About: Shenyi

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Shenyi (Chinese: 深衣; pinyin: shēnyī; lit. 'deep clothing'; Korean: 심의; Hanja: 深衣; RR: Simui; yr: sim.ui), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The shenyi is an iconic form of robe in Hanfu, which was recorded in Liji and advocated in Zhu Xi's Zhuzi jiali《朱子家禮》. As cited in the Liji, the shenyi is a long robe which is created when the "upper half is connected to the bottom half to cover the body fully". The shenyi, along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The shenyi was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, a

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  • El Shen-i fue un traje masculino típico chino que constaba de dos partes. Era un conjunto con parte superior (la prenda) y parte inferior (la falda) como una ropa completa, así que no iba separado. Era principalmente el traje asociado a la vestimenta formal durante la dinastía Ming y también era muy usado, (casi de uso común), por los funcionarios gubernamentales, y por los eruditos. Sus partes eran parecidas a las del Pien-fu aunque este tenía las mangas más pequeñas y era menos grueso, pero tanto el Pien-fu como el Shenyi, era abiertos, con cortes profundos y cubrían generosamente el cuerpo. La parte superior era una túnica. La inferior, era como una falda larga compuesta por doce partes cosidas. (es)
  • Shenyi (Chinese: 深衣; pinyin: shēnyī; lit. 'deep clothing'; Korean: 심의; Hanja: 深衣; RR: Simui; yr: sim.ui), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The shenyi is an iconic form of robe in Hanfu, which was recorded in Liji and advocated in Zhu Xi's Zhuzi jiali《朱子家禮》. As cited in the Liji, the shenyi is a long robe which is created when the "upper half is connected to the bottom half to cover the body fully". The shenyi, along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The shenyi was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, and situation and was used as a basic form of clothing. The shenyi then became the mainstream clothing choice during the Qin and Han dynasties. By the Han dynasty, the shenyi had evolved into two types of robes: the qujupao (Chinese: 曲裾袍) and the zhijupao (Chinese: 直裾袍). The shenyi later gradually declined in popularity around the Wei, Jin, and Northern and Southern dynasties period. However, the shenyi's influence persisted in the following dynasties. The shenyi then became a form of formal wear for scholar-officials in the Song and Ming dynasties. Chinese scholars also recorded and defined the meaning of shenyi since the ancient times, such as Zhu Xi in the Song dynasty, Huang Zongxi in the Ming dynasty, and Jiang Yong in the Qing dynasty. The shenyi was also introduced in both Goryeo and Japan, where it exerted influences on Confucian clothing attire in Korea and Japan. The shenyi is called simui in Korean, it was worn by followers of Confucianism in the Goryeo and Joseon period. (en)
  • Shenyi (Hanzi: 深衣; Wade–Giles: Shên-i) adalah sebuah busana Tionghoa untuk laki-laki. Busana tersebut merupakan busana yang dipakai oleh para cendekiawan pada zaman Dinasti Song dan Dinasti Ming. Busana tersebut juga diperkenalkan di Korea dan Jepang dan mempengaruhi Hanbok dan Kimono. (in)
  • 深衣(shēnyī、しんい)とは、主に春秋戦国時代から漢代の中国で着られた、衽の先を腰に巻きつけて着るワンピース型の衣服。 『五経正義』によれば、衣と裳が繋がり体を深く覆う衣装であるとされており、丈の長い衽の深い衣服であったようである。 細かい形状については諸説あるが、幾つかにまとめることができ、「衽を続けて辺に鉤す」、スリットを開けず、衿を長くしてそれを三角形のようにして背中へ回し、絹の帯で締める。上下を別々に裁断してから、腰まわりで一つに縫い合わせる。上は体にぴったりとして、下の裳はゆったりとし、丈は足の踵に届くか、あるいは地面に引くほどになる。 春秋戦国時代には、男女・貴賤・老若を問わず着用されたようだが、後漢の頃には主に女性服となり、南北朝時代まで踏襲された。 (ja)
  • 深衣是一种記載於中國先秦時期、於漢代失傳後被宋朝學者朱熹重新復原的中國古代服飾,後來再傳至朝鮮,是自宋代以降,士庶在部份禮儀場合如冠禮、祭祀等,以及文人、儒者平日穿用的服飾。 (zh)
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  • left (en)
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  • Translated by James Legge (en)
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  • Man wearing a shenyi, from the Silk painting depicting a man riding a dragon. (en)
  • Woman wearing a shenyi , from the Silk painting with female figure, dragon and phoenix patterns (en)
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  • horizontal (en)
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  • center (en)
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  • 심의 (en)
dbp:hanja
  • 深衣 (en)
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  • Warring States Silk Painting Replica, Chu State .jpg (en)
  • Changshadragon.jpg (en)
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  • Deep clothing (en)
  • deep clothing (en)
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  • Profound gown (en)
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  • Shēnyī (en)
  • shēnyī (en)
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  • 16 (xsd:integer)
  • 41 (xsd:integer)
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  • Modern reproduction of a Confucian shenyi. (en)
