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Subject Item
dbr:Photographers_of_the_American_Civil_War
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Fotografi della guerra di secessione americana Photographers of the American Civil War Fotógrafos de la Guerra de Secesión
rdfs:comment
I fotografi della guerra di secessione americana furono numerosi e molto attivi in entrambi gli schieramenti in campo; la guerra civile fu il primo conflitto del XIX secolo ampiamente coperto dai mezzi di comunicazione di massa sia attraverso i reporter informativi - uno dei primissimi casi di vero e proprio giornalismo di guerra - giunti nei pressi dei maggiori scontri che tramite i loro addetti specializzati nel raccogliere le immagini. Il generale William Tecumseh Sherman in una foto di Mathew B. Brady. Los fotógrafos de la Guerra de Secesión fueron numerosos y muy activos en ambos lados del campo de batalla; la Guerra de Secesión fue el primer conflicto del siglo XIX ampliamente cubierto por los medios de comunicación y por medio de reporteros informativos, uno de los primeros casos de periodismo de guerra real, que se acercaron a los principales enfrentamientos y a través de sus especialistas en la caza de imágenes. The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace.Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph," "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.
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Los fotógrafos de la Guerra de Secesión fueron numerosos y muy activos en ambos lados del campo de batalla; la Guerra de Secesión fue el primer conflicto del siglo XIX ampliamente cubierto por los medios de comunicación y por medio de reporteros informativos, uno de los primeros casos de periodismo de guerra real, que se acercaron a los principales enfrentamientos y a través de sus especialistas en la caza de imágenes. Luego hubo un gran grupo de fotógrafos, también de otras nacionalidades, que trabajaron con total o menos autonomía con la intención explícita de documentar las tragedias de lo que pronto resultó ser una guerra periodística luchada con las armas de propaganda. Las imágenes así recopiladas habían proporcionado a la posteridad un registro visual completo del evento catastrófico que causó más de medio millón de muertes, pero también de sus figuras más altas, desde generales prominentes hasta soldados rasos, contribuyendo a crear una fuerte impresión de asociación, sobre la población civil. Una cosa que generalmente no es conocida por el público en general es el hecho de que aproximadamente el 70% de la fotografía documental de la guerra fue capturada por las lentes gemelas de una cámara estereoscópica.​ La Guerra Civil Americana fue la primera guerra en la historia, cuya realidad íntima se traería al hogar, no únicamente en las representaciones de periódicos, tarjetas de álbumes y tarjetas de visita, sino en un nuevo formato popular en 3D llamado «estereógrafo», «estereocardio» o «stereoview». Millones de estas tarjetas fueron producidas y compradas por un público ansioso por experimentar la naturaleza de la guerra de una manera completamente nueva.​ I fotografi della guerra di secessione americana furono numerosi e molto attivi in entrambi gli schieramenti in campo; la guerra civile fu il primo conflitto del XIX secolo ampiamente coperto dai mezzi di comunicazione di massa sia attraverso i reporter informativi - uno dei primissimi casi di vero e proprio giornalismo di guerra - giunti nei pressi dei maggiori scontri che tramite i loro addetti specializzati nel raccogliere le immagini. Vi furono poi una larga schiera di fotografi, anche di altre nazionalità, che lavorarono in più o meno piena completa autonomia con l'esplicito intento di documentare le tragedie di quella che si rivelò ben presto anche una guerra giornalistica combattuta con le armi della propaganda. Le immagini in tal modo raccolte avrebbero fornito ai posteri una registrazione visiva completa del catastrofico evento che causò più di mezzo milione di morti, ma anche delle sue massime figure - dai generali di spicco ai soldati semplici -, contribuendo a creare una forte impressione di compartecipazione sulla popolazione civile. Una cosa che invece non è generalmente nota al grande pubblico è il fatto che circa il 70% delle fotografia documentaria della guerra è stata catturata dagli obiettivi gemelli di una fotocamera stereoscopica. Il generale William Tecumseh Sherman in una foto di Mathew B. Brady. Lo scontro fratricida statunitense fu la prima guerra della storia la cui più intima realtà avrebbe fatto irruzione all'interno delle stesse case della popolazione comune; sarebbe stata portata nel bel mezzo delle strade di tutte le città, dai maggiori centri urbani degli Stati Uniti d'America nord-orientali ai più piccoli villaggi sperduti nel vasto West. Tutto ciò non solo grazie alle rappresentazioni visivo-descrittive espresse nei giornali, negli album fotografici appositamente realizzati e nei , ma soprattutto a causa di un nuovo popolare formato 3D denominato stereoscopio o "stereocard". Milioni di tali "cartoline-ricordo" verranno prodotte ed acquistate da un pubblico desideroso di sperimentare la natura dell'impresa bellica in una modalità completamente nuova e mai veduta prima. The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace.Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph," "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.
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