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Subject Item

dbr:Heinrich_Ignaz_Franz_Biber

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Heinrich Biber Heinrich Ignaz Biber Бибер, Генрих Игнац Франц фон Heinrich Ignaz Biber 하인리히 비버 ハインリヒ・ビーバー 海因里希·比贝尔 Heinrich Ignaz Franz Biber Heinrich Biber Heinrich Ignaz Franz Biber Heinrich Ignaz Franz Biber Heinrich Ignaz Franz von Biber هاينرش إغنز فرانز بيبر Heinrich Biber Heinrich Ignaz Franz Biber Χάινριχ Ίγκνατς Μπίμπερ Heinrich Ignaz Franz von Biber Heinrich Biber Генріх Ігнац Франц фон Бібер

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하인리히 이그나츠 프란츠 폰 비버(Heinrich Ignaz Franz von Biber, 1644년 8월 12일 - 1704년 5월 3일)는 체코의 작곡가이다. 그는 카논과 같은 곡을 쓰는 것과 화성을 쓰는 데에 있어서 바로크 작곡가보다 시대적으로 앞서 있었다. 그는 바이올리니스트이기도 했는데, 그의 작품 가운데 일부는 변칙조율을 쓴 것으로 유명하다. Heinrich Ignaz Franz Biber, född 12 augusti 1644 i Böhmen, död 3 maj 1704 i Salzburg, var en österrikisk tonsättare och violinvirtuos, bekant framför allt för sina violinsonater, där han utvecklar instrumentets resurser och ofta använder s.k. (avvikande instrumentstämning för att uppnå speciella effekter). Mest kända är hans 15 Mysteriesonater över händelser i jungfru Marias liv samt en passacaglia i g-moll. Heinrich Ignaz Franz Biber, od povýšení do šlechtického stavu roku 1690 Biber von Bibern (12. srpna 1644, Stráž pod Ralskem – 3. května 1704, Salcburk) byl česko-rakouský barokní hudební skladatel německé národnosti. Patřil ve své době k předním houslovým virtuosům a byl též výborným skladatelem. Jeho skladatelským oborem byla jak duchovní, tak světská hudba. Přední místo mezi jeho skladbami zaujímá cyklus zvaný Růžencové sonáty. Byl prvním houslistou zámecké kapely v Kroměříži a od roku 1684 kapelníkem salcburského dvorního orchestru. Heinrich Ignaz Franz Biber, ab 1690 Biber von Bibern, (getauft 12. August 1644 in Wartenberg, Böhmen als Hennericus Pieber; † 3. Mai 1704 in Salzburg) war ein böhmischer Komponist und berühmter Geiger der Barockzeit. Генрих Игнац Франц фон Бибер (нем. Heinrich Ignaz Franz von Biber, 12 августа 1644, Страж под Ралскем (чеш. Stráž pod Ralskem), бывш. Вартенберг (нем. Wartenberg), ныне Чехия — 3 мая 1704, Зальцбург) — австрийский композитор и скрипач. Чех по происхождению, Бибер работал в Моравии (Кромержиж) и в Австрии (Зальцбург). Heinrich Ignaz Franz Biber (bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Ο Χάινριχ Ίγκνατς Φραντς Μπίμπερ φον Μπίμπερν (γερμ. Heinrich Ignaz Franz Biber von Bibern, βαπτ. 12 Αυγούστου 1644 – 3 Μαΐου 1704) ήταν Βοημο-Αυστριακός συνθέτης και δεξιοτέχνης βιολιστής της εποχής του Μπαρόκ. Θεωρείται ένας από τους σπουδαιότερους συνθέτες αναφορικά με το ρεπερτόριο του βιολιού, καθώς έγραψε γι' αυτό έναν αξιόλογο όγκο έργων, ενώ συνέβαλε στην ανάπτυξη αρκετών τεχνικών εκτέλεσης του οργάνου (6η και 7η θέσεις, διπλοί φθόγγοι, κλπ). Η μουσική του επηρέασε πλήθος συνθετών της εποχής του, ενώ στις μέρες μας είναι περισσότερο γνωστός για τις Μυστηριακές (ή Ροζάριες) του Σονάτες (Mysterien Sonaten), μια συλλογή από 15 σονάτες για βιολί και συνεχές βάσιμο που συσχετίζεται με τις 15 χάντρες ενός ροζάριου. Heinrich Ignaz Franz Biber né le 12 août 1644 à