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Statements

Subject Item: dbr:Carolina_Actors_Studio_Theatre
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Subject Item: dbr:21st_Tony_Awards
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Subject Item: dbr:List_of_Jon_Bernthal_performances
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Subject Item: dbr:List_of_Tony_Award-_and_Olivier_Award-winning_plays
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Subject Item: dbr:The_Doughnut_in_Granny's_Greenhouse
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rdf:type: schema:CreativeWork yago:WikicatBroadwayPlays yago:Play107007945 yago:Wikicat20th-centuryPlays wikidata:Q234460 wikidata:Q25379 wikidata:Q386724 yago:WrittenCommunication106349220 dbo:Work yago:Writing106362953 owl:Thing yago:Wikicat1963Plays yago:WikicatGermanPlays yago:Communication100033020 dbo:Play yago:DramaticComposition107007684 dbo:WrittenWork yago:Abstraction100002137
rdfs:label: Марат/Сад (пьеса) Marat/Sade Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade マルキ・ド・サドの演出のもとにシャラントン精神病院患者たちによって演じられたジャン＝ポール・マラーの迫害と暗殺 Marat/Sade Marat/Sade Mordet på Marat Marat/Sade Marat/Sade Marat-Sade
rdfs:comment: La Persécution et l'Assassinat de Jean-Paul Marat représentés par le groupe théâtral de l'hospice de Charenton sous la direction de Monsieur de Sade (en allemand Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade) est une pièce de théâtre allemande de Peter Weiss retraçant la vie du marquis de Sade durant son emprisonnement. Elle est souvent désignée sous le nom court de Marat-Sade. Elle a été publiée en 1963 et traduite en français par Jean Baudrillard aux éditions du Seuil en 1965. Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade – heute meist kurz Marat/Sade genannt – ist ein 1964 uraufgeführtes Drama in zwei Akten von Peter Weiss. Das international erfolgreiche Theaterstück wurde 1966 mit dem US-amerikanischen Theater- und Musicalpreis Tony Award als „Bestes Theaterstück“ ausgezeichnet. A Perseguição e Assassinato de Jean-Paul Marat encenado pelos internos do Hospício de Charenton sob direção do Senhor de Sade (em alemão: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), quase sempre abreviado para Marat/Sade, é uma peça de 1963, escrita por Peter Weiss e ambientada em um asilo francês no auge da Era Napoleônica. A peça foi publicada pela primeira vez em alemão. No ano de 1966, a peça recebeu quatro Tony Awards. 『マルキ・ド・サドの演出のもとにシャラントン精神病院患者たちによって演じられたジャン＝ポール・マラーの迫害と暗殺』（独: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade ）は、ペーター・ヴァイスの戯曲。1964年4月29日、ベルリン・シラー劇場にて初演（コンラート・スウィナルスキ演出）。題名が長いためしばしば『マラー/サド』(Marat/Sade) と略される。全体が劇中劇のかたちで提示される実験的な作品であり、フランス革命期の過激な共和主義者ジャン＝ポール・マラーが浴槽でシャルロット・コルデーに刺殺された出来事（1793年7月13日）を、1808年7月13日、にて、自身入院患者であったマルキ・ド・サド侯爵が患者たちを使って上演している、という設定である。シャラントン精神病院は当時、所長のクールミエによって、精神治療の一環として実際に患者による演劇が実施されており、またサドも実際に1803年から1814年までここに入院し劇の台本を書いていた。ただしマラーについての劇を書いたという事実はない。 Persecució i assassinat de Jean-Paul Marat representats pel grup escènic de l'hospici de Chareton sota la direcció del Marquès de Sade, en alemany Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, escurçada de manera gairebé invariable com Marat/Sade és una obra teatral de 1963 escrita per Peter Weiss originalment en alemany. L'obra incorpora elements dramàtics procedents de Artaud i Bertolt Brecht. És una representació sagnant del sofriment de l'home que planteja el dubte de si la veritable revolució es produeix canviant la societat o canviant-se a un mateix. L'obra ha estat guardonada amb nombrosos premis entre ells el Premi Tony als Estats Units i alguns Premis Max a Espanya. El 1983 fou trad La persecuzione e l'assassinio di Jean-Paul Marat, rappresentato dalla compagnia filodrammatica dell'ospizio di Charenton sotto la guida del marchese de Sade è un'opera teatrale in due atti di Peter Weiss scritta nel 1964. Da quella data, l'autore ne ha redatto quattro versioni. The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German. La persecución y asesinato de Jean-Paul Marat representada por el grupo teatral de la casa de salud mental de Charenton bajo la dirección del Marqués de Sade, en alemán Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, acortada de modo casi invariable como Marat/Sade es una obra teatral de 1963 escrita por Peter Weiss originalmente en alemán. La obra incorpora elementos dramáticos procedentes de Artaud y Bertolt Brecht. Es una representación sangrienta del sufrimiento del hombre que plantea la duda de si la verdadera revolución se produce cambiando la sociedad o cambiándose a uno mismo. La obra ha sido galardonada con numerosos premios entre ellos el Premio Tony en Estados Unidos y varios Prem «Преследование и убийство Жан-Поля Марата, представленное актёрской труппой госпиталя в Шарантоне под руководством господина де Сада» (нем. Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), сокращённое название «Марат — Сад» или «Марат/Сад», — пьеса в двух актах драматурга Петера Вайса, созданная в 1963 году. В основе пьесы — вымышленный спор непосредственных участников Великой французской революции, излагающих свои взгляды на произошедшие события через пятнадцать лет после убийства Жан-Поля Марата. Pjäsen Mordet på Marat eller Marat/Sade, vars fullständiga titel är Jean Paul Marat förföljd och mördad så som det framställs av patienterna på hospitalet Charenton under ledning av herr de Sade, är skriven av den tysk-svenske författaren och konstnären Peter Weiss. Pjäsen hade urpremiär 1964. Peter Weiss skrev pjäsen på tyska, originaltiteln lyder: Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade.
foaf:name: Marat/Sade
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dbo:thumbnail: n6:MaratSadePlayCover.jpg?width=300
dbp:characters: dbr:Marquis_de_Sade Duperret Kokol Rossignol Cucurucu dbr:Jean-Paul_Marat dbr:Charlotte_Corday dbr:Abbé_de_Coulmier dbr:Jacques_Roux Simone Évrard The Herald Polpoch
dbp:genre: A play with music
dbp:imageSize: 225
dbp:origLang: German
dbp:place: Schillertheater, West Berlin, Germany
dbp:premiere: 1964-04-29
dbp:setting: 1808 Charenton Asylum, France
dbp:subject: dbr:Sado-masochism dbr:French_Revolution
dbp:writer: dbr:Peter_Weiss
dbo:abstract: La persecuzione e l'assassinio di Jean-Paul Marat, rappresentato dalla compagnia filodrammatica dell'ospizio di Charenton sotto la guida del marchese de Sade è un'opera teatrale in due atti di Peter Weiss scritta nel 1964. Da quella data, l'autore ne ha redatto quattro versioni. Pjäsen Mordet på Marat eller Marat/Sade, vars fullständiga titel är Jean Paul Marat förföljd och mördad så som det framställs av patienterna på hospitalet Charenton under ledning av herr de Sade, är skriven av den tysk-svenske författaren och konstnären Peter Weiss. Pjäsen hade urpremiär 1964. Peter Weiss skrev pjäsen på tyska, originaltiteln lyder: Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade. Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade – heute meist kurz Marat/Sade genannt – ist ein 1964 uraufgeführtes Drama in zwei Akten von Peter Weiss. Das international erfolgreiche Theaterstück wurde 1966 mit dem US-amerikanischen Theater- und Musicalpreis Tony Award als „Bestes Theaterstück“ ausgezeichnet. Persecució i assassinat de Jean-Paul Marat representats pel grup escènic de l'hospici de Chareton sota la direcció del Marquès de Sade, en alemany Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, escurçada de manera gairebé invariable com Marat/Sade és una obra teatral de 1963 escrita per Peter Weiss originalment en alemany. L'obra incorpora elements dramàtics procedents de Artaud i Bertolt Brecht. És una representació sagnant del sofriment de l'home que planteja el dubte de si la veritable revolució es produeix canviant la societat o canviant-se a un mateix. L'obra ha estat guardonada amb nombrosos premis entre ells el Premi Tony als Estats Units i alguns Premis Max a Espanya. El 1983 fou traduïda al català per Feliu Formosa. La Persécution et l'Assassinat de Jean-Paul Marat représentés par le groupe théâtral de l'hospice de Charenton sous la direction de Monsieur de Sade (en allemand Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade) est une pièce de théâtre allemande de Peter Weiss retraçant la vie du marquis de Sade durant son emprisonnement. Elle est souvent désignée sous le nom court de Marat-Sade. Elle a été publiée en 1963 et traduite en français par Jean Baudrillard aux éditions du Seuil en 1965. La persecución y asesinato de Jean-Paul Marat representada por el grupo teatral de la casa de salud mental de Charenton bajo la dirección del Marqués de Sade, en alemán Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, acortada de modo casi invariable como Marat/Sade es una obra teatral de 1963 escrita por Peter Weiss originalmente en alemán. La obra incorpora elementos dramáticos procedentes de Artaud y Bertolt Brecht. Es una representación sangrienta del sufrimiento del hombre que plantea la duda de si la verdadera revolución se produce cambiando la sociedad o cambiándose a uno mismo. La obra ha sido galardonada con numerosos premios entre ellos el Premio Tony en Estados Unidos y varios Premios Max en España. «Преследование и убийство Жан-Поля Марата, представленное актёрской труппой госпиталя в Шарантоне под руководством господина де Сада» (нем. Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), сокращённое название «Марат — Сад» или «Марат/Сад», — пьеса в двух актах драматурга Петера Вайса, созданная в 1963 году. В основе пьесы — вымышленный спор непосредственных участников Великой французской революции, излагающих свои взгляды на произошедшие события через пятнадцать лет после убийства Жан-Поля Марата. Премьера пьесы состоялась в Театре Шиллера в Западном Берлине 29 апреля 1964 года и имела громкий успех, затем её поставили на сценах Восточной Германии, Великобритании, США и других стран. В 1967 году английский режиссёр Питер Брук выпустил кинематографическую адаптацию спектакля. Пьеса остаётся востребованной и регулярно появляется в репертуаре театров, включая Royal Shakespeare Company (2011), Национальный академический театр русской драмы имени Леси Украинки (2008) и Театр на Таганке(1998). A Perseguição e Assassinato de Jean-Paul Marat encenado pelos internos do Hospício de Charenton sob direção do Senhor de Sade (em alemão: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), quase sempre abreviado para Marat/Sade, é uma peça de 1963, escrita por Peter Weiss e ambientada em um asilo francês no auge da Era Napoleônica. A peça foi publicada pela primeira vez em alemão. No ano de 1966, a peça recebeu quatro Tony Awards. Incorporando elementos dramáticos característicos de Antonin Artaud e Bertolt Brecht, é uma representação sangrenta e implacável da luta de classes e do sofrimento humano, que pergunta se a verdadeira revolução vem para mudar a sociedade ou mudar a si mesmo. 『マルキ・ド・サドの演出のもとにシャラントン精神病院患者たちによって演じられたジャン＝ポール・マラーの迫害と暗殺』（独: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade ）は、ペーター・ヴァイスの戯曲。1964年4月29日、ベルリン・シラー劇場にて初演（コンラート・スウィナルスキ演出）。題名が長いためしばしば『マラー/サド』(Marat/Sade) と略される。全体が劇中劇のかたちで提示される実験的な作品であり、フランス革命期の過激な共和主義者ジャン＝ポール・マラーが浴槽でシャルロット・コルデーに刺殺された出来事（1793年7月13日）を、1808年7月13日、にて、自身入院患者であったマルキ・ド・サド侯爵が患者たちを使って上演している、という設定である。シャラントン精神病院は当時、所長のクールミエによって、精神治療の一環として実際に患者による演劇が実施されており、またサドも実際に1803年から1814年までここに入院し劇の台本を書いていた。ただしマラーについての劇を書いたという事実はない。精神病院の大きな浴室が舞台であり、大勢の看護人たちに監視される形で劇中劇の上演が行われ、途中で脚本家サドによる指示が入る場面もある。全体は2場からなり、第一場でマラーの生い立ちから革命家を志すまでの経緯が、第二場では国民公会におけるマラーの弾劾演説、サドとの対話（史実にはない。またこのサドはサド自身が演じるという設定）、コルデーによるマラーの刺殺とナポレオン時代の到来が描かれる。戯曲全体の主題は、全体主義者として描かれるマラーと徹底的な個人主義者であるサドとの思想的な対決にあるが、患者たちの監督者でありナポレオン体制の体現者である所長クールミエがしばしば劇を中断させ、最後は患者たちがナポレオンを讃えながら狂乱状態に陥る場面で終わる。この最後の狂乱の場面は後に患者たちがナポレオンを讃える合唱に改められている。作者のヴァイス自身は執筆当時、サドでもマラーでもない第三の政治的立場を模索していたが、のちにはマラーの立場を肯定的に描いた東ドイツの演出を肯定的に捉えてもいる。この戯曲は1966年、アメリカのトニー賞演劇部門を受賞した。1967年にピーター・ブルックによって映画化もされている。このほかにも、イタリアの精神障害者らによる演劇集団「アルテ・エ・サルーテ」と日本の精神保健医療従事者の共同制作によるバージョンが存在し、2018年には同劇団による来日公演が行われた。2020年の公演は新型コロナウイルスの蔓延により延期され、2021年の公演は同様の理由からイタリア側の来日ができないため、イタリアで収録した同作を日本で上映する形が取られた。 The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German. Incorporating dramatic elements characteristic of both Antonin Artaud and Bertolt Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself.
dbp:mute: Mme Coulmier Sisters Male Nurses Mlle Coulmier Asylum inmates Musicians
gold:hypernym: dbr:Play
prov:wasDerivedFrom: n32:Sade?oldid=1115556521&ns=0
dbo:wikiPageLength: 13418
dbo:characterInPlay: Jean-Paul Marat Charlotte Corday Kokol Coulmier The Herald Cucurucu Simone Évrard Duperret Polpoch Marquis de Sade Rossignol Jacques Roux
dbo:premiereDate: 1964-04-29
dbo:premiereYear: 1964-01-01
dbo:settingOfPlay: 1808 Charenton Asylum, France
dbo:subjectOfPlay: French Revolution,sado-masochism
dbo:muteCharacterInPlay: Musicians Male Nurses Mlle Coulmier Asylum inmates Sisters Mme Coulmier
dbo:author: dbr:Peter_Weiss
dbo:premierePlace: dbr:West_Berlin
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