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Statements

Subject Item
dbr:Jean_Metzinger
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rdfs:label
Метценже, Жан Jean Metzinger Jean Metzinger Jean Metzinger Jean Metzinger Jean Metzinger Жан Метсенже Jean Metzinger Jean Metzinger Jean Metzinger 장 메챙제 讓·梅金傑 Jean Metzinger ジャン・メッツァンジェ Jean Metzinger Jean Metzinger Jean Metzinger Jean Metzinger Jean Metzinger
rdfs:comment
Жан Домінік Антоній Метсенже (фр. Jean Metzinger [mɛtsɛ̃ʒe], 24 червня 1883, Нант, Франція — 3 листопада 1956, Париж) — великий французький живописець, теоретик, письменник і критик ХХ століття, який разом з Альбертом Глейз написав першу теоретичну працю про кубізм. Jean Metzinger (Nantes, 24 juni 1883 - Parijs, 3 november 1956) was een Franse kunstschilder die aanvankelijk in de stijl van het neo-impressionisme werkte maar na zijn ontmoeting met Pablo Picasso en Georges Braque in 1907 zich vanaf 1908 aansloot bij het kubisme. Het succes zette hem aan om in 1903 naar Parijs te verhuizen. Daar evolueerde zijn stijl van het neo-impressionisme naar het kubisme. In 1912 schreef hij een verhandeling - Du cubisme - samen met Albert Gleizes. Metzinger werd als docent aangesteld aan de in Parijs en later aan de . Jean Metzinger (25 Juni 1883 – 3 November 1956) adalah seorang seniman, pelukis, dan penulis berkebangsaan Prancis. Pada usia 20 tahun, ia pergi ke Paris untuk mengejar karier sebagai pelukis. Salah satu rekan yang Metzinger temui pada awal kunjungannya di Paris adalah Robert Delaunay. Pada tahun tahun 1908, ia bertemu dengan penulis Max Jacob, yang mengenalkan Metzinger kepada seniman dan sastrawan ternama Guillaume Apollinaire, Pablo Picasso, dan Georges Braque. Pada tahun 1910, Metzinger untuk pertama kalinya memamerkan hasil karyanya di , sebuah asosiasi seniman independen di Prancis. Dalam periode 1910 hingga 1911, ia mempublikasikan beberapa artikel tentang lukisan kontemporer, serta berkontribusi menyumbang tulisan dalam berkala seni yang membahas seni modern. Lebih jauh lagi, dalam Жан Метценже (фр. Jean Metzinger; 25 июня 1883, Нант — 3 ноября 1956, Париж) — французский художник. Прошёл творческий путь от неоимпрессионизма через фовизм к кубизму. 장 도미니크 안토니 메챙제(메친제; Jean Dominique Antony Metzinger 프랑스어 발음: ​[mɛtsiŋgɛʁ], 1883년 6월 24일 - 1956년 11월 3일)는 프랑스 낭트 출신의 입체파 화가이다. Jean Metzinger, nato come Jean Dominique Antony Metzinger, (Nantes, 24 giugno 1883 – Parigi, 23 novembre 1956), è stato un pittore, scrittore e poeta francese. I suoi primi dipinti appaiono influenzati dal neoimpressionismo di Georges Seurat e Henri-Edmond Cross. Fra il 1904 ed il 1907, Metzinger dipinse secondo l'influenza del divisionismo e del fauvismo, mentre dal 1908 abbracciò il cubismo sia come artista che uno fra i principali teorici della corrente pittorica. Jean Metzinger e Albert Gleizes scrissero il primo importante trattato sul cubismo nel 1912 e Metzinger fu uno dei membri fondatori del gruppo di artisti chiamato Section d'Or. Jean Dominique Antony Metzinger (French: [mɛtsɛ̃ʒe]; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works. Jean Metzinger (24. června 1883, Nantes – 3. listopadu 1956, Paříž) byl francouzský malíř a teoretik umění, jeden z tvůrců kubismu. Byl členem skupiny Section d'Or. Byl jedním z mnoha umělců, jejichž dílo bylo v roce 1933 odsouzeno jako zvrhlé umění a v roce 1937 vystaveno na výstavě Entartete Kunst v Mnichově. 