Wartenberg (aujourd'hui Stráž pod Ralskem, en République tchèque) et mort le 3 mai 1704 à Salzbourg, est un violoniste et compositeur baroque austro-tchèque. Heinrich Ignaz Franz von Biber (Wartenberg, Boêmia, atual Stráž pod Ralskem, República Checa, 12 de agosto de 1644 – 3 de maio de 1704) foi um compositor e violinista virtuoso do período barroco. Pouco se sabe de sua educação, além de que pode ter estudado num colégio jesuíta em Opava, na Boêmia, e que possivelmente recebeu alguma educação musical de um organista local. Antes de 1668, Biber trabalhou na corte do Príncipe Johann Seyfried von Eggenberg, em Graz, e depois foi empregado pelo príncipe-bispo de Olomouc, Karl II von Liechtenstein-Kastelkorn , em Kroměříž. Aparentemente Biber tinha boa reputação, e suas habilidades no violino eram altamente apreciadas . Генріх Ігнац Франц фон Бібер (нім. Heinrich Ignaz Franz Biber von Bibern; 12 серпня 1644 — 3 травня 1704) — австрійський композитор і скрипаль родом з Богемії. Народився у , Чехія. Представник бароккової музики. ハインリヒ・イグナツ・フランツ・フォン・ビーバー（Heinrich Ignaz Franz von Biber、1644年8月12日受洗 - 1704年5月3日）は、オーストリアの作曲家でヴァイオリニスト。 Heinrich Ignaz Franz von Biber (ur. 12 sierpnia 1644 w Wartenbergu, zm. 3 maja 1704 w Salzburgu) – austriacki kompozytor i barokowy skrzypek-wirtuoz pochodzenia czeskiego. وُلد هاينرش إغنز فرانز بيبر في أغسطس 1644، وتُوفي في مايو 1704، وهو ملحن وعازف كمان بوهيمي. وُلد في مدينة بوهيمية صغيرة تابعة لوارتنبيرغ، وعمل في غراتسوكريمسر قبل أن يترك وظيفته في كريمسر، لصالح الأمير رئيس الأساقفة كارل ليشتنستين-كاستلكورن، واستقر في سالزبورغ، حيث بقي طوال حياته، ونشر العديد من أعماله الموسيقية، لكنه نادرًا ما قدم حفلات موسيقية. Heinrich Ignaz Franz Biber von Bibern (Wartenberg am Roll, sinds 1945 Stráž pod Ralskem, 12 augustus 1644 — Salzburg, 3 mei 1704) was een Oostenrijks componist en violist van Boheemse herkomst. Heinrich Ignaz Franz von BIBER (* 12-a de aŭgusto 1644 en Wartenberg, Bohemio; † 3-a de majo 1704 en Salzburg) estis Bohemia komponisto kaj fama violonisto de la barokepoko. 海因里希·伊格纳兹·弗朗兹·凡·比贝尔（德語：Heinrich Ignaz Franz von Biber；1644年8月12日－1704年5月3日），波西米亞-奥地利作曲家，小提琴家。 比貝爾是器樂歷史上最重要的小提琴作曲家之一。他卓越的技巧讓他能在演奏中輕易地到達第六甚至第七把位，在複雜的複調音樂段落中駕馭雙音奏法，并探索泛音的多種可能性。他還撰寫了已知最早的小提琴獨奏曲目之一——《神跡奏鳴曲》（又稱為《玫瑰經奏鳴曲》）中里程碑性的《帕薩卡利亞》舞曲。在比貝爾生活的年代，他的音樂被整個歐洲所熟知和模仿。十八世紀晚期，他被音樂史家Charles Burney稱頌為十七世紀最偉大的小提琴作曲家。二十世紀後期，比貝爾的音樂，尤其是《神跡奏鳴曲》，重新為人所重視。如今，它正廣泛地被人演奏和錄音。 Heinrich Ignaz Franz von Biber fou un compositor i violinista austríac. Fou mestre de capella de Salzburg des del 1684 i fins a la seva mort. Fou mestre de capella i escuder encarregat de partir les viandes que se servien a la taula del prelat (feina equivalent al modern maître d'hôtel). Els prínceps de Ducat de Baviera i l'emperador Leopold I del Sacre Imperi Romanogermànic li atorgaren protecció, omplint-lo de regals i concedint-li per fi l'executòria de noblesa. Heinrich Ignaz Franz von Biber (Wartenberg, 12 de agosto de 1644 – Salzburgo, 3 de mayo de 1704) fue un compositor y violinista austro-bohemio. Heinrich Ignaz Franz Biber von Bibern (Wartenberg, 12 agosto 1644 – Salisburgo, 3 maggio 1704) è stato un compositore e violinista austriaco, di nazionalità boema.

