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Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) Arthur (Or the Decline and Fall of the British Empire) アーサー、もしくは大英帝国の衰退ならびに滅亡
rdfs:comment
Arthur (Or the Decline and Fall of the British Empire), often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. Arthur (Or the Decline and Fall of the British Empire) (рус. Артур (Или упадок и крах Британской империи)) — седьмой студийный альбом британской рок-группы The Kinks, выпущенный 10 октября 1969 года на лейбле в Великобритании и Reprise Records в США. Альбом стал одним из концептуальных в творчестве The Kinks. В 2004 году альбом был переиздан на лейбле Sanctuary Records. Arthur (Or the Decline and Fall of the British Empire) is een album van de Britse rockband The Kinks uit 1969. Arthur (Or the Decline and Fall of the British Empire) est le septième album studio du groupe de rock britannique The Kinks. Il est sorti en octobre 1969. Il s'agit d'un album-concept dont le protagoniste est un petit employé anglais dont la vie couvre la première moitié du XXe siècle, du règne de Victoria aux années 1960. Arrivé à la fin de sa vie, Arthur voit son fils Derek partir en Australie dans l'espoir d'une vie meilleure et il se demande s'il a fait les bons choix dans sa propre vie. アーサー、もしくは大英帝国の衰退ならびに滅亡(Arthur (Or the Decline and Fall of the British Empire))は、1969年にリリースされたザ・キンクスのアルバム。前作『ヴィレッジ・グリーン・プリザヴェイション・ソサエティ』の商業的失敗の後、オリジナル・メンバーのピート・クウェイフが脱退し、ベーシストとしてジョン・ダルトンが再加入することとなった。本作はグラナダ・テレビのドラマ用に製作されたが、ドラマの計画は頓挫し独立したコンセプト・アルバムとして完成した。ドラマの脚本はレイ・デイヴィスとによって書かれ、物語はレイの義理の兄アーサー(1960年代初めに妻のローズとともにオーストラリアに移住した。)のエピソードに基づく。 主人公のアーサー・モーガンは労働者階級。第二次世界大戦後のイギリスにおける彼の家族の苦境が描かれる。彼は息子のためにオーストラリアへの移住を決意する。イギリス帝国 - 二つの大戦 - 大戦後の現代と、その歴史に翻弄される小市民の生活をレイ独特のシニカルな、かつ愛情のこもった視点から描いた作品である。 Arthur (Or the Decline and Fall of the British Empire) je album od britské rockové skupiny The Kinks Arthur (Or the Decline and Fall of the British Empire) rozvíjí dál téma z předchozí, „staroanglické“ desky The Kinks Are the Village Green Preservation Society a vypráví příběh Londýňana, který se po druhé světové válce rozhodl přesídlit do Austrálie. Vznikl tak cyklus miniatur líčících život na předměstí, ochromující efekt byrokracie a hrůzy války. Zvuk je tvrdší než na Village Green Preservation Society, hudba a texty jsou obdobně vícevrstvé jako na předchozím LP. „Shangri-La“ přechází z klasického anglického folku až do hard-rocku, půvab písně „Drivin'“ je v její utahanosti, vedle ní tu zní krásná hloubavá balada „Young and Innocent Days“, zatímco „Some Mother's Son“ je jednou nejnekompr Arthur (Or the Decline and Fall of the British Empire) ist das siebte Studioalbum der britischen Rockgruppe The Kinks. Es wurde in England am 10. Oktober 1969 veröffentlicht. Alle darauf enthaltenen Kompositionen stammen von Ray Davies. Es erschien nach einem schwierigen Jahr für die Band nach dem kommerziellen Misserfolg des Vorgängeralbums The Kinks Are the Village Green Preservation Society sowie mehreren nur mäßig erfolgreichen Singles. Außerdem hatte im April 1969 Bassist Pete Quaife die Band verlassen, ein Nachfolger (John Dalton) musste gefunden werden. Arthur (Or the Decline and Fall of the British Empire) é o sétimo álbum de estúdio gravado pela banda inglesa The Kinks, lançado em 1969. Arthur (Or the Decline and Fall of the British Empire) è il settimo album della band inglese The Kinks, pubblicato nell'ottobre 1969 dalla Pye Records in Gran Bretagna e dalla Reprise Records negli Stati Uniti. 