقاء والخلود. يقع تحت عنوان الزخرفة العربية فن الزخرفة بالفسيفساء الذي أشتهرت به العديد من الدول العربية والإسلامية ومنها الفسيفساء الموجودة في الجامع الأموي في دمشق وكربلاء المشهورة في عمله وتصنيعه. بينما الفن في الغرب التزم خلال قرون طويلة بالخضوع إلى الطبيعة ونسخها ومعياره كان الإتقان والمهارة، فإن المصور المسلم سواء كان مرقنا أو منمنما فقد أمد المخطوطات بصور ترمز إلى الطبيعة والواقع من دون أن تنسخها نسخا وكان بذلك أمينا على مفهوم الجمالية الفنية في انها تصور ذاتي لأقاليم الوجود. Arabeskoa (jatorriz, italieraz arabesko) apaingarri mota bat da, barazki geometrikoen figuraz osatua dago, baita itxura bitxia duten horri, lore, fruitu, zinta eta animalien irudi geometrikoz, beti ere, lerro gurutzatuen antolamendu korapilatsu bat osatuz. Ia beti arabiar eraikin jakin batzuetan agertzen dira, esaterako meskitetan. Arabeskoaren dekorazioaren adibideak: Kordobako meskita, Mihrab-a eta Granadako Alhambra. Mudejar artean ere erabili izan zen, esaterako, Sevillako Alkazarreko Pedro I jauregiaren aurreko aldean. Nolanahi ere, arabeskoa islamdar artea baino askoz zaharragoa da; izan ere, Egiptoar artean eta Asiriar monumentuetan agertzen da; etrusko, greziar eta erromatar monumentu batzuetan ere. Erdi Aroan, mota guztietako apaingarrietan erabili zen, eta Errenazimendu garaian Italian oso erabilia izan zen. Un arabesc és un motiu artístic ornamental molt desenvolupat en l'art islàmic que es fa servir normalment en els edificis. Sol estar format per sanefes que recorden motius vegetals (sobretot fulles i flors). Per les seves formes corbes, de vegades inclouen cites de l'Alcorà entre els dibuixos. El seu nom ve perquè recorda la cal·ligrafia àrab i aquest poble el va utilitzar molt en les seves construccions medievals. El seu origen, però, és anterior, ja que es poden trobar arabescs als temples assiris. Арабеска (італ. arabesco, укр. арабський) — європейська назва складного східного середньовічного орнаменту, що складається з геометричних і рослинних елементів. Арабеска може включати вишукану графіку арабського шрифту. Особливого поширення набули арабески в епоху Відродження, а пізніше арабесками стали називати химерний орнамент тільки з рослинних форм (стилізованого листя, квітів, стебел тощо), що утворюють складні переплетіння. Арабеска (Арабески) — вид орнаменту: химерне поєднання геометричних і стилізованих рослинних мотивів, іноді включає стилізований напис (під арабську в'язь або рукописний) . Арабеска будується на повторенні і множенні одного або декількох фрагментів візерунка. Нескінченний, що протікає в заданому ритмі, рух візерунків може бути зупинено або продовжено в будь-якій точці без порушення цілісності візерунка. Такий орнамент фактично виключає фон, оскільки один візерунок вписується в інший, закриваючи поверхню (європейці називали це «боязню порожнечі»). Арабески можна розміщувати на поверхні будь-якої конфігурації, плоскої чи опуклої. Немає ніякої принципової різниці між композиціями на стіні або на килимі, на палітурці рукопису або на кераміці. У мистецтвознавстві багатьох країн Європи термін арабеска має і більш вузьке значення: орнамент лише зі стилізованих рослинних мотивів (на противагу т. зв. мореско — орнаменту з геометричних мотивів). Die Arabeske, aus italienisch arabesco („maurisch, orientalisch“), ist ein aus spätantiken, hellenistischen Vorbildern entwickeltes Rankenornament. Mit dem Begriff werden sowohl die flächenfüllenden, naturnahen Akanthusranken der Renaissance als auch die stilisierteren Blattrankenornamente in der islamischen Kunst benannt. Beide stehen nicht in direkter Abhängigkeit zueinander, haben aber ähnliche Wurzeln. アラベスク（arabesque）は、モスクの壁面装飾に通常見られるイスラム美術の一様式で、幾何学的文様（しばしば植物や動物の形をもととする）を反復して作られている。