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* C. 1 – Missa Alleluja à 26 * C. 2 – Missa catholica * C. 3 – Missa Christi resurgentis * C. 4 – Missa ex B * C. 5 – Missa quadragemisalis * C. 6 – Missa Sancti Henrici * C. 7 – Requiem à 15 in Concerto * C. 8 – Requiem ex F con terza minore * C. 9 – Laetatus sum * C. 10 – Nisi Dominus ædificaverit domum * Vesperae à 32 ** C. 11 – Dixit Dominus ** C. 12 – Magnificat * Vesperae longiores ac breviores una cum litaniis Lauretanis ** C. 13 – Dixit Dominus ** C. 14 – Confitebor ** C. 15 – Beatus vir ** C. 16 – Laudate pueri, Dominum ** C. 17 – Laudate Dominum ** C. 18 – Magnificat ** C. 19 – Dixit Dominus ** C. 20 – Laudate pueri, Dominum ** C. 21 – Laetatus sum ** C. 22 – Nisi Dominus ** C. 23 – Lauda Jerusalem ** C. 24 – Magnificat ** C. 25 – Dixit Dominus ** C. 26 – Confitebor ** C. 27 – Beatus vir ** C. 28 – Laudate pueri, Dominum ** C. 29 – Laudate Dominum ** C. 30 – Laudate pueri, Dominum ** C. 31 – Laetatus sum ** C. 32 – Nisi Dominus ** C. 33 – Lauda Jerusalem ** C. 34 – Magnificat ** C. 35 – Credidi ** C. 36 – In convertendo ** C. 37 – Domine probasti me ** C. 38 – De profundis ** C. 39 – Memento ** C. 40 – Beati omnes ** C. 41 – In exitu Israel ** C. 42 – Litaniae Lauretanae * C. 43 – In Festo Trium Regium, Muttetum Natale * C. 44 – Litaniæ de Sancto Josepho * C. 45 – Lux perpetua * C. 46 – Huc poenitentes * C. 47 – Ne cedite * C. 48 – Quo abiit dilectus tuus * C. 49 – Salve regina * C. 50 – Stabat mater * C. 51 – Arminio, chi la dura la vince. Dramma musicale in three acts * C. 52 – Arien à 4 * C. 53 – Arien à 4, for violin, 2 violas & continuo in A major * C. 54 – Ballettæ à 4 * C. 55 – Ballettæ à 4 Violettae * C. 56 – Balletti à 4, for violin, 2 violas & continuo in G major * C. 57 – Balletti à 6 * C. 58 – Baletti * C. 59 – Balletti lamentabili à 4 * C. 60 – Balletto * C. 61 – Battalia à 10, for 3 violins, 4 violas, 2 violone, and continuo, * Harmonia artificioso-ariosa: diversi mode accordata ** C. 62 – Partita, No. 1 in D minor ** C. 63 – Partita, No. 2 in B minor ** C. 64 – Partita, No. 3 in A major ** C. 65 – Partita, No. 4 in E flat major ** C. 66 – Partita, No. 5 in G minor ** C. 67 – Partita, No. 6 in D major ** C. 68 – Partita, No. 7 in C minor * "Mensa Sonora seu Musica Instrumentalis" ** C. 69 – Pars, No. 1 in D major ** C. 70 – Pars, No. 2 in F major ** C. 71 – Pars, No. 3 in A minor ** C. 72 – Pars, No. 4 in B flat major ** C. 73 – Pars, No. 5 in E major ** C. 74 – Pars, No. 6 in G minor * C. 75 – Serenada à 5 'Der Nachtwächter' * C. 76 – Trombet undt Musicalischer Taffeldienst à 4 * C. 77 – Fantasia, for violin & continuo in D major * Fidicinium