《Arthur (Or the Decline and Fall of the British Empire)》는 종종 《Arthur》라고 일컬어지며, 1969년 10월에 발매된 영국의 록 밴드 킹크스의 일곱 번째 스튜디오 음반이다. 킹크스의 프론트맨 레이 데이비스는 그라나다 텔레비전 연극의 사운드트랙으로 콘셉트 음반을 구성했고 소설가 과 함께 줄거리를 개발했다. 대략적인 줄거리는 레이와 기타리스트 데이브 데이비스의 매제 아서 애닝을 기반으로 한 카펫 레이어 아서 모건을 중심으로 전개되었다. 스테레오 버전이 국제적으로 출시되었다. 모노 버전은 영국에서 출시되었지만 미국에서는 출시되지 않았다. 이 음반은 저조한 판매고를 기록했지만, 특히 미국 음악 언론들 사이에서 거의 만장일치로 호평을 받았다. 비록 《Arthur》와 그 첫 번째 두 싱글인 〈〉과 〈〉는 영국에서 차트 작성에 실패했지만, 킹크스는 미국의 리드 싱글인 〈〉로 2년 만에 《빌보드》 차트에 복귀하여 62위에 올랐다. 이 음반은 빌보드 200 차트에서 105위에 올랐는데, 1965년 이후 가장 높은 순위를 기록했다. Arthur (Or the Decline and Fall of the British Empire) es el séptimo álbum de estudio de la banda británica de rock The Kinks. Se editó en octubre de 1969. El líder del grupo, Ray Davies, creó el álbum conceptual como banda sonora de un proyectado programa de Granada Television, y desarrolló su argumento con el novelista ; no obstante, el programa de televisión se canceló y nunca llegó a producirse. El borrador del argumento contaba la historia de un personaje llamado Arthur Morgan, instalador de alfombras, inspirado en el cuñado de Davies, Arthur Anning. Arthur (or the Decline and Fall of the British Empire), ett konceptalbum av The Kinks, utgivet i oktober 1969 på Pye Records i Europa och Reprise Records i Nordamerika. Det här albumet skrevs ursprungligen till en TV-film till Granada Television. Men producenten fick inte ihop budgeten och filmen gjordes aldrig. Handlingen utvecklade Ray Davies tillsammans med pjäsförfattaren Julian Mitchell, som sedan skrev skivans "liner notes". Senare cd-utgåvor av albumet innehåller även singeln "Plastic Man" och dess b-sida "King Kong" som ursprungligen inte gavs ut på album.
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Ray Davies, except where noted
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The front cover artwork of the album. A white coffee mug with the word "Arthur" and a picture of two men sits in the foreground; a sepia-tone profile photo of the Kinks sits behind it; a swan and other small, various objects sit behind the photo. A hand raises a flag from behind the pileup, which reads "The Kinks". These objects sit on a green background, with the exception of the top border, which is covered by storm clouds.
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"Victoria", the most successful single released from the record. The lyrics discuss an old, specifically Victorian, Britain. "Arthur", the last track on the album. The lyrics sum up the entire plot line of the album, retelling the story of Arthur Morgan. Dave Davies takes over lead vocal duties on the first verse.