幾何学的文様の選択と整形・配列の方法は、人物を描くことを禁じるスンニ派のイスラム的世界観に基づいている（シーア派ではムハンマドを除いて描くことは認められている）。ムスリムにとってこれらの文様は、可視的物質世界を超えて広がる無限のパターンを構成している。イスラム世界の多くの人々にとって、これらの文様はまさに無限の（したがって遍在する）、唯一神アラー（イスラムで言う無明時代では「アラート」という女神）の創造のありのままを象徴する。さらに言うなら、イスラムのアラベスク芸術家は、キリスト教美術の主要な技法であるイコンを用いずに、明確な精神性を表現しているとも言えよう。 L'arabesco è uno stile ornamentale composto da elementi calligrafici e/o motivi geometrici. Il termine deriva dal fatto che lo stile era adoperato, e lo è ancor oggi, per decorare le superfici perimetrali, sia esterne che interne, soprattutto di moschee. Questa decorazione è la lingua dell'arte islamica, che consiste nel decorare moschee, palazzi, cupole con forme geometriche o fitomorfi che trasmettono all'osservatore una gradevole sensazione di serenità e bellezza. Questo tipo di espressività artistica, in spagnolo è chiamata ataurique (dall'araboالتوريق , al-tawrīq) che significa l'usare come unità-base la foglia o il fiore, privata della sua forma naturale per non dare un senso di debolezza e di morte, trasformandola in forme che suggeriscano la sensazione di esistenza e di immortalità. Questa meticolosa attenzione e cura dell'ornamento, è stata anche indotta dalle norme maomettane, che, in linea di massima, proibiscono le figurazioni umane. Gli artisti musulmani hanno trovato nelle forme corsive delle consonanti arabe la base per le loro decorazioni. L'ornamento calligrafico ha conosciuto grande fortuna per mano di esperti calligrafi, fin da quando, nell'VIII secolo fu usata la scrittura cosiddetta "cufica" (o higiazena), che fu utilizzata in occasioni celebrative di particolare rilevanza, grazie alla sua capacità di ben adattarsi a superfici quali la pietra o il marmo. In alcuni paesi, come l'Egitto e la Siria, l'ornamento arabesco si effettuò tramite l'intarsio di marmi producendo notevoli effetti cromatici, mentre in altri, come la Persia, si sviluppò maggiormente la ceramica. Een arabesk, ook wel spanningsboog of bewegingscurve, is in de architectuur en de beeldende kunst een vorm van oppervlaktedecoratie met ritmische patronen, repeterende bewegingslijnen en een typische gebruik van gebladerte en spiralen. Gewoonlijk bestaat de arabesk uit een ontwerp dat als een tegel eindeloos naast zichzelf geplaatst kan worden en waarbij de overgangen tussen elk van die herhalingen naadloos zijn. In de islamitische kunst worden vaak hele oppervlakten zoals de muren van moskeeën en paleizen met arabesken bedekt. Voor moslims vormt het eindeloze motief een symbool voor de eenheid van de schepping van God. Arabeska je plošný dekorativní prvek, složený z rostlinných motivů (listí, šlahouny rostlin). První arabesky jsou známy již z dob Starověkého Řecka, tyto relativně komplikované vzory se objevují v tzv. helénistickém umění ve formě ornamentů na vlysech. V období italské renesance, kdy přišly opět do módy různé antické motivy, se tyto dekorativní motivy opět vrátily do evropského výtvarného umění. Německá a holandská výtvarná škola k nim pak později dodala další doprovodné motivy – hlavy, masky apod. V období rokoka se pak arabeska opět vrátila zejména na štucích. Arabes adalah motif artistik berdasarkan penerapan pengulangan pola-pola bentuk geometri dan pola kombinasi yang beragam; bentuk-bentuk ini sering menggunakan tema tanaman (flora) dan kadang-kadang juga bertemakan hewan (fauna). Arabes adalah, sebagaimana dibayangkan dalam namanya, unsur-unsur yang