sacro-profanum ** C. 78 – Sonata, for 2 violins, 2 violas & continuo No. 1 in B minor ** C. 79 – Sonata, for 2 violins, 2 violas & continuo No. 2 in F major ** C. 80 – Sonata, for 2 violins, 2 violas & continuo No. 3 in D minor ** C. 81 – Sonata, for 2 violins, 2 violas & continuo No. 4 in G minor ** C. 82 – Sonata, for 2 violins, 2 violas & continuo No. 5 in C major ** C. 83 – Sonata, for 2 violins, 2 violas & continuo No. 6 in A minor ** C. 84 – Sonata, for violin, 2 violas & continuo No. 7 in D major ** C. 85 – Sonata, for violin, 2 violas & continuo No. 8 in B flat major ** C. 86 – Sonata, for violin, 2 violas & continuo No. 9 in G major ** C. 87 – Sonata, for violin, 2 violas & continuo No. 10 in E major ** C. 88 – Sonata, for violin, 2 violas & continuo No. 11 in C minor ** C. 89 – Sonata, for violin, 2 violas & continuo No. 12 in A major * Rosary Sonatas ** C. 90 – Sonata, for violin & continuo No. 1 in D minor, ** C. 91 – Sonata, for violin & continuo No. 2 in A major, ** C. 92 – Sonata, for violin & continuo No. 3 in B minor, ** C. 93 – Sonata, for violin & continuo No. 4 in D minor, ** C. 94 – Sonata, for violin & continuo No. 5 in A major, ** C. 95 – Sonata, for violin & continuo No. 6 in C minor, ** C. 96 – Sonata, for violin & continuo No. 7 in F major, ** C. 97 – Sonata, for violin & continuo No. 8 in B flat major, ** C. 98 – Sonata, for violin & continuo No. 9 in A minor, ** C. 99 – Sonata, for violin & continuo No. 10 in G minor, ** C. 100 – Sonata, for violin & continuo No. 11 in G major, ** C. 101 – Sonata, for violin & continuo No. 12 in C major, ** C. 102 – Sonata, for violin & continuo No. 13 in D minor, ** C. 103 – Sonata, for violin & continuo No. 14 in D major, ** C. 104 – Sonata, for violin & continuo No. 15 in C major, ** C. 105 – Passacaglia, for violin solo in G minor * C. 106 – Pastorella, sonata for violin & continuo in A major * C. 107 – Sonata, for violin & continuo in C minor * C. 108 – Sonata, for violin & continuo in E major * C. 109 – Sonata à 6 * C. 110 – Sonata à 6 "Die pauern kirchfartt genandt", for 3 violins, 2 violas & continuo in B-flat major * C. 111 – Sonata à 7, 6 Tromb, Tramburin con Organo Ao. 1668 * C. 112 – Sonata 'pro tabula' à 10 for 5 recorders, 2 violins, 3 violas & continuo in C major * C. 113 – Sonata Sancti Polycarpi à 9 * Sonatae tam aris quam aulis servientes ** C. 114 – Sonata, for 2 trumpets, 2 violins, 2 violas & continuo No. 1 in C major ** C. 115 – Sonata, for 2 violins, 3 violas & continuo No. 2 in D major ** C. 116 – Sonata, for 2 violins, 3 violas & continuo No. 3 in G minor ** C. 117 – Sonata, for trumpet, violin, 2 violas & continuo No. 4 in C major ** C. 118 – Sonata, for 2 violins, 3 violas & continuo No. 5 in E minor ** C. 119 – Sonata, for 2 violins, 2 violas & continuo No. 6 in F major ** C. 120 – Sonata, for 2 trumpets, 2 violins & continuo No. 7 in C major ** C. 121 – Sonata, for 2 violins, 2 violas & continuo No. 8 in G major ** C. 122 – Sonata, for 2 violins, 2 violas & continuo No. 9 in B flat major ** C. 123 – Sonata, for trumpet, violin, 2 violas & continuo No. 10 in G minor ** C. 124 – Sonata, for 2 violins, 2 violas & continuo No. 11 in A major ** C. 125 – Sonata, for 2 trumpets, 2 violins, 2 violas & continuo No. 12 in C major ** C. 126 – Fanfare, for 2 trumpets No. 1 in C major ** C. 127 – Fanfare, for 2 trumpets No. 2 in C major ** C. 128 – Fanfare, for 2 trumpets No. 3 in C major ** C. 129 – Fanfare, for 2 trumpets No. 4 in C major ** C. 130 – Fanfare, for 2 trumpets No. 5 in C major ** C. 131 – Fanfare, for 2 trumpets No. 6 in C major ** C. 132 – Fanfare, for 2 trumpets No. 7 in C major ** C. 133 – Fanfare, for 2 trumpets No. 8 in C major ** C. 134 – Fanfare, for 2 trumpets No. 9 in C major ** C. 135 – Fanfare, for 2 trumpets No. 10 in C major ** C. 136 – Fanfare, for 2 trumpets No. 11 in G minor ** C. 137 – Fanfare, for 2 trumpets No. 12 in G minor * Sonatae violino solo ** C. 138 – Sonata, for violin & continuo No. 1 in A major ** C. 139 – Sonata, for violin & continuo No. 2 in D minor ** C. 140 – Sonata, for violin & continuo No. 3 in F major ** C. 141 – Sonata, for violin & continuo No. 4 in D major ** C. 142 – Sonata, for violin & continuo No. 5 in E minor ** C. 143 – Sonata, for violin & continuo No. 6 in C minor ** C. 144 – Sonata, for violin & continuo No. 7 in G minor ** C. 145 – Sonata, for violin & continuo No. 8 in G major * C. 146 – Sonata violino solo representativa , for violin & continuo in A major, 1669? * C. 147 – Sonata, for solo violin in A major * C. App. 100 – Missa Bruxellensis * C. App. 101 – Missa Salisburgensis * C. App. 106 – Hymnus "Plaudite Tympana" * C. App. 111 – Harmonia Romana * C. App. 117 – Sonata à 3 "AB" * C. App. 118 – Sonata à 3 * C. App. 119 – Sonata à 4 * C. App. 121 – Sonata Jucunda, for 2 violins, 3 violas & continuo in D major Lost vocal works * Applausi festivi di Giove * Li trofei della fede cattolica * C. App. 20 – Alessandro in Pietra * C. App. 31 – Trattenimento musicale del'ossequio di Salisburgo Questionable attribution * Sonata à 3 The theory that Biber wrote this suggests Antonio Bertali as a teacher. Bertali wrote a number of similar sonatas for exactly the same scoring. This sonata could possibly be attributed to Bertali except that the violin passages are sometimes more fanciful than any other in Bertali's works.