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Side one 1998 2011 Side two
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1970
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alternative stereo mix17 mono alternative stereo mix Unreleased track from Dave Davies solo album stereo Alternate stereo version studio recording for the BBC backing track stereo; a broken stereo version was included in Castle Records' 1998 release. This was fixed in subsequent reissues
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1968
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May–July 1969
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1969-10-10
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Encyclopedia of Popular Music Blender dbr:AllMusic The Rolling Stone Album Guide
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Pye, London
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Dave Davies
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Arthur (or the Decline and Fall of the British Empire), ett konceptalbum av The Kinks, utgivet i oktober 1969 på Pye Records i Europa och Reprise Records i Nordamerika. Det här albumet skrevs ursprungligen till en TV-film till Granada Television. Men producenten fick inte ihop budgeten och filmen gjordes aldrig. Handlingen utvecklade Ray Davies tillsammans med pjäsförfattaren Julian Mitchell, som sedan skrev skivans "liner notes". Innan inspelningarna av albumet påbörjades slutade gruppens basist Pete Quaife, och albumet blev det första med basisten John Dalton som kom att stanna hos gruppen under 1970-talet. Albumet handlar om en man som heter Arthur Morgan och är mattlägare. Men livet är tufft i Storbritannien efter kriget. Man får följa honom och hans familj när de lämnar Storbritannien för ett liv i Australien. Först får man ta del av Arthurs tankar om ett svunnet England, och sedan vad de stöter på i Australien. Albumet innebar att The Kinks åter syntes på Billboard-listan i USA, där deras föregående album The Village Green Preservation Society inte alls noterats. Men försäljningen var ändå relativt blygsam och skivan listnoterades inte i Storbritannien. Samtidens musikjournalister bemötte skivan mycket positivt, Robert Christgau gav skivan A- i betyg, och Greil Marcus som skrev för Rolling Stone gav en positiv recension och utnämnde albumet till 1969 års bästa brittiska album. Skivan anses än idag hålla hög klass vilket bland annat Stephen Thomas Erlewines femstjärniga recension på webbsidan allmusic är ett exempel på. Den sarkastiska "Victoria" blev den största hiten från albumet. Den listnoterades både på amerikanska och brittiska singellistan, och i USA blev den gruppens största singelframgång sedan "Sunny Afternoon" 1966. Den andra singeln från albumet, "" gick dock obemärkt förbi, utom i Nederländerna där den blev en mindre singelhit. Skivomslaget designades av Bob Lawrie. Originalutgåvorna gavs ut med ett utviksfodral där man drog upp LP-skivorna ur en kängurupung. Skivan innehöll även ett innerfodral med en bild på Drottning Victoria hållande huset "Shangri-La" med albumets huvudperson Arthur i. Senare cd-utgåvor av albumet innehåller även singeln "Plastic Man" och dess b-sida "King Kong" som ursprungligen inte gavs ut på album. 《Arthur (Or the Decline and Fall of the British Empire)》는 종종 《Arthur》라고 일컬어지며, 1969년 10월에 발매된 영국의 록 밴드 킹크스의 일곱 번째 스튜디오 음반이다. 킹크스의 프론트맨 레이 데이비스는 그라나다 텔레비전 연극의 사운드트랙으로 콘셉트 음반을 구성했고 소설가 과 함께 줄거리를 개발했다. 