讓·多米尼克·安東尼·梅金傑（Jean Dominique Antony Metzinger 法语：[mɛtsɛ̃ʒe]；1883年6月24日－1956年11月3日）是一位法國藝術家、藝術評論家和作家。 Jean Metzinger (ur. 24 czerwca 1883 w Nantes, zm. 3 listopada 1956 w Paryżu) – francuski malarz związany z kubizmem. Jean Metzinger (Nantes, Frantzia, 1883ko ekainaren 24a - Paris, Frantzia, 1956ko azaroaren 3a) margolaria eta frantsesezko idazlea izan zen. 1908tik aurrera, kubismoaren bidetik abiatu zen, Picassorekin eta Braquerekin zituen harremanetan oinarriturik, eta mugimendu horren teoriko bikainenetako bat izan zen (Du cubisme, 1912). Haren lanen ezaugarria teknikaren perfekzioa da. 1921etik aurrera, errealismora itzultzeko ahalegina nabaritzen da Metzingerren lanetan. Haren margolan aipagarrienak hauek dira: Femme, face-profil (1917), The Dancer, La Femme à la guitare. ジャン・ドミニク・アントニー・メッツァンジェ（メッツィンゲル、Jean Dominique Antony Metzinger フランス語発音: [mɛtsiŋgɛʁ]、1883年6月24日 - 1956年11月3日）は、フランスのキュビスムの画家。フランス・ナントに生まれる。 Jean Dominique Antony Metzinger, né le 24 juin 1883 à Nantes et mort le 1er novembre 1956 dans le 6e arrondissement de Paris, est un peintre, théoricien de l'art, écrivain, critique d'art et poète français. Jean Metzinger (naskiĝis la 24-an de junio 1883 en Nanto, mortis la 3-an de novembro 1956 en Parizo) estis franca pentristo. Li komencis siajn studojn de pentrado kiam li estis 15-jara. Tiutempe, li proksimiĝis al la laboro de Ingres. Kiam li estis 17-jara li translokiĝis al Parizo, kie li vizitis plurajn akademiojn, forlasante ĉiujn, malkontenta. Li estis influita de la historiaj avangardoj, tiaj kiaj la Punktismo de Seurat kaj la Faŭvismo. En 1910, konatiĝinte kun Picasso kaj Braque li fariĝis kubisma pentristo. Jean Metzinger (* 25. Juni 1883 in Nantes; † 3. November 1956 in Paris) war ein französischer Maler. Sein Stil entwickelte sich vom Neoimpressionismus über den Fauvismus hin zum analytischen Kubismus. Jean Metzinger (Nantes, 1883 - París, 1956) va ser un pintor, tèoric i crític d'art francès. Jean Metzinger (Nantes, 1883-París, 1956) fue un pintor, poeta, teórico y crítico de arte francés. Su pintura, inscrita inicialmente en el puntillismo neoimpresionista, se relacionó posteriormente con el fauvismo y el cubismo. Jean Metzinger, född 24 juni 1883 i Nantes, död 3 november 1956 i Paris, var en fransk målare tillhörig Parisskolan. Jean Dominique Antony Metzinger (Nantes, 24 de junho de 1883 - Paris, 3 de novembro de 1956) foi um pintor francês. Iniciou seus estudos em pintura aos 15 anos. Nessa época, aproximou-se dos trabalhos de Ingres. Aos 17 anos mudou-se para Paris, onde frequentou diversas academias, abandonando todas, insatisfeito. Foi influenciado pelas vanguardas históricas, assim como pelo Pontilhismo de Seurat e pelo Fauvismo. Por volta de 1910, ao conhecer Picasso e Braque, tornou-se um pintor cubista.
