About: Maldit-comiat

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A maldit (Occitan: [malˈdit], also spelled maudit; Catalan: [məlˈdit, mal-], modern spelling maleit, "curse") was a genre of Catalan and Occitan literature practised by the later troubadours. It was a song complaining about a lady's behaviour and character. A related genre, the comiat (Occitan: [kuˈmjat], Catalan: [kumiˈat, komiˈat]; "dismissal"), was a song renouncing a lover. The maldit and the comiat were often connected as a maldit-comiat (or comiat-maldit) and they could be used to attack and renounce a figure other than a lady or a lover, like a commanding officer (when combined, in a way, with the sirventes). The maldit-comiat is especially associated with the Catalan troubadours. Martí de Riquer describes un autèntic maldit-comiat as a song where a poet leaves a mistress to whom he

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  • A maldit (Occitan: [malˈdit], also spelled maudit; Catalan: [məlˈdit, mal-], modern spelling maleit, "curse") was a genre of Catalan and Occitan literature practised by the later troubadours. It was a song complaining about a lady's behaviour and character. A related genre, the comiat (Occitan: [kuˈmjat], Catalan: [kumiˈat, komiˈat]; "dismissal"), was a song renouncing a lover. The maldit and the comiat were often connected as a maldit-comiat (or comiat-maldit) and they could be used to attack and renounce a figure other than a lady or a lover, like a commanding officer (when combined, in a way, with the sirventes). The maldit-comiat is especially associated with the Catalan troubadours. Martí de Riquer describes un autèntic maldit-comiat as a song where a poet leaves a mistress to whom he has long been fruitlessly devoted, and explains her failings which have led him to depart. The earliest comiat is probably a fragmentary work by Uc Catola, of the first generation of troubadours. (en)
  • Un maldit (in occitano significa "maledizione, anatema") era un genere della e occitana praticato dagli ultimi trovatori, una canzone che si doleva del carattere o del comportamento di una signora. Un genere correlato, il comiat o comjat (in occitano sta per "congedo"), era una canzone dedicata alla rinuncia di una relazione amorosa. Il maldit e il comiat venivano spesso collegati formando un maldit-comiat (o comiat-maldit) e potevano essere usati per attaccare e rinunciare a una figura diversa da una signora o da un'amante, come un ufficiale al comando (quando combinato, in un certo senso, con il sirventes). Il maldit-comiat viene specialmente associato ai trovatori catalani. Martín de Riquer descrive un autèntic maldit-comiat come una canzone in cui un poeta lascia un'amante a cui era stato per molto tempo sterilmente devoto, spiegando i difetti di lei che lo hanno portato ad allontanarsi. Il primo comiat è probabilmente un componimento frammentario di Uc Catola, appartenente alla prima generazione di trovatori. (it)
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  • A maldit (Occitan: [malˈdit], also spelled maudit; Catalan: [məlˈdit, mal-], modern spelling maleit, "curse") was a genre of Catalan and Occitan literature practised by the later troubadours. It was a song complaining about a lady's behaviour and character. A related genre, the comiat (Occitan: [kuˈmjat], Catalan: [kumiˈat, komiˈat]; "dismissal"), was a song renouncing a lover. The maldit and the comiat were often connected as a maldit-comiat (or comiat-maldit) and they could be used to attack and renounce a figure other than a lady or a lover, like a commanding officer (when combined, in a way, with the sirventes). The maldit-comiat is especially associated with the Catalan troubadours. Martí de Riquer describes un autèntic maldit-comiat as a song where a poet leaves a mistress to whom he (en)
  • Un maldit (in occitano significa "maledizione, anatema") era un genere della e occitana praticato dagli ultimi trovatori, una canzone che si doleva del carattere o del comportamento di una signora. Un genere correlato, il comiat o comjat (in occitano sta per "congedo"), era una canzone dedicata alla rinuncia di una relazione amorosa. Il maldit e il comiat venivano spesso collegati formando un maldit-comiat (o comiat-maldit) e potevano essere usati per attaccare e rinunciare a una figura diversa da una signora o da un'amante, come un ufficiale al comando (quando combinato, in un certo senso, con il sirventes). Il maldit-comiat viene specialmente associato ai trovatori catalani. Martín de Riquer descrive un autèntic maldit-comiat come una canzone in cui un poeta lascia un'amante a cui era s (it)
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  • Maldit-comiat (it)
  • Maldit-comiat (en)
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