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Heinrich Ignaz Franz Biber, född 12 augusti 1644 i Böhmen, död 3 maj 1704 i Salzburg, var en österrikisk tonsättare och violinvirtuos, bekant framför allt för sina violinsonater, där han utvecklar instrumentets resurser och ofta använder s.k. (avvikande instrumentstämning för att uppnå speciella effekter). Mest kända är hans 15 Mysteriesonater över händelser i jungfru Marias liv samt en passacaglia i g-moll. Biber skrev även kammarmusik, konserter och en opera. Under sin långa tid i tjänst hos ärkebiskopen av Salzburg avancerade han från enkel instrumentalist till förste kapellmästare och musikalisk ledare. Ett verk som det länge tvistats om det är Biber som skrivit eller inte, är som troligtvis skrevs till Salzburgs 1100-årsjubileum som ärkebiskopsstad 1682. Mässan kräver en stor orkesterapparat, med barocka mått näst intill gigantisk, och det mesta av musiken går i C-dur och är inte direkt variationsrik. Det finns de som tror att mässan skrevs av i början av 1600-talet och även andra tonsättare har tillskrivits verket — men sedan 1970-talet räknas Biber som upphovsman. وُلد هاينرش إغنز فرانز بيبر في أغسطس 1644، وتُوفي في مايو 1704، وهو ملحن وعازف كمان بوهيمي. وُلد في مدينة بوهيمية صغيرة تابعة لوارتنبيرغ، وعمل في غراتسوكريمسر قبل أن يترك وظيفته في كريمسر، لصالح الأمير رئيس الأساقفة كارل ليشتنستين-كاستلكورن، واستقر في سالزبورغ، حيث بقي طوال حياته، ونشر العديد من أعماله الموسيقية، لكنه نادرًا ما قدم حفلات موسيقية. يُعد بيبر أحد أهم عازفي الكمان في تاريخ الموسيقى. وسمح له أسلوبه أن يصل بسهولة إلى المركزين السادس والسابع، إضافةً إلى استخدام وقفات مشتركة في قنوات معقدة متعددة الاصوات، واكتشاف الإمكانيات المتعددة لضبط السكوردترا. كتب أيضًا إحدى أقدم القطع المشهورة للكمان الفردي، وهي الباسكليا العظيمة للمقطوعات الموسيقية الغامضة. وخلال حياة بيبر، اشتهرت أعماله الموسيقية وقُلدت في جميع أنحاء أوروبا. في أواخر القرن الثامن عشر، سمى المؤرخ التاريخي تشارلز بيرني بيبر أفضل عازف كمان في القرن السابع عشر. حظيت أعمال بيبر في أواخر القرن العشرين بازدهار كبير، خاصةً المقطوعات الموسيقية الغامضة. وحاليًا، تُقدم أعمال بيبر الموسيقية وتُسجل على نطاق واسع. Heinrich Ignaz Franz Biber (bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning. Among other pieces, Biber wrote operas, sacred music and music for chamber ensemble. He also wrote one of the earliest known pieces for solo violin, the monumental passacaglia of the Mystery Sonatas. During Biber's lifetime, his music was known and imitated throughout Europe. In the late 18th century he was named the best violin composer of the 17th century by music historian Charles Burney. In the late 20th century Biber's music, especially the Mystery Sonatas, enjoyed a renaissance. Today, it is widely performed and recorded. 하인리히 이그나츠 프란츠 폰 비버(Heinrich Ignaz Franz von Biber, 1644년 8월 12일 - 1704년 5월 3일)는 체코의 작곡가이다. 그는 카논과 같은 곡을 쓰는 것과 화성을 쓰는 데에 있어서 바로크 작곡가보다 시대적으로 앞서 있었다. 