rdfs:seeAlso
dbr:List_of_works_by_Jean_Metzinger
foaf:name
Jean Metzinger
foaf:homepage
n11:
dbp:name
Jean Metzinger
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n25:Jean_Metzinger,_1912,_Paysage_(Landscape),_oil_on_canvas,_59.2_x_73_cm,_Art_Institute_of_Chicago.jpg n25:Jean_Metzinger,_1913,_En_Canot,_oil_on_canvas,_146_x_114_cm,_missing_or_destroyed.jpg n25:Jean_Metzinger,_1913,_Etude_pour_L'Oiseau_bleu,_Centre_Pompidou,_Musée_National_d'Art_Moderne.jpg n25:Jean_Metzinger,_1913,_La_Femme_à_l'Éventail,_Woman_with_a_Fan,_oil_on_canvas,_92.8_x_65.2_cm,_Art_Institute_of_Chicago..jpg n25:Jean_Metzinger,_1916,_Fruit_and_a_Jug_on_a_Table,_oil_and_sand_on_canvas,_115.9_x_81_cm,_Museum_of_Fine_Arts,_Boston..jpeg n25:Jean_Metzinger,_c.1905-06,_Nu_dans_un_paysage,_oil_on_canvas,_73_x_54_cm.jpg n25:Jean_Metzinger,_c.1908,_Baigneuses_(Bathers),_illustrated_in_Gelett_Burgess,_The_Wild_Men_of_Paris,_The_Architectural_Record,_Document_3,_May_1910,_New_York,_location_unknown.jpg n25:Jean_Metzinger,_c.1912,_Paysage_(Landscape),_location_unknown._Reproduced_in_Du_%22Cubisme%22,_1912.jpg 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n25:Jean_Metzinger,_1916,_Femme_au_miroir_(Femme_à_sa_toilette,_Lady_at_her_Dressing_Table),_oil_on_canvas,_92.4_x_65.1_cm,_private_collection.jpg n25:Jean_Metzinger,_1916,_Femme_au_miroir_(Femme_à_sa_toilette,_Lady_at_her_Dressing_Table),_published_in_The_Sun,_New_York,_28_April_1918.jpg n25:Jean_Metzinger,_Gino_Severini,_Albert_Gleizes,_Les_Annales_politiques_et_littéraires,_Sommaire_du_n._1536,_décembre_1912.jpg n25:Jean_Metzinger,_Juan_Gris,_Marie_Laurencin,_August_Agero,_Veu_de_Catalunya,_25_April_1912.jpg n25:Jean_Metzinger,_Le_Goûter_(Tea_Time),_published_in_Le_Journal,_30_September_1911.jpg n25:Fernand_Léger,_Jean_Metzinger,_Alexander_Archipenko,_Les_Annales_politiques_et_littéraires,_n._1529,_13_October_1912.jpg n25:Jean_Metzinger,_1912,_Danseuse_au_café,_Dancer_in_a_café,_oil_on_canvas,_146.1_x_114.3_cm,_Albright-Knox_Art_Gallery,_Buffalo,_New_York.jpg n25:Jean_Metzinger,_c.1905,_Baigneuses,_Deux_nus_dans_un_jardin_exotique,_oil_on_canvas,_116_x_88.8_cm,_Colección_Carmen_Thyssen-Bornemisza.jpg n25:Metzinger_cycle_track.jpg n25:Alexander_Archipenko,_Jean_Metzinger,_Au_Salon_des_Indépendants,_Le_Petit_Comtois,_13_March_1914.jpg n25:The_%22Cubists%22_Dominate_Paris'_Fall_Salon,_The_New_York_Times,_October_8,_1911.jpg n25:Jean_Metzinger,_1906,_La_dance_(Bacchante),_oil_on_canvas,_73_x_54_cm_DSC05359...jpg n25:Juan_Gris,_August_Agero,_Jean_Metzinger,_Marie_Laurencin,_Albert_Gleizes,_La_Publicidad,_26_April_1912.jpg
dbo:birthPlace
dbr:Nantes
dbo:deathPlace
dbr:Paris
dbp:deathPlace
Paris, France
dbo:deathDate
1956-11-03
dbp:birthPlace
Nantes, France
dbo:birthDate
1883-06-24
dcterms:subject
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313516
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dbp:training
École des Beaux-Arts
dbp:works
Nu à la cheminée La Femme au Cheval Two Nudes in an Exotic Landscape Le goûter (Tea Time) L'Oiseau bleu Coucher de soleil no. 1 En Canot Dancer in a café La danse, Bacchante
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n25:Jean_Metzinger,_photo_published_in_1913.jpg?width=300
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no
dbp:birthDate
1883-06-24
dbp:birthName
Jean Dominique Antony Metzinger
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Metzinger, before 1913
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y
dbp:deathDate
1956-11-03
dbp:field
Painting, drawing, writing, poetry
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no
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no
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no