sering ditemui menghiasi dinding masjid. Pilihan bentuk-bentuk geometri yang harus digunakan dan bagaimana mereka harus diformat didasarkan pada pandangan Islam terhadap dunia. Untuk Muslim, bentuk-bentuk ini, diambil bersama-sama, merupakan pola yang tak terhingga yang melampaui dunia lahiriah yang terlihat. Untuk kebanyakan orang di dunia Islam, mereka dengan beton melambangkan yang tak terbatas, dan karena itu ia tidak berbasis atau memiliki penyebab sekaligus melambangkan sifat penciptaan Tuhan (Allah). Kini, ada juga artis menggunakan unsur-unsur Islam untuk menyampaikan semangat spiritual yang tertentu tanpa ikonografi dari seni rupa Kristen. Kesalahan dalam pengulangan mungkin sengaja diperkenalkan sebagai menunjukkan kerendahan hati oleh seniman yang percaya bahwa hanya Allah yang bisa menghasilkan kesempurnaan, walaupun teori ini masih diperdebatkan. Arabesko (arabe عربي, latinliterigite ′arabi) estas ornamaĵo origine fontanta el la islama arto. Arabesk, stiliserat växtornament i slingor och bukter som är smala och breda som stjälkar och blad. I äldre tid kallades arabesker ofta moresker, en benämning som även använts om andra snarlika ornament, bland annat de av Peter Flötner använda bladornament i tidig tysk renässansstil. El arabesco, palabra proveniente del italiano arabesco, también denominado ataurique (del árabe توريق, tawrīq, "follaje"), se refiere al adorno de figuras geométricas vegetales y patrones extravagantes que imita formas de hojas, flores, frutos, cintas, y aparecen casi siempre en las paredes de ciertas construcciones árabes, como las mezquitas, consideradas como un arte pictórico. Ejemplos de decoración con arabesco son el mihrab de la Mezquita de Córdoba, el palacio Medina Azahara, el palacio de la Aljafería de Zaragoza o la Alhambra de Granada. También se empleó en el arte mudéjar, como se puede contemplar en la fachada del palacio de Pedro I, del Alcázar de Sevilla. No obstante, el arabesco es mucho más antiguo que el arte islámico. Aparece en monumentos egipcios y asirios; también en algunos etruscos, griegos y romanos. En la Edad Media, se utilizó en toda clase de adornos, y en el Renacimiento fue muy usado en Italia. O arabesco é uma forma de decoração artística que consiste em "decorações de superfície baseadas em padrões lineares rítmicos de rolagem e entrelaçamento de folhagens, gavinhas" ou linhas simples, muitas vezes combinadas com outros elementos. Outra definição é "ornamento foliáceo, usado no mundo islâmico, normalmente usando folhas, derivadas de meias-palmeiras estilizadas, que foram combinadas com hastes em espiral". Geralmente consiste em um único desenho que pode ser 'lado a lado' ou repetido quantas vezes desejar. Dentro da vasta gama de arte decorativa eurasiana que inclui motivos correspondendo a esta definição básica, o termo "arabesco" é usado consistentemente como um termo técnico pelos historiadores da arte para descrever apenas elementos da decoração encontrados em duas fases: arte islâmica a partir do século IX e arte decorativa europeia a partir do Renascimento. Decoração de entrelaçamento e rolagem são termos usados para a maioria dos outros tipos de padrões semelhantes. Os arabescos são um elemento fundamental da arte islâmica, mas desenvolvem o que já era uma longa tradição com a chegada do Islã. O uso passado e atual do termo em relação à arte européia é confuso e inconsistente. Alguns arabescos ocidentais derivam da arte islâmica, mas outros são intimamente baseados em decorações romanas antigas. No Ocidente, encontram-se