대략적인 줄거리는 레이와 기타리스트 데이브 데이비스의 매제 아서 애닝을 기반으로 한 카펫 레이어 아서 모건을 중심으로 전개되었다. 스테레오 버전이 국제적으로 출시되었다. 모노 버전은 영국에서 출시되었지만 미국에서는 출시되지 않았다. 이 음반은 저조한 판매고를 기록했지만, 특히 미국 음악 언론들 사이에서 거의 만장일치로 호평을 받았다. 비록 《Arthur》와 그 첫 번째 두 싱글인 〈〉과 〈〉는 영국에서 차트 작성에 실패했지만, 킹크스는 미국의 리드 싱글인 〈〉로 2년 만에 《빌보드》 차트에 복귀하여 62위에 올랐다. 이 음반은 빌보드 200 차트에서 105위에 올랐는데, 1965년 이후 가장 높은 순위를 기록했다. 《Arthur》는 1970년 킹크스의 컴백 음반 《Lola Versus Powerman and the Moneygoround, Part One》의 더 큰 성공을 위한 길을 닦았다. Arthur (Or the Decline and Fall of the British Empire) est le septième album studio du groupe de rock britannique The Kinks. Il est sorti en octobre 1969. Il s'agit d'un album-concept dont le protagoniste est un petit employé anglais dont la vie couvre la première moitié du XXe siècle, du règne de Victoria aux années 1960. Arrivé à la fin de sa vie, Arthur voit son fils Derek partir en Australie dans l'espoir d'une vie meilleure et il se demande s'il a fait les bons choix dans sa propre vie. À l'origine, Arthur (Or the Decline and Fall of the British Empire) doit servir de bande originale à un téléfilm dont le scénario est coécrit par Ray Davies, le leader des Kinks, et l'écrivain (en). Le projet de téléfilm est rapidement abandonné et seul l'album voit le jour. Il est enregistré par les Kinks en l'espace de deux mois, entre mai et juillet 1969, aux studios Pye de Londres. C'est le premier album du groupe avec le bassiste John Dalton, qui remplace le membre fondateur Pete Quaife. À sa sortie, l'album est unanimement salué par la critique, en particulier la presse rock américaine. En revanche, les ventes n'ont rien d'exceptionnel, même si le single Victoria marque le retour des Kinks dans le hit-parade américain après trois ans d'absence. Ce regain de forme après l'échec commercial de The Kinks Are the Village Green Preservation Society annonce le succès de Lola versus Powerman and the Moneygoround, Part One et de la chanson Lola, qui se classe dans le Top 5 des deux côtés de l'Atlantique en 1970. Arthur (Or the Decline and Fall of the British Empire) è il settimo album della band inglese The Kinks, pubblicato nell'ottobre 1969 dalla Pye Records in Gran Bretagna e dalla Reprise Records negli Stati Uniti. Arthur (Or the Decline and Fall of the British Empire), often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. A stereo version was released internationally. A mono version was released in the UK, but not in the US. The album was met with poor sales but nearly unanimous acclaim, especially among the American music press. Although Arthur and its first two singles, "Drivin’" and "Shangri-La", failed to chart in the UK, the Kinks returned to the Billboard charts after a two-year absence with "Victoria", the lead single in the US, peaking at number 62. The album itself reached number 105 on the Billboard album chart, their highest position since 1965. Arthur paved the way for the further success of the Kinks’ 1970 comeback album Lola Versus Powerman and the Moneygoround, Part One. Arthur (Or the Decline and Fall of the British Empire) ist das siebte Studioalbum der britischen Rockgruppe The Kinks. Es wurde in England am 10. Oktober 1969 veröffentlicht. Alle darauf enthaltenen Kompositionen stammen von Ray Davies. Es erschien nach einem schwierigen Jahr für die Band nach dem kommerziellen Misserfolg des Vorgängeralbums The Kinks Are the Village Green Preservation Society sowie mehreren nur mäßig erfolgreichen Singles. Außerdem hatte im April 1969 Bassist Pete Quaife die Band verlassen, ein Nachfolger (John Dalton) musste gefunden werden. Ray Davies legte das Konzeptalbum als Soundtrack für ein geplantes Fernsehspiel an, welches allerdings aus Geldmangel nie realisiert wurde. Möglicherweise war der auftraggebenden TV-Produktionsfirma Granada das Spießer-Psychogramm aber auch zu pessimistisch und zu renitent. Die entworfene Handlung verwendete Ray Davies in Zusammenarbeit mit dem englischen Drehbuchautor Julian Mitchell für die LP. Zu der Geschichte „über den Niedergang und Verfall des britischen Weltreichs“ angeregt wurde Ray Davies durch seinen Schwager, welcher mit seiner Frau Rose – der älteren Schwester von Ray und Dave, welche bereits 1966 in dem Lied Rosie Won’t You Please Come Home vom Album Face to Face Erwähnung fand – nach Australien emigrierte. Erzählt wird vom Aufstieg des Teppichlegers Arthur nach dem Zweiten Weltkrieg. Sowohl sarkastisch als auch melancholisch beschreiben die Lieder das frühere England, das Arthur einst kannte, die Verheißung des Lebens in Australien, die Leere des komfortablen aber oberflächlichen Lebens in seiner Heimat, dem vermeintlichen Shangri-La, von der Entschlossenheit der britischen Bevölkerung während des Zweiten Weltkrieges sowie vom Tod des Bruders im Ersten Weltkrieg. Viele der Lieder sind wieder im harten Rock-’n’-Roll-Stil der Anfangsjahre gehalten, den die Band zuletzt vernachlässigt hatte, wie beispielsweise Victoria oder Brainwashed. Von den ausgekoppelten Singles Drivin’, Shangri-La und Victoria war nur letztere ein bescheidener Hit in Großbritannien (Platz 33). Das Album wurde wieder insbesondere von der amerikanischen Kritik sehr positiv aufgenommen, speziell im Vergleich mit Tommy, der allerdings höchst erfolgreichen Rockoper der britischen Band The Who, welche im Mai des gleichen Jahres veröffentlicht worden war. Arthur hingegen war nur ein mäßiger kommerzieller Erfolg, wurde aber allgemein als Beendigung der Krise der Kinks nach den Enttäuschungen des Jahres 1968 betrachtet. Ebenso möglich wurde eine Rückkehr auf amerikanische Live-Bühnen Ende 1969 nach der Aufhebung des fünfjährigen Bannes, 1964 ausgelöst durch einen Streit mit der US-amerikanischen Musikergewerkschaft. Und auch der kommerzielle Erfolg sollte mit der Veröffentlichung der Single Lola im Juni 1970 zurückkehren. Arthur (Or the Decline and Fall of the British Empire) es el séptimo álbum de estudio de la banda británica de rock The Kinks. Se editó en octubre de 1969. El líder del grupo, Ray Davies, creó el álbum conceptual como banda sonora de un proyectado programa de Granada Television, y desarrolló su argumento con el novelista ; no obstante, el programa de televisión se canceló y nunca llegó a producirse. El borrador del argumento contaba la historia de un personaje llamado Arthur Morgan, instalador de alfombras, inspirado en el cuñado de Davies, Arthur Anning. Arthur recibió críticas muy positivas tras su lanzamiento. Contó con una amplia cobertura informativa por parte de la prensa musical estadounidense, siendo objeto de artículos en revistas underground como Fusion y The Village Voice. Se le dedicaron dos reseñas consecutivas, escritas por Mike Daly y Greil Marcus, en la sección principal de la revista Rolling Stone: Daly lo valoró como «el mejor álbum de The Kinks», y Marcus llegó a decir que «era el mejor álbum británico de 1969».​ Las reseñas en el Reino Unido también fueron muy positivas. Aunque recibió una crítica floja por parte de New Musical Express, Disc & Music Echo alabó la integridad musical del disco y Melody Maker lo llamó «lo mejor de Ray Davies... maravillosamente británico hasta la médula».