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The pastoral pipe (also known as the hybrid union pipes, organ pipe and union pipe) was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today. Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed.

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  • The pastoral pipe (also known as the hybrid union pipes, organ pipe and union pipe) was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today. Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed. (en)
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  • 17092 (xsd:nonNegativeInteger)
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  • 1105689160 (xsd:integer)
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dbp:classification
  • *Aerophone *Wind *Woodwind *Bagpipe (en)
dbp:name
  • Pastoral Pipes (en)
dbp:names
  • Union pipes (en)
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  • 2 (xsd:integer)
dbp:related
  • *Border pipes *Northumbrian pipes *Uilleann pipes *Scottish smallpipes (en)
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  • The pastoral pipe (also known as the hybrid union pipes, organ pipe and union pipe) was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today. Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed. (en)
rdfs:label
  • Pastoral pipes (en)
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