essencialmente nas artes decorativas, mas devido à natureza geralmente não figurativa da arte islâmica, a decoração de arabescos é muitas vezes um elemento muito proeminente nas obras mais significativas, e desempenha um papel importante na decoração da arquitetura. Muitas vezes são feitas alegações sobre o significado teológico do arabesco e sua origem em uma visão de mundo especificamente islâmica; no entanto, estes não têm suporte de fontes históricas escritas, pois, como a maioria das culturas medievais, o mundo islâmico não nos deixou documentação de suas intenções ao usar os motivos decorativos que fizeram. No nível popular, tais teorias muitas vezes parecem desinformadas quanto ao contexto mais amplo do arabesco. De forma semelhante, as conexões propostas entre os conhecimentos de geometria arabesco e árabe permanecem um assunto de debate; nem todos os historiadores da arte estão convencidos de que tal conhecimento chegou ou foi necessário para aqueles que criam desenhos de arabescos, embora em certos casos haja evidências de que tal conexão existiu. O argumento para uma conexão com a matemática islâmica é muito mais forte para o desenvolvimento dos padrões geométricos com os quais os arabescos são frequentemente combinados na arte. A decoração geométrica costuma usar padrões compostos por linhas retas e ângulos regulares que lembram um pouco os padrões arabescos curvilíneos; a extensão em que estes também são descritos como arabescos varia entre os diferentes escritores. Au sens premier, l’arabesque est un motif ornemental composé de rinceaux végétaux pouvant former des entrelacs plus ou moins complexes. Les arabesques ont été identifiés en Occident au XVe siècle comme un élément de l'art islamique, d'où leur nom. Mais en Occident ce terme a été utilisé pour désigner par extension des entrelacs et des rinceaux divers, y compris ceux de tradition occidentale, même lorsqu'ils n'ont aucune correspondance avec les motifs arabes. Les origines de ces motifs sont particulièrement anciennes et difficiles à tracer. Ceux de l'Antiquité gréco-romaine ont eu la plus grande influence sur de nombreuses cultures, ils se sont particulièrement développés dans l'art byzantin et dans l'art médiéval européen (enluminure), puis dans l'art islamique pour lequel ces motifs sont devenus une des principales expressions, aux côtés des motifs géométriques, du fait de l'interdit de la figuration humaine dans l'islam. Le terme d'« arabesque », propre à l'Occident, a servi historiquement à nommer des motifs assez différents. Ainsi la dérive du mot s'est étendue jusqu'à désigner aussi les « grotesques », qui sont composés de montages fantaisistes d'éléments architecturaux, vases et motifs végétaux, associés à des figures humaines et chimériques. Selon une autre signification dérivée, et notamment dans l'Art nouveau, l'arabesque peut désigner une ligne sinueuse, des jeux de courbes libres, souples, flexibles en valorisant la sensualité et l'énergie générées par les courbes et contre-courbes, les spires et volutes, provenant du monde végétal et plus généralement de la nature vivante, mais de manière très stylisée. Ces ornements graphiques ou en relief peuvent être conçus et réalisés dans tous les médiums visuels des beaux-arts et des arts décoratifs. Ils peuvent s'appliquer aux revêtements de l'architecture, au mobilier, aux arts textiles et sur bien d'autres supports. Leur caractère ornemental provient d'effets de symétries ou de jeux de courbes qui évoquent des formes végétales, souvent entrelacées.