​ El álbum, aunque no fue muy exitoso a nivel comercial, significó el regreso de The Kinks a las listas de ventas en Estados Unidos.​ Su anterior trabajo, The Kinks Are the Village Green Preservation Society, aunque bien recibido por la crítica, no había llegado a entrar en las listas de éxitos de ningún país en 1968, y se calcula que en Estados Unidos se vendieron tan solo unas 25 000 copias.​ The Kinks volvieron a ingresar en la lista de Billboard en 1969 después de dos años de ausencia, gracias al sencillo «Victoria», que llegó al puesto número 62.​ El álbum alcanzó el número 50 de la lista y el 105 del Billboard, la posición más alta conseguida por el grupo desde 1965, aunque en el Reino Unido no llegó a entrar en ninguna de las listas. A pesar de sus flojas ventas, Arthur (Or the Decline and Fall of the British Empire) abrió el camino para el gran éxito de The Kinks, en 1970, con el álbum Lola Versus Powerman and the Moneygoround, Part One, junto con su sencillo «Lola», que consiguió entrar en el Top 5 de las listas de Estados Unidos y el Reino Unido.​ Arthur (Or the Decline and Fall of the British Empire) é o sétimo álbum de estúdio gravado pela banda inglesa The Kinks, lançado em 1969. Arthur (Or the Decline and Fall of the British Empire) je album od britské rockové skupiny The Kinks Arthur (Or the Decline and Fall of the British Empire) rozvíjí dál téma z předchozí, „staroanglické“ desky The Kinks Are the Village Green Preservation Society a vypráví příběh Londýňana, který se po druhé světové válce rozhodl přesídlit do Austrálie. Vznikl tak cyklus miniatur líčících život na předměstí, ochromující efekt byrokracie a hrůzy války. Zvuk je tvrdší než na Village Green Preservation Society, hudba a texty jsou obdobně vícevrstvé jako na předchozím LP. „Shangri-La“ přechází z klasického anglického folku až do hard-rocku, půvab písně „Drivin'“ je v její utahanosti, vedle ní tu zní krásná hloubavá balada „Young and Innocent Days“, zatímco „Some Mother's Son“ je jednou nejnekompromisnějších protiválečných písní, jaká kdy byla nahrána. Dohromady vytváří jedno z nejefektivnějších koncepčních alb v rockové historii. Arthur (Or the Decline and Fall of the British Empire) is een album van de Britse rockband The Kinks uit 1969. Arthur (Or the Decline and Fall of the British Empire) (рус. Артур (Или упадок и крах Британской империи)) — седьмой студийный альбом британской рок-группы The Kinks, выпущенный 10 октября 1969 года на лейбле в Великобритании и Reprise Records в США. Альбом стал одним из концептуальных в творчестве The Kinks. В 2004 году альбом был переиздан на лейбле Sanctuary Records. アーサー、もしくは大英帝国の衰退ならびに滅亡(Arthur (Or the Decline and Fall of the British Empire))は、1969年にリリースされたザ・キンクスのアルバム。前作『ヴィレッジ・グリーン・プリザヴェイション・ソサエティ』の商業的失敗の後、オリジナル・メンバーのピート・クウェイフが脱退し、ベーシストとしてジョン・ダルトンが再加入することとなった。本作はグラナダ・テレビのドラマ用に製作されたが、ドラマの計画は頓挫し独立したコンセプト・アルバムとして完成した。ドラマの脚本はレイ・デイヴィスとによって書かれ、物語はレイの義理の兄アーサー(1960年代初めに妻のローズとともにオーストラリアに移住した。)のエピソードに基づく。 主人公のアーサー・モーガンは労働者階級。第二次世界大戦後のイギリスにおける彼の家族の苦境が描かれる。彼は息子のためにオーストラリアへの移住を決意する。イギリス帝国 - 二つの大戦 - 大戦後の現代と、その歴史に翻弄される小市民の生活をレイ独特のシニカルな、かつ愛情のこもった視点から描いた作品である。 「ヴィクトリア」や「ブレインウォッシュド」のような曲に示されるように、バンドはロックン・ロールへの回帰を表した。本作は発表当時アメリカに於いて好意的評価を得た。また、ザ・フーの同年発表作『トミー』と、コンセプト・アルバムとしてよく比較された。本作の成功および「ローラ」のヒットは1965年に全米音楽家連盟から受けたアメリカ合衆国での活動禁止解除後のアメリカ・ツアーのお膳立てとなった。
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