그는 바이올리니스트이기도 했는데, 그의 작품 가운데 일부는 변칙조율을 쓴 것으로 유명하다. Heinrich Ignaz Franz von BIBER (* 12-a de aŭgusto 1644 en Wartenberg, Bohemio; † 3-a de majo 1704 en Salzburg) estis Bohemia komponisto kaj fama violonisto de la barokepoko. Генрих Игнац Франц фон Бибер (нем. Heinrich Ignaz Franz von Biber, 12 августа 1644, Страж под Ралскем (чеш. Stráž pod Ralskem), бывш. Вартенберг (нем. Wartenberg), ныне Чехия — 3 мая 1704, Зальцбург) — австрийский композитор и скрипач. Чех по происхождению, Бибер работал в Моравии (Кромержиж) и в Австрии (Зальцбург). Генріх Ігнац Франц фон Бібер (нім. Heinrich Ignaz Franz Biber von Bibern; 12 серпня 1644 — 3 травня 1704) — австрійський композитор і скрипаль родом з Богемії. Народився у , Чехія. Представник бароккової музики. Heinrich Ignaz Franz Biber von Bibern (Wartenberg am Roll, sinds 1945 Stráž pod Ralskem, 12 augustus 1644 — Salzburg, 3 mei 1704) was een Oostenrijks componist en violist van Boheemse herkomst. Ο Χάινριχ Ίγκνατς Φραντς Μπίμπερ φον Μπίμπερν (γερμ. Heinrich Ignaz Franz Biber von Bibern, βαπτ. 12 Αυγούστου 1644 – 3 Μαΐου 1704) ήταν Βοημο-Αυστριακός συνθέτης και δεξιοτέχνης βιολιστής της εποχής του Μπαρόκ. Θεωρείται ένας από τους σπουδαιότερους συνθέτες αναφορικά με το ρεπερτόριο του βιολιού, καθώς έγραψε γι' αυτό έναν αξιόλογο όγκο έργων, ενώ συνέβαλε στην ανάπτυξη αρκετών τεχνικών εκτέλεσης του οργάνου (6η και 7η θέσεις, διπλοί φθόγγοι, κλπ). Η μουσική του επηρέασε πλήθος συνθετών της εποχής του, ενώ στις μέρες μας είναι περισσότερο γνωστός για τις Μυστηριακές (ή Ροζάριες) του Σονάτες (Mysterien Sonaten), μια συλλογή από 15 σονάτες για βιολί και συνεχές βάσιμο που συσχετίζεται με τις 15 χάντρες ενός ροζάριου. Heinrich Ignaz Franz von Biber fou un compositor i violinista austríac. Fou mestre de capella de Salzburg des del 1684 i fins a la seva mort. Fou mestre de capella i escuder encarregat de partir les viandes que se servien a la taula del prelat (feina equivalent al modern maître d'hôtel). Els prínceps de Ducat de Baviera i l'emperador Leopold I del Sacre Imperi Romanogermànic li atorgaren protecció, omplint-lo de regals i concedint-li per fi l'executòria de noblesa. En aquella època estava de moda a Alemanya i Anglaterra executar composicions per a violí a dues i tres cordes, genere en el que Biber era molt hàbil, no tan sols com a concertista, sinó també com a compositor, com en donen fe algunes de les seves peces escrites per a dos violins i viola a quatre i cinc parts. Amb l'objecte de facilitar l'execució d'aquesta mena de passatges, afinava el violí per a quartes, o bé per a una sexta, una quinta i una tercera. Deixà nombroses composicions, entre les quals destaquen: Fidicinium sacro-profanum, 12 sonates per a violí, amb baix continu, (Salzburg, 1681), sis sonates, per a violí, amb baix continu, (Salzburg, 1681), Harmonica artificioso in septem partes vel partitas distributa, (Nuremberg), Sonatae duae tam aris quam aulis servientis partit. 9, (Salzburg, 1687), Vesperae longiores ac Breviores una cum litaniis Lauretanis a quatour vocibus, duobus violin et duabus violis in oncerto: Additis quatour vocibus in capella atque tribus trombonis ex ripiens desumendis ad libitum, (Salzburg, 1693). Se li atribueixen les obres i la magnífica , considerada l'obra sacra més extensa del període barroc. Heinrich Ignaz Franz von Biber (Wartenberg, 12 de agosto de 1644 – Salzburgo, 3 de mayo de 1704) fue un compositor y violinista austro-bohemio. Heinrich Ignaz Franz Biber né le 12 août 1644 à Wartenberg (aujourd'hui Stráž pod Ralskem, en République tchèque) et mort le 3 mai 1704 à Salzbourg, est un violoniste et compositeur baroque austro-tchèque. 