dbp:nationality
French
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Author:Jean Metzinger
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dbo:abstract
ジャン・ドミニク・アントニー・メッツァンジェ（メッツィンゲル、Jean Dominique Antony Metzinger フランス語発音: [mɛtsiŋgɛʁ]、1883年6月24日 - 1956年11月3日）は、フランスのキュビスムの画家。フランス・ナントに生まれる。 Jean Metzinger (naskiĝis la 24-an de junio 1883 en Nanto, mortis la 3-an de novembro 1956 en Parizo) estis franca pentristo. Li komencis siajn studojn de pentrado kiam li estis 15-jara. Tiutempe, li proksimiĝis al la laboro de Ingres. Kiam li estis 17-jara li translokiĝis al Parizo, kie li vizitis plurajn akademiojn, forlasante ĉiujn, malkontenta. Li estis influita de la historiaj avangardoj, tiaj kiaj la Punktismo de Seurat kaj la Faŭvismo. En 1910, konatiĝinte kun Picasso kaj Braque li fariĝis kubisma pentristo. Unu el la verkoj kiuj markis la komencon de lia partopreno en la movado estis Nudo, elmetita en la Aŭtuna Salono de 1910. Krom pentristo, Metzinger ankaŭ estis teoriisto de la movado, kaj eldonis plurajn artikolojn. Plej grave, Du "Cubisme" (Pri "Kubismo"), estis verkita kune kun Gleizes. Ekde 1918, li inkliniĝis al ia speco de klasikismo, revenante al la originoj de sia formado. Li mortis 73-jaraĝa. Jean Metzinger (24. června 1883, Nantes – 3. listopadu 1956, Paříž) byl francouzský malíř a teoretik umění, jeden z tvůrců kubismu. Byl členem skupiny Section d'Or. Byl jedním z mnoha umělců, jejichž dílo bylo v roce 1933 odsouzeno jako zvrhlé umění a v roce 1937 vystaveno na výstavě Entartete Kunst v Mnichově. Jean Dominique Antony Metzinger, né le 24 juin 1883 à Nantes et mort le 1er novembre 1956 dans le 6e arrondissement de Paris, est un peintre, théoricien de l'art, écrivain, critique d'art et poète français. Ses premières œuvres, de 1900 à 1904, semblent avoir été influencées par le néo-impressionnisme de Georges Seurat et Henri-Edmond Cross. Entre 1904 et 1907, Metzinger a travaillé dans les styles divisionniste et fauviste. À partir de 1908, il a été directement impliqué avec le cubisme, à la fois comme théoricien et artiste du mouvement. Jean Metzinger, en collaboration avec Albert Gleizes, a écrit le premier traité majeur sur le cubisme, Du Cubisme, en 1912. Metzinger était un membre fondateur de la Section d'Or. 장 도미니크 안토니 메챙제(메친제; Jean Dominique Antony Metzinger 프랑스어 발음: ​[mɛtsiŋgɛʁ], 1883년 6월 24일 - 1956년 11월 3일)는 프랑스 낭트 출신의 입체파 화가이다. Jean Dominique Antony Metzinger (Nantes, 24 de junho de 1883 - Paris, 3 de novembro de 1956) foi um pintor francês. Iniciou seus estudos em pintura aos 15 anos. Nessa época, aproximou-se dos trabalhos de Ingres. Aos 17 anos mudou-se para Paris, onde frequentou diversas academias, abandonando todas, insatisfeito. Foi influenciado pelas vanguardas históricas, assim como pelo Pontilhismo de Seurat e pelo Fauvismo. Por volta de 1910, ao conhecer Picasso e Braque, tornou-se um pintor cubista. Uma das obras que marcou o início de sua participação no movimento é Nu Cubista , exposto no Salão de Outono de 1910. Além de pintor, Metzinger foi um teórico do movimento, tendo publicado vários artigos. O mais importante, Do Cubismo, foi escrito com Gleizes. A partir de 1918, inclinou-se para uma espécie de classicismo, retornando às origens de sua formação. Morreu aos 73 anos. Jean Metzinger (Nantes, 24 juni 1883 - Parijs, 3 november 1956) was een Franse kunstschilder die aanvankelijk in de stijl van het neo-impressionisme werkte maar na zijn ontmoeting met Pablo Picasso en Georges Braque in 1907 zich vanaf 1908 aansloot bij het kubisme. Rond 1900 studeerde Metzinger aan de kunstacademie van zijn geboortestad Nantes waar hij les kreeg van de portretschilder die hem