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The study of musical structure in either compositions or performances

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dbo:description
  • the study of musical structure in either compositions or performances (en)
  • studie van muziekstructuur in composities en uitvoeringen (nl)
  • étude d'une œuvre musicale de façon à en comprendre la genèse, l'architecture et les dessins (fr)
  • disciplina que estudia las distintas obras musicales (es)
  • interpretacja naukowa i artystyczna dzieła muzycznego (pl)
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dbp:date
  • September 2015 (en)
  • September 2018 (en)
  • October 2021 (en)
  • September 2024 (en)
dbp:reason
  • According to the version on Oxford Academic, Ligeti is mentioned on p. 239 and the word "inaccessible" is mentioned on pp. 234, 251. I don't see anything particularly relevant on what it labels as p. 235. (en)
  • No Meyer 1956 in the bibliography (en)
  • There is no Molino 1975a in the bibliography. (en)
  • Which Meyer 1973? (en)
  • Guck does not mention 'metaphor', she only speaks of 'portentous' C-flats. (en)
dbp:reference
  • 0001-01-11 (xsd:gMonthDay)
  • Lerdahl, Fred 1992. Cognitive Constraints on Compositional Systems. Contemporary Music Review 6, no. 2:97–121. (en)
  • Nattiez, Jean-Jacques 1990. Music and Discourse: Toward a Semiology of Music, translated by Caroline Abbate. Princeton, New Jersey: Princeton University Press. ; . (en)
  • Babbitt, Milton. 1972. "Contemporary Music Composition and Music Theory as Contemporary Intellectual History". In Perspectives in Musicology: The Inaugural Lectures of the Ph. D. Program in Music at the City University of New York, edited by Barry S. Brook, Edward Downes, and Sherman Van Solkema, 270–307. New York: W. W. Norton. . Reprinted, New York: Pendragon Press, 1985. . (en)
  • Sessions, Roger 1951. Harmonic Practice. New York: Harcourt, Brace. LCCN 51-8476. (en)
  • Boretz, Benjamin. 1969. "Meta-Variations: Studies in the Foundationbs of Musical Thought ". Perspectives of New Music 8, no. 1 : 1–74. (en)
  • BaileyShea, Matt. 2007. "Filleted Mignon: A New Recipe for Analysis and Recomposition". Music Theory Online 13, no. 4 . (en)
  • DeVoto, Mark. 2003. "Analysis". The Harvard Dictionary of Music, fourth editions, edited by Don Michael Randel. Cambridge, Massachusetts: Harvard University Press. . (en)
  • Boretz, Benjamin. 1972. "Meta-Variations, Part IV: Analytic Fallout ". Perspectives of New Music 11, no. 1 : 146–223. (en)
  • Dahlhaus, Carl. 1989. The Idea of Absolute Music, translated by Roger Lustig. Chicago and London: University of Chicago Press. (en)
  • Nettl, Bruno. 1964. . (en)
  • Satyendra, Ramon. "Analyzing the Unity within Contrast: Chick Corea's 'Starlight'". (en)
  • Scruton, Roger. 1978. . (en)
  • Leibowitz, René. 1971. "Pelléas et Mélisande ou les fantômes de la réalité", Les Temps Modernes, no. 305:891–922. (en)
  • Bent, Ian. 1987. Analysis. London: MacMillan Press. . (en)
  • van Appeldorn, M.-J. 1966. "Stylistic Study of Claude Debussy's Opera Pelléas et Mélisande". Ph.D. diss., Rochester: Eastman School of Music. Cited in Nattiez . (en)
  • Available via e.g. AbeBooks, eBay, Google Books , Peter Harrington, popsike.com, and elsewhere. Reissued in 1994 with Edition Number ED 6378-20, , Distributor Number HL49006252, and ; available via Theodore Front Musical Literature. Unspecified edition available via Bridgeman Images, The Hum Blog (bradfordbailey), YouTube (Donald Craig). (en)
  • Chenoweth, Vida. 1972. Melodic Perception and Analysis. [Ukarumpa, E.H.D., Papua New Guinea]: Summer Institute of Linguistics. (en)
  • Chailley, Jacques. 1951. La musique médiévale, with a preface by Gustave Cohen. Les grands musiciens 1. Paris: Coudrier. (en)
  • Bernard, Jonathan. 1981. "Pitch/Register in the Music of Edgar Varèse." Music Theory Spectrum 3:1–25. (en)
  • Reti, Rudolph. 1951. The Thematic Process in Music. London: Faber & Faber. (en)
  • Bauer, Amy. 2004. "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music", in The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Ashby, 121–152. Eastman Studies in Music 29. Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, Ltd. . (en)
  • Tovey, Donald Francis. 1978 [1935–1939]. Essays in Musical Analysis, 6 vols. Oxford and New York: Oxford University Press. . (en)
  • Blacking, John . How Musical Is Man?. Seattle: University of Washington Press (en)
  • Laloy, L. 1902. "Sur deux accords", Revue musicale. Reprinted in La musique retrouvée. Paris: Plon, 1928, pp. 115–118. (en)
  • Rosen, Charles. 1971. The Classical Style. New York: The Viking Press. . (en)
  • Stein, Deborah. 2005. Engaging Music: Essays in Music Analysis. Oxford and New York: Oxford University Press. . (en)
  • Guck, Marion A. . "Rehabilitating the incorrigible", Theory, Analysis and Meaning in Music, ed. Anthony Pople. Cambridge: Cambridge University Press: 57–74. (en)
dbp:section
  • yes (en)
dbp:wikiPageUsesTemplate
dct:subject
gold:hypernym
rdf:type
rdfs:label
  • Musical analysis (en)
  • تحليل موسيقي (ar)
  • Anàlisi musical (ca)
  • Muzika analizo (eo)
  • Análisis musical (es)
  • Musikanalyse (de)
  • Analyse musicale (fr)
  • Analisi musicale (it)
  • 楽曲分析 (ja)
  • Analiza muzyczna (pl)
  • Muziekanalyse (nl)
  • Análise musical (pt)
  • 音乐分析 (zh)
  • Музичний аналіз (uk)
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