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The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber. The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been writte

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  • Die Missa Salisburgensis à 53 voci ist eine großangelegte barocke Messvertonung für zwei vokale und vier instrumentale Chöre (bzw. Orchester) im Stile der venezianischen Mehrchörigkeit. Die anonym überlieferte Komposition wird heute Heinrich Ignaz Franz Biber zugeschrieben; früher wurden Orazio Benevoli oder Andreas Hofer als Komponist vermutet. Die Messe wurde vermutlich erstmals 1682 im Salzburger Dom anlässlich des 1100-jährigen Bestehens des Bistums Salzburg (gerechnet nach der Haustradition des Stiftes St. Peter) aufgeführt. (de)
  • The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber. The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been written for the 1682 commemoration of the 1100th anniversary of the Archbishopric of Salzburg. Hintermaier wrote in 2015 that the evidence rules out both Benevoli and Andreas Hofer, Biber's colleague, and concludes that "... the only possible composer of the Mass and the [companion] motet [for 54 voices, Plaudite Tympana] was Heinrich Ignaz Franz Biber... both the sources and the stylistic analysis clearly point to Biber as the author of the works." (en)
  • La Missa Salisburgensis (ou Messe de Salzbourg) est une messe à 53 voix, vocales et instrumentales, représentant ainsi l'un des sommets de la musique polyphonique baroque, dépassant en complexité contrapuntique et en richesse acoustique le Spem in alium de Thomas Tallis à 40 voix. Longtemps considérée comme une œuvre anonyme, attribuée à Orazio Benevoli puis à Andreas Hofer, la Missa Salisburgensis est reconnue aujourd'hui comme l'un des chefs-d'œuvre du compositeur Heinrich Biber. Elle a été intégrée au catalogue de ses œuvres sous le numéro C app.101. (fr)
  • La Missa Salisburgensis à 53 voci è una composizione di musica sacra barocca, archetipa del cosiddetto barocco colossale. L'autore di questo lavoro è anonimo, anche se studi recenti hanno attribuito la paternità dell'opera ad Heinrich Ignaz Franz Biber (1644-1704). Fino a poco tempo fa questa messa era stata considerata una composizione di Orazio Benevoli o di (ca. 1629–1684). (it)
  • Зальцбургская месса для 53-х голосов (лат. Missa Salisburgensis, à 53) — церковное многоголосное произведение на ординарные молитвословные тексты католической мессы. Зальцбургская месса является, пожалуй, самым масштабным религиозным музыкальным произведением эпохи барокко из дошедших до нас. Автором этой духовной музыки, был, по-видимому, немецкий композитор чешского происхождения Хенрих Игнац Франц фон Бибер, однако долгое время она приписывалась Орацио Беневоли или Андреасу Хоферу. (ru)
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  • Die Missa Salisburgensis à 53 voci ist eine großangelegte barocke Messvertonung für zwei vokale und vier instrumentale Chöre (bzw. Orchester) im Stile der venezianischen Mehrchörigkeit. Die anonym überlieferte Komposition wird heute Heinrich Ignaz Franz Biber zugeschrieben; früher wurden Orazio Benevoli oder Andreas Hofer als Komponist vermutet. Die Messe wurde vermutlich erstmals 1682 im Salzburger Dom anlässlich des 1100-jährigen Bestehens des Bistums Salzburg (gerechnet nach der Haustradition des Stiftes St. Peter) aufgeführt. (de)
  • La Missa Salisburgensis (ou Messe de Salzbourg) est une messe à 53 voix, vocales et instrumentales, représentant ainsi l'un des sommets de la musique polyphonique baroque, dépassant en complexité contrapuntique et en richesse acoustique le Spem in alium de Thomas Tallis à 40 voix. Longtemps considérée comme une œuvre anonyme, attribuée à Orazio Benevoli puis à Andreas Hofer, la Missa Salisburgensis est reconnue aujourd'hui comme l'un des chefs-d'œuvre du compositeur Heinrich Biber. Elle a été intégrée au catalogue de ses œuvres sous le numéro C app.101. (fr)
  • La Missa Salisburgensis à 53 voci è una composizione di musica sacra barocca, archetipa del cosiddetto barocco colossale. L'autore di questo lavoro è anonimo, anche se studi recenti hanno attribuito la paternità dell'opera ad Heinrich Ignaz Franz Biber (1644-1704). Fino a poco tempo fa questa messa era stata considerata una composizione di Orazio Benevoli o di (ca. 1629–1684). (it)
  • Зальцбургская месса для 53-х голосов (лат. Missa Salisburgensis, à 53) — церковное многоголосное произведение на ординарные молитвословные тексты католической мессы. Зальцбургская месса является, пожалуй, самым масштабным религиозным музыкальным произведением эпохи барокко из дошедших до нас. Автором этой духовной музыки, был, по-видимому, немецкий композитор чешского происхождения Хенрих Игнац Франц фон Бибер, однако долгое время она приписывалась Орацио Беневоли или Андреасу Хоферу. (ru)
  • The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber. The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been writte (en)
rdfs:label
  • Missa Salisburgensis (de)
  • Missa Salisburgensis (fr)
  • Missa Salisburgensis (it)
  • Missa Salisburgensis à 53 voci (en)
  • Зальцбургская месса (ru)
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