de academische en conventionele techniek van schilderen leerde. Metzinger voelde zich verbonden met de stijl van zijn tijd en nam met een aantal schilderijen deel aan een expositie in het Salon des Indépendants. Het succes zette hem aan om in 1903 naar Parijs te verhuizen. Daar evolueerde zijn stijl van het neo-impressionisme naar het kubisme. In 1912 schreef hij een verhandeling - Du cubisme - samen met Albert Gleizes. Metzinger werd als docent aangesteld aan de in Parijs en later aan de . Jean Metzinger (Nantes, 1883 - París, 1956) va ser un pintor, tèoric i crític d'art francès. Жан Метценже (фр. Jean Metzinger; 25 июня 1883, Нант — 3 ноября 1956, Париж) — французский художник. Прошёл творческий путь от неоимпрессионизма через фовизм к кубизму. Jean Metzinger (Nantes, 1883-París, 1956) fue un pintor, poeta, teórico y crítico de arte francés. Su pintura, inscrita inicialmente en el puntillismo neoimpresionista, se relacionó posteriormente con el fauvismo y el cubismo. Jean Metzinger (Nantes, Frantzia, 1883ko ekainaren 24a - Paris, Frantzia, 1956ko azaroaren 3a) margolaria eta frantsesezko idazlea izan zen. 1908tik aurrera, kubismoaren bidetik abiatu zen, Picassorekin eta Braquerekin zituen harremanetan oinarriturik, eta mugimendu horren teoriko bikainenetako bat izan zen (Du cubisme, 1912). Haren lanen ezaugarria teknikaren perfekzioa da. 1921etik aurrera, errealismora itzultzeko ahalegina nabaritzen da Metzingerren lanetan. Haren margolan aipagarrienak hauek dira: Femme, face-profil (1917), The Dancer, La Femme à la guitare. 讓·多米尼克·安東尼·梅金傑（Jean Dominique Antony Metzinger 法语：[mɛtsɛ̃ʒe]；1883年6月24日－1956年11月3日）是一位法國藝術家、藝術評論家和作家。 Жан Домінік Антоній Метсенже (фр. Jean Metzinger [mɛtsɛ̃ʒe], 24 червня 1883, Нант, Франція — 3 листопада 1956, Париж) — великий французький живописець, теоретик, письменник і критик ХХ століття, який разом з Альбертом Глейз написав першу теоретичну працю про кубізм. Jean Metzinger, nato come Jean Dominique Antony Metzinger, (Nantes, 24 giugno 1883 – Parigi, 23 novembre 1956), è stato un pittore, scrittore e poeta francese. I suoi primi dipinti appaiono influenzati dal neoimpressionismo di Georges Seurat e Henri-Edmond Cross. Fra il 1904 ed il 1907, Metzinger dipinse secondo l'influenza del divisionismo e del fauvismo, mentre dal 1908 abbracciò il cubismo sia come artista che uno fra i principali teorici della corrente pittorica. Jean Metzinger e Albert Gleizes scrissero il primo importante trattato sul cubismo nel 1912 e Metzinger fu uno dei membri fondatori del gruppo di artisti chiamato Section d'Or. Jean Metzinger, född 24 juni 1883 i Nantes, död 3 november 1956 i Paris, var en fransk målare tillhörig Parisskolan. Jean Metzinger (ur. 24 czerwca 1883 w Nantes, zm. 3 listopada 1956 w Paryżu) – francuski malarz związany z kubizmem. Jean Metzinger (25 Juni 1883 – 3 November 1956) adalah seorang seniman, pelukis, dan penulis berkebangsaan Prancis. Pada usia 20 tahun, ia pergi ke Paris untuk mengejar karier sebagai pelukis. Salah satu rekan yang Metzinger temui pada awal kunjungannya di Paris adalah Robert Delaunay. Pada tahun tahun 1908, ia bertemu dengan penulis Max Jacob, yang mengenalkan Metzinger kepada seniman dan sastrawan ternama Guillaume Apollinaire, Pablo Picasso, dan Georges Braque. Pada tahun 1910, Metzinger untuk pertama kalinya memamerkan hasil karyanya di , sebuah asosiasi seniman independen di Prancis. Dalam periode 1910 hingga 1911, ia mempublikasikan beberapa artikel tentang lukisan kontemporer, serta berkontribusi menyumbang tulisan dalam berkala seni yang membahas seni modern. Lebih jauh lagi, dalam karya tulisnya, Metzinger merupakan yang pertama kali mengemukakan bahwa karya Picasso dan Braque telah meninggalkan perspektif tradisional dan menggabungkan beberapa sudut pandang dari sebuah objek dalam sebuah gambar. Pada tahun 1911, Metzinger berpartisipasi dalam pameran Salle 41 yang diselanggarakan oleh Salon des Indépendants. Ini merupakan salah satu exhibisi pelukis kubisme pertama. Pada tahun 1912, Metzinger berkolaborasi dengan untuk menulis , sebuah naskah teori mengenai lukisan aliran kubisme. Pada tahun itu juga, Metzinger mencetuskan berkala kritik seni bernama . Pada tahu 1916, Metzinger memamerkan karyanya bersama seniman lain di New York. Setelah berpartispasi dalam angkatan bersenjara saat Perang Dunia ke-1, Metzinger kembali ke Paris pada tahun 1919. Metzinger meninggal di Paris pada tahun 1956. Jean Metzinger (* 25. Juni 1883 in Nantes; † 3. November 1956 in Paris) war ein französischer Maler. Sein Stil entwickelte sich vom Neoimpressionismus über den Fauvismus hin zum analytischen Kubismus. Jean Dominique Antony Metzinger (French: [mɛtsɛ̃ʒe]; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's Note sur la Peinture, published in 1910. Before the emergence of Cubism, painters worked from the limiting factor of a single view-point. Metzinger, for the first time, in Note sur la peinture, enunciated the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time. Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism in 1912, entitled Du "Cubisme". Metzinger was a founding member of the Section d'Or group of artists. Metzinger was at the center of Cubism both because of his participation and identification of the movement when it first emerged, because of his role as intermediary among the Bateau-Lavoir group and the Section d'Or Cubists, and above all because of his artistic personality. During the First World War Metzinger furthered his role as a leading Cubist with his co-founding of the second phase of the movement, referred to as Crystal Cubism. He recognized the importance of mathematics in art, through a radical geometrization of form as an underlying architectural basis for his wartime compositions. The establishing of the basis of this new perspective, and the principles upon which an essentially non-representational art could be built, led to La Peinture et ses lois (Painting and its Laws), written by Albert Gleizes in 1922–23. As post-war reconstruction began, a series of exhibitions at Léonce Rosenberg's Galerie de L'Effort Moderne were to highlight order and allegiance to the aesthetically pure. The collective phenomenon of Cubism—now in its advanced revisionist form—became part of a widely discussed development in French culture, with Metzinger at its helm. Crystal Cubism was the culmination of a continuous narrowing of scope in the name of a return to order; based upon the observation of the artist's relation to nature, rather than on the nature of reality itself. In terms of the separation of culture and life, this period emerges as the most important in the history of Modernism. For Metzinger, the classical vision had been an incomplete representation of real things, based on an incomplete set of laws, postulates and theorems. He believed the world was dynamic and changing in time, that it appeared different depending on the point of view of the observer. Each of these viewpoints were equally valid according to underlying symmetries inherent in nature. For inspiration, Niels Bohr, the Danish physicist and one of the founders of quantum mechanics, hung in his office a large painting by Metzinger, La Femme au Cheval, a conspicuous early example of "mobile perspective" implementation (also called simultaneity).
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