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- Il ritorno di Tobia (El retorn de Tobies) és un oratori de Joseph Haydn (Hob.XXI:1) en dues parts, compost l'any 1775. (ca)
- Il ritorno di Tobia (Die Heimkehr des Tobias) ist ein Oratorium von Joseph Haydn (Hob. XXI:1) in zwei Teilen. (de)
- Il ritorno di Tobia (The Return of Tobias) is an oratorio in two parts composed in 1775 by Joseph Haydn (Hob. XXI:1). The work is the first oratorio the composer wrote and, according to Jones, was "his most extended and ambitious composition up to that time". The Italian-language libretto of the work is by , brother of the composer Luigi Boccherini. This libretto is harshly criticized by Olleson, who notes that the author de-dramatizes vivid episodes in the source (the story of Tobit in the Apocrypha), depriving Haydn of the opportunity for highly dramatic musical utterance. The work was premiered in Vienna on 2 April 1775, under the sponsorship of the Tonkünstler-Societät, a musician's benevolent society. The musical forces were substantial: Smither writes: "characteristic of the large forces used for the Tonkünstler-Societät concerts, the orchestra, chorus, and soloists possibly numbered more than 180 performers." He adds that the premiere was "enormously successful." In 1784, Haydn substantially revised the work, with cuts to make numbers shorter and new choruses, for another of the Tonkünstler-Societät's benefit concerts. It is thought that at this concert Haydn first met Wolfgang Amadeus Mozart, who became his good friend. One of the soprano soloists was Nancy Storace, also a friend of Haydn, who later was Mozart's first Susanna in The Marriage of Figaro. In 1808 the oratorio made a third appearance on the program of the Tonkünstler-Societät, this time in a revised version by the now-elderly composer's pupil, Sigismund Neukomm. The performance on the night of 22 December, which required the labors of most of the highly qualified musicians in Vienna, had regrettable consequences for a now-famous rival concert taking place in Vienna on the same evening, the benefit for Ludwig van Beethoven that premiered his Fifth and Sixth Symphonies. Today, Il ritorno di Tobia is eclipsed by Haydn's later works in this genre – The Creation and The Seasons – and is seldom performed or recorded. (en)
- Il ritorno di Tobia (El regreso de Tobías) es un oratorio de Joseph Haydn (Hob. XXI:1) en dos partes, compuesto en el año 1775. (es)
- Il ritorno di Tobia (en français Le Retour de Tobie) est un oratorio composé par Joseph Haydn en 1775. L'œuvre est référencée Hob.XXI.1 dans le catalogue thématique de Hoboken. C'est le premier des trois oratorios composés par Joseph Haydn. (fr)
- 『トビアの帰還』（トビアのきかん、イタリア語: Il ritorno di Tobia）Hob.XXI:1は、フランツ・ヨーゼフ・ハイドンが1775年に作曲した2部からなるイタリア語オラトリオ。旧約聖書続編（または外典）の「トビト記」にもとづく。 晩年のオラトリオ『天地創造』および『四季』と比べて、本作は長らく忘れられた存在だった。 (ja)
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- Il Ritorno di Tobia, Hob.XXI:1 (en)
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- Il ritorno di Tobia (El retorn de Tobies) és un oratori de Joseph Haydn (Hob.XXI:1) en dues parts, compost l'any 1775. (ca)
- Il ritorno di Tobia (Die Heimkehr des Tobias) ist ein Oratorium von Joseph Haydn (Hob. XXI:1) in zwei Teilen. (de)
- Il ritorno di Tobia (El regreso de Tobías) es un oratorio de Joseph Haydn (Hob. XXI:1) en dos partes, compuesto en el año 1775. (es)
- Il ritorno di Tobia (en français Le Retour de Tobie) est un oratorio composé par Joseph Haydn en 1775. L'œuvre est référencée Hob.XXI.1 dans le catalogue thématique de Hoboken. C'est le premier des trois oratorios composés par Joseph Haydn. (fr)
- 『トビアの帰還』（トビアのきかん、イタリア語: Il ritorno di Tobia）Hob.XXI:1は、フランツ・ヨーゼフ・ハイドンが1775年に作曲した2部からなるイタリア語オラトリオ。旧約聖書続編（または外典）の「トビト記」にもとづく。 晩年のオラトリオ『天地創造』および『四季』と比べて、本作は長らく忘れられた存在だった。 (ja)
- Il ritorno di Tobia (The Return of Tobias) is an oratorio in two parts composed in 1775 by Joseph Haydn (Hob. XXI:1). The work is the first oratorio the composer wrote and, according to Jones, was "his most extended and ambitious composition up to that time". The Italian-language libretto of the work is by , brother of the composer Luigi Boccherini. This libretto is harshly criticized by Olleson, who notes that the author de-dramatizes vivid episodes in the source (the story of Tobit in the Apocrypha), depriving Haydn of the opportunity for highly dramatic musical utterance. (en)
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- Il ritorno di Tobia (ca)
- Il ritorno di Tobia (de)
- Il ritorno di Tobia (es)
- Il ritorno di Tobia (en)
- Il ritorno di Tobia (fr)
- トビアの帰還 (ja)
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