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  • Simui (en)
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  • 深衣 (en)
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  • [Ancient shenyi] had definite measurements, so as to satisfy the requirements of the compass and square, the line, the balance, and the steelyard. It was not made so short as to show any of the skin, nor so long as to touch the ground. The outside pieces of the skirt joined, and were hooked together at the side; the seam at the waist was half that at the bottom . The sleeve was joined to the body of the dress at the armpit, so as to allow the freest movement of the elbow-joint; the length of the lower part admitted of the cuffs being turned back to the elbow. The sash was put on where there were no bones, so as not to interfere with the action of the thighs below or of the ribs above. [《古者深衣,蓋有制度,以應規、矩、繩、權、衡。短毋見膚,長毋被土。續衽,鉤邊。要縫半下;袼之高下,可以運肘;袂之長短,反詘之及肘。帶下毋厭髀,上毋厭脅,當無骨者。》] (en)
  • In the morning they wore the xuanduan; in the evening, the shenyi. [The shenyi] at the waist was thrice the width of the sleeve; and at the bottom twice as wide as at the waist. It was gathered in at each side . The sleeve could be turned back to the elbow. The outer or under garment joined on to the sleeve and covered a cubit of it. The collar was 2 inches wide; the cuff, a cubit and 2 inches long; the border, 1.5 inch broad. To wear silk under or inside linen was contrary to rule. [《朝玄端,夕深衣。深衣三袪,縫齊倍要,衽當旁,袂可以回肘。長中繼掩尺。袷二寸,祛尺二寸,緣廣寸半。以帛裹布,非禮也。》] (en)
  • For ornament, while his parents and grandparents were alive, wore the dress with its border embroidered. If his parents were alive, the ornamental border was blue. In the case of an orphan son, the border was white. The border round the mouth of the sleeves and all the edges of the dress was an inch and a half wide. [《具父母、大父母,衣純以繢;具父母,衣純以青。如孤子,衣純以素。純袂、緣、純邊,廣各寸半。》] (en)
  • In the making twelve strips were used, to correspond to the twelve months. The sleeve was made round, as if fashioned by a disk. The opening at the neck was square, as if made by means of that instrument so named. The cord-like at the back descended to the ankles, as if it had been a straight line. The edge at the bottom was like the steelyard of a balance, made perfectly even. [《制:十有二幅以應十有二月;袂圜以應規;曲袷如矩以應方;負繩及踝以應直;下齊如權衡以應平。》] (en)
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  • Liji :《玉藻 - Yu Zao》 (en)
  • Liji: Shenyi《深衣》 (en)
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  • 300 (xsd:integer)
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  • Shên-i (en)
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  • 150 (xsd:integer)
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  • El Shen-i fue un traje masculino típico chino que constaba de dos partes. Era un conjunto con parte superior (la prenda) y parte inferior (la falda) como una ropa completa, así que no iba separado. Era principalmente el traje asociado a la vestimenta formal durante la dinastía Ming y también era muy usado, (casi de uso común), por los funcionarios gubernamentales, y por los eruditos. Sus partes eran parecidas a las del Pien-fu aunque este tenía las mangas más pequeñas y era menos grueso, pero tanto el Pien-fu como el Shenyi, era abiertos, con cortes profundos y cubrían generosamente el cuerpo. La parte superior era una túnica. La inferior, era como una falda larga compuesta por doce partes cosidas. (es)
  • Shenyi (Hanzi: 深衣; Wade–Giles: Shên-i) adalah sebuah busana Tionghoa untuk laki-laki. Busana tersebut merupakan busana yang dipakai oleh para cendekiawan pada zaman Dinasti Song dan Dinasti Ming. Busana tersebut juga diperkenalkan di Korea dan Jepang dan mempengaruhi Hanbok dan Kimono. (in)
  • 深衣(shēnyī、しんい)とは、主に春秋戦国時代から漢代の中国で着られた、衽の先を腰に巻きつけて着るワンピース型の衣服。 『五経正義』によれば、衣と裳が繋がり体を深く覆う衣装であるとされており、丈の長い衽の深い衣服であったようである。 細かい形状については諸説あるが、幾つかにまとめることができ、「衽を続けて辺に鉤す」、スリットを開けず、衿を長くしてそれを三角形のようにして背中へ回し、絹の帯で締める。上下を別々に裁断してから、腰まわりで一つに縫い合わせる。上は体にぴったりとして、下の裳はゆったりとし、丈は足の踵に届くか、あるいは地面に引くほどになる。 春秋戦国時代には、男女・貴賤・老若を問わず着用されたようだが、後漢の頃には主に女性服となり、南北朝時代まで踏襲された。 (ja)
  • 深衣是一种記載於中國先秦時期、於漢代失傳後被宋朝學者朱熹重新復原的中國古代服飾,後來再傳至朝鮮,是自宋代以降,士庶在部份禮儀場合如冠禮、祭祀等,以及文人、儒者平日穿用的服飾。 (zh)
  • Shenyi (Chinese: 深衣; pinyin: shēnyī; lit. 'deep clothing'; Korean: 심의; Hanja: 深衣; RR: Simui; yr: sim.ui), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The shenyi is an iconic form of robe in Hanfu, which was recorded in Liji and advocated in Zhu Xi's Zhuzi jiali《朱子家禮》. As cited in the Liji, the shenyi is a long robe which is created when the "upper half is connected to the bottom half to cover the body fully". The shenyi, along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The shenyi was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, a (en)
rdfs:label
  • Shenyi (es)
  • Shenyi (en)
  • Shenyi (in)
  • 深衣 (ja)
  • 深衣 (zh)
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