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Айсберги (картина) The Icebergs Айсберги (картина) Góry lodowe
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Góry lodowe (ang. The Icebergs) – obraz olejny Frederica Edwina Churcha, namalowany w 1861 roku na podstawie szkiców sporządzonych podczas trwającej miesiąc wyprawy łodzią wzdłuż kanadyjskich wybrzeży Nowej Fundlandii i Labradoru. Od 1979 roku obraz znajduje się w kolekcji stałej Dallas Museum of Art jako dar Lamara i Normy Huntów. Uważany przez niektórych za Monę Lisę Dallas Museum of Art. The Icebergs is an 1861 oil painting by the American landscape artist Frederic Edwin Church. It was inspired by his 1859 voyage to the North Atlantic around Newfoundland and Labrador. Considered one of Church's "Great Pictures"—measuring 1.64 by 2.85 metres (5.4 by 9.4 feet)—the painting depicts one or more icebergs in the afternoon light of the Arctic. It was first displayed in New York City in 1861, where visitors paid 25 cents' admittance to the one-painting show. Similar exhibitions in Boston and London followed. The unconventional landscape of ice, water, and sky generally drew praise, but the American Civil War, which began the same year, lessened critical and popular interest in New York City's cultural events. «Айсберги» (англ. The Icebergs) — картина, написанная американским художником Фредериком Эдвином Чёрчем (Frederic Edwin Church, 1826—1900) в 1861 году. Принадлежит Музею искусств Далласа в штате Техас. Размер картины — 164 × 286 см, с рамой — 216 × 338 × 12,7 см. «Айсберги» (англ. The Icebergs) — картина американського художника Фредеріка Едвіна Черча (1826–1900), написана у 1861 році. Перебуває у власності Музею мистецтв Далласа в штаті Техас. Розмір картини — 164×286 см, з рамою — 216×338×12,7 см.
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«Айсберги» (англ. The Icebergs) — картина, написанная американским художником Фредериком Эдвином Чёрчем (Frederic Edwin Church, 1826—1900) в 1861 году. Принадлежит Музею искусств Далласа в штате Техас. Размер картины — 164 × 286 см, с рамой — 216 × 338 × 12,7 см. «Айсберги» (англ. The Icebergs) — картина американського художника Фредеріка Едвіна Черча (1826–1900), написана у 1861 році. Перебуває у власності Музею мистецтв Далласа в штаті Техас. Розмір картини — 164×286 см, з рамою — 216×338×12,7 см. The Icebergs is an 1861 oil painting by the American landscape artist Frederic Edwin Church. It was inspired by his 1859 voyage to the North Atlantic around Newfoundland and Labrador. Considered one of Church's "Great Pictures"—measuring 1.64 by 2.85 metres (5.4 by 9.4 feet)—the painting depicts one or more icebergs in the afternoon light of the Arctic. It was first displayed in New York City in 1861, where visitors paid 25 cents' admittance to the one-painting show. Similar exhibitions in Boston and London followed. The unconventional landscape of ice, water, and sky generally drew praise, but the American Civil War, which began the same year, lessened critical and popular interest in New York City's cultural events. The painting became popular within Church's oeuvre and inspired other landscape artists' interest in the Arctic, but its apparent lack of narrative or allegory perplexed some viewers. Between exhibitions in the US and England, Church added the ship mast to the painting, and retitled the work from its original The North. He eventually sold the painting in England, where it disappeared from the art-world's awareness after the buyer's death in 1901. In 1979, the painting, which a number of New York City galleries were now hunting, was rediscovered in a home in Manchester, England, where it had remained for most of the intervening 78 years. It was soon put to auction in New York City, drawing significant interest as its sale coincided with renewed critical interest in Church, who had been largely forgotten in the 20th century. The Icebergs was auctioned for US$2.5 million, the most of any American painting to that point. The buyers, later identified as businessman Lamar Hunt and his wife Norma, donated the canvas to the Dallas Museum of Art, where it remains today. Góry lodowe (ang. The Icebergs) – obraz olejny Frederica Edwina Churcha, namalowany w 1861 roku na podstawie szkiców sporządzonych podczas trwającej miesiąc wyprawy łodzią wzdłuż kanadyjskich wybrzeży Nowej Fundlandii i Labradoru. Od 1979 roku obraz znajduje się w kolekcji stałej Dallas Museum of Art jako dar Lamara i Normy Huntów. Uważany przez niektórych za Monę Lisę Dallas Museum of Art.
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