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The Future of Emily (German: Flügel und Fesseln) is a 1984 West German drama film directed by Helma Sanders-Brahms. Barbara Kosta, author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film, states that The Future of Emily, along with Laputa, "pursue[s] traditional narrative patterns" compared to Germany, Pale Mother, and "lapse[