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Subject Item: dbr:Asante_Traditional_Buildings
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Subject Item: dbr:Abstract_art
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Subject Item: dbr:Acheik
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Subject Item: dbr:Chandelier
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Subject Item: dbr:Chellah
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Subject Item: dbr:Cherratine_Madrasa
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Subject Item: dbr:Kasbah_Mosque_(Marrakesh)
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Subject Item: dbr:Kasbah_of_Moulay_Ismail
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Subject Item: dbr:Kasbah_of_the_Udayas
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Subject Item: dbr:Lalla_Aouda_Mosque
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Subject Item: dbr:Sultan_Al-Ghuri_Complex
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Subject Item: dbr:Sultaniyya_Mausoleum
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Subject Item: dbr:Symphony_No._7_(Mahler)
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Subject Item: dbr:George_Vivian_(artist)
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Subject Item: dbr:Jean_Paul_Leon
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Subject Item: dbr:Tolstoy_House
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Subject Item: dbr:Stucco
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Subject Item: dbr:Religious_art
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Subject Item: dbr:Saleh_Kamboh_Mosque
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Subject Item: dbr:Dimitrie_Sturdza_House
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Subject Item: dbr:Mansa_Musa
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Subject Item: dbr:Manuş_Baba
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Subject Item: dbr:Marinid_Sultanate
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Subject Item: dbr:Marrakech_Museum
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Subject Item: dbr:Marrakesh
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Subject Item: dbr:Bolekhiv_Jewish_Cemetery
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Subject Item: dbr:Book_of_Treasures
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Subject Item: dbr:Arabesque_(European_art)
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Subject Item: dbr:Arabesque_(Islamic_art)
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Subject Item: dbr:Arabesque_(Muslim_art)
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Subject Item: dbr:Arabesque_(disambiguation)
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Subject Item: dbr:Arabesques
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Subject Item: dbr:Burmese_clothing
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Subject Item: dbr:Piirpauke
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Subject Item: dbr:Spanish_Synagogue_(Prague)
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Subject Item: dbr:Claude_Debussy
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Subject Item: dbr:Greg_Parma_Smith
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Subject Item: dbr:Human_uses_of_plants
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Subject Item: dbr:Waniguchi
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Subject Item: dbr:Iglesias,_Sardinia
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Subject Item: dbr:Ijumaa_Mosque
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Subject Item: dbr:Kingdom_of_Tlemcen
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Subject Item: dbr:Kutubiyya_Mosque
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Subject Item: dbr:Neoclassicism
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Subject Item: dbr:Orientalism
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Subject Item: dbr:Ornament_(art)
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Subject Item: dbr:Catherine_Palace
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Subject Item: dbr:R'cif_Mosque
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Subject Item: dbr:Ratnagiri,_Odisha
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Subject Item: dbr:Selimiye_Mosque,_Edirne
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Subject Item: dbr:Seljuk_Empire
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Subject Item: dbr:Seljuk_architecture
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Subject Item: dbr:Shahbaz_Khan_Mosque
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Subject Item: dbr:Woolworth_Building
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Subject Item: dbr:Édouard_Herzig
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Subject Item: dbr:Scroll_(art)
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Subject Item: dbr:Volute_(disambiguation)
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Subject Item: dbr:Neil_Goodman
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Subject Item: dbr:New_Michael_Palace
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Subject Item: dbr:Shrine_of_the_Virgin_of_Guápulo
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Subject Item: dbr:List_of_silver_coins_of_the_German_Empire
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Subject Item: dbr:Listed_buildings_in_Hale,_Greater_Manchester
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Subject Item: dbr:Listed_buildings_in_Huddersfield_(Lindley_Ward)
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Subject Item: dbr:Listed_buildings_in_Marple,_Greater_Manchester
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Subject Item: dbr:Romanian_architecture
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Subject Item: dbr:Fleuron_(typography)
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Subject Item: dbr:Tourism_in_Montenegro
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Subject Item: dbr:Nasreen_Mohamedi
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Subject Item: dbr:Mosque-Madrasa_of_Sultan_Hasan
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Subject Item: dbr:Mudéjar_art
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Subject Item: dbr:Multifoil_arch
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Subject Item: dbr:Siena_Piano
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Subject Item: dbr:Painting_in_ancient_Rome
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Subject Item: dbr:Pyxis_of_Zamora
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Subject Item: dbr:Sacred_geometry
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Subject Item: dbr:Sabah_Naim
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Subject Item: dbr:Rinceau
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Subject Item: dbr:Wasma'a_Khalid_Chorbachi
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Subject Item: dbr:Shamsa
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Subject Item: dbr:The_Silver_Key
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Subject Item: dbr:Tashfiniya_Madrasa
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Subject Item: dbr:University_of_al-Qarawiyyin
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Subject Item: dbr:Stucco_decoration_in_Islamic_architecture
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Subject Item: dbr:Sword_of_Islam_(Mussolini)
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Subject Item: dbr:Arabeski
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Subject Item: dbr:Arabesque_style
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Subject Item: dbr:Arabic_motif
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Subject Item: wikipedia-en:Arabesque
foaf:primaryTopic: dbr:Arabesque