海因里希·伊格纳兹·弗朗兹·凡·比贝尔（德語：Heinrich Ignaz Franz von Biber；1644年8月12日－1704年5月3日），波西米亞-奥地利作曲家，小提琴家。 比貝爾是器樂歷史上最重要的小提琴作曲家之一。他卓越的技巧讓他能在演奏中輕易地到達第六甚至第七把位，在複雜的複調音樂段落中駕馭雙音奏法，并探索泛音的多種可能性。他還撰寫了已知最早的小提琴獨奏曲目之一——《神跡奏鳴曲》（又稱為《玫瑰經奏鳴曲》）中里程碑性的《帕薩卡利亞》舞曲。在比貝爾生活的年代，他的音樂被整個歐洲所熟知和模仿。十八世紀晚期，他被音樂史家Charles Burney稱頌為十七世紀最偉大的小提琴作曲家。二十世紀後期，比貝爾的音樂，尤其是《神跡奏鳴曲》，重新為人所重視。如今，它正廣泛地被人演奏和錄音。 Heinrich Ignaz Franz von Biber (ur. 12 sierpnia 1644 w Wartenbergu, zm. 3 maja 1704 w Salzburgu) – austriacki kompozytor i barokowy skrzypek-wirtuoz pochodzenia czeskiego. Heinrich Ignaz Franz Biber, ab 1690 Biber von Bibern, (getauft 12. August 1644 in Wartenberg, Böhmen als Hennericus Pieber; † 3. Mai 1704 in Salzburg) war ein böhmischer Komponist und berühmter Geiger der Barockzeit. Heinrich Ignaz Franz von Biber (Wartenberg, Boêmia, atual Stráž pod Ralskem, República Checa, 12 de agosto de 1644 – 3 de maio de 1704) foi um compositor e violinista virtuoso do período barroco. Pouco se sabe de sua educação, além de que pode ter estudado num colégio jesuíta em Opava, na Boêmia, e que possivelmente recebeu alguma educação musical de um organista local. Antes de 1668, Biber trabalhou na corte do Príncipe Johann Seyfried von Eggenberg, em Graz, e depois foi empregado pelo príncipe-bispo de Olomouc, Karl II von Liechtenstein-Kastelkorn , em Kroměříž. Aparentemente Biber tinha boa reputação, e suas habilidades no violino eram altamente apreciadas . No verão de 1670 Karl II enviou Biber a Absam, perto de Innsbruck, para adquirir novos violinos, feitos pelo luthier Jacob Stainer, para a Kapelle, porém Biber nunca retornou e, em vez disso, começou a trabalhar para o Arcebispo de Salzburg], Maximilian Gandolph von Kuenburg. Como Karl e Maximilian eram amigos, o antigo empregador não tomou nenhuma atitude. Biber permaneceu em Salzburg pelo resto de sua vida. Em 1684, foi nomeado Kapellmeister (mestre de capela) em Salzburg. Sua vasta produção musical foi recuperada e é interpretada até hoje. Biber serviu à nobreza com afinco, provavelmente sem participar de turnês por outros países. Foi inovador, trazendo para o repertório de violinos, inovações técnicas e estéticas. São relevantes as pitorescas e virtuosísticas Sonatas de Biber, com destaque para a Mystery (Rosary) Sonatas, que inclui novas técnicas e tonalidades incomuns. Heinrich Ignaz Franz von Biber é pai de Carl Heinrich Biber. ハインリヒ・イグナツ・フランツ・フォン・ビーバー（Heinrich Ignaz Franz von Biber、1644年8月12日受洗 - 1704年5月3日）は、オーストリアの作曲家でヴァイオリニスト。 Heinrich Ignaz Franz Biber von Bibern (Wartenberg, 12 agosto 1644 – Salisburgo, 3 maggio 1704) è stato un compositore e violinista austriaco, di nazionalità boema. Heinrich Ignaz Franz Biber, od povýšení do šlechtického stavu roku 1690 Biber von Bibern (12. srpna 1644, Stráž pod Ralskem – 3. května 1704, Salcburk) byl česko-rakouský barokní hudební skladatel německé národnosti. Patřil ve své době k předním houslovým virtuosům a byl též výborným skladatelem. Jeho skladatelským oborem byla jak duchovní, tak světská hudba. Přední místo mezi jeho skladbami zaujímá cyklus zvaný Růžencové sonáty. Byl prvním houslistou zámecké kapely v Kroměříži a od roku 1684 kapelníkem salcburského dvorního orchestru.

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