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dbr:List_of_compositions_by_John_Cage
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dbr:Construction_(Cage)
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Construction (John Cage) Construction (Cage)
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Construction è una serie di tre brani del compositore statunitense John Cage, destinati ad inusuali percussioni. Li compose tra il 1939 e il 1942 mentre egli si trovava alla di Seattle e nella West Coast e li pensò per un'orchestra di percussioni assemblata con Lou Harrison. Alcune fonti testimoniano l'esistenza di un Fourth Construction, apparentemente o incompleto o, probabilmente, il titolo provvisorio di . Construction is the title of several pieces by American composer John Cage, all scored for unorthodox percussion instruments. The pieces were composed in 1939–42 while Cage was working at the Cornish School of the Arts in Seattle, Washington, and touring the West Coast with a percussion ensemble he and Lou Harrison had founded. The series comprises three Constructions. A piece titled Fourth Construction, mentioned in several sources, is apparently either an unfinished work from 1942 or, more likely, an early title of the work we now know as Imaginary Landscape No. 2 (March No. 1).
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Construction è una serie di tre brani del compositore statunitense John Cage, destinati ad inusuali percussioni. Li compose tra il 1939 e il 1942 mentre egli si trovava alla di Seattle e nella West Coast e li pensò per un'orchestra di percussioni assemblata con Lou Harrison. Alcune fonti testimoniano l'esistenza di un Fourth Construction, apparentemente o incompleto o, probabilmente, il titolo provvisorio di . Construction is the title of several pieces by American composer John Cage, all scored for unorthodox percussion instruments. The pieces were composed in 1939–42 while Cage was working at the Cornish School of the Arts in Seattle, Washington, and touring the West Coast with a percussion ensemble he and Lou Harrison had founded. The series comprises three Constructions. A piece titled Fourth Construction, mentioned in several sources, is apparently either an unfinished work from 1942 or, more likely, an early title of the work we now know as Imaginary Landscape No. 2 (March No. 1).
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