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The IV△7–V7–iii7–vi progression, also known as the royal road progression (王道進行, Ōdō shinkō) or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within contemporary Japanese pop music. It involves the seventh chords of IV, V, and iii, along with a vi chord; for example, in the key of C major, this would be: FM7–G7–Em7–Am. The chord progression may be resolved with the tonic chord, for example in a IV△7–V7–I or a ii7–V7–I progression. IV△7–V7–iii7–vi–ii7–V7–I creates a full circle of fifths progression in the major mode, with V7 substituting for vii°.

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  • The IV△7–V7–iii7–vi progression, also known as the royal road progression (王道進行, Ōdō shinkō) or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within contemporary Japanese pop music. It involves the seventh chords of IV, V, and iii, along with a vi chord; for example, in the key of C major, this would be: FM7–G7–Em7–Am. The chord progression may be resolved with the tonic chord, for example in a IV△7–V7–I or a ii7–V7–I progression. IV△7–V7–iii7–vi–ii7–V7–I creates a full circle of fifths progression in the major mode, with V7 substituting for vii°. (en)
  • 王道進行(おうどうしんこう)または小悪魔コード進行(こあくまコードしんこう)は、J-POPにおいて多用される「IV△7–V7–iii7–vi」で表されるコード進行である。七の和音の下属音・属音・中音に下中音を加えた構成で、例えば、ハ長調であれば「F△7–G7–Em7–Am」となる。また、代理コードによるバリエーションとして、「iii7」を「III7」にしたもの、「IV△7」を「ii9」にしたものなども含まれる。 (ja)
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  • The IV△7–V7–iii7–vi progression, also known as the royal road progression (王道進行, Ōdō shinkō) or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within contemporary Japanese pop music. It involves the seventh chords of IV, V, and iii, along with a vi chord; for example, in the key of C major, this would be: FM7–G7–Em7–Am. The chord progression may be resolved with the tonic chord, for example in a IV△7–V7–I or a ii7–V7–I progression. IV△7–V7–iii7–vi–ii7–V7–I creates a full circle of fifths progression in the major mode, with V7 substituting for vii°. (en)
  • 王道進行(おうどうしんこう)または小悪魔コード進行(こあくまコードしんこう)は、J-POPにおいて多用される「IV△7–V7–iii7–vi」で表されるコード進行である。七の和音の下属音・属音・中音に下中音を加えた構成で、例えば、ハ長調であれば「F△7–G7–Em7–Am」となる。また、代理コードによるバリエーションとして、「iii7」を「III7」にしたもの、「IV△7」を「ii9」にしたものなども含まれる。 (ja)
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  • IV△7–V7–iii7–vi progression (en)
  • 王道進行 (ja)
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