About: St Mark Passion (attributed to Keiser)

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Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's Brockes Passion. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747.

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  • Die Hamburger Markuspassion ist eine Vertonung der Passion nach Markus, die wohl um 1702 entstand. Der Komponist ist nicht zweifelsfrei identifiziert; als wahrscheinliche Kandidaten wurden Reinhard Keiser, dessen Vater Gottfried Keiser sowie Friedrich Nicolaus Bruhns genannt. Besondere Relevanz erhält das Werk, da es nachweislich mehrfach durch Johann Sebastian Bach aufgeführt wurde. Es darf nicht mit Bachs eigener Markuspassion BWV 247 verwechselt werden. (de)
  • Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's Brockes Passion. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747. (en)
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  • Die Hamburger Markuspassion ist eine Vertonung der Passion nach Markus, die wohl um 1702 entstand. Der Komponist ist nicht zweifelsfrei identifiziert; als wahrscheinliche Kandidaten wurden Reinhard Keiser, dessen Vater Gottfried Keiser sowie Friedrich Nicolaus Bruhns genannt. Besondere Relevanz erhält das Werk, da es nachweislich mehrfach durch Johann Sebastian Bach aufgeführt wurde. Es darf nicht mit Bachs eigener Markuspassion BWV 247 verwechselt werden. (de)
  • Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's Brockes Passion. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747. (en)
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  • Hamburger Markuspassion (de)
  • St Mark Passion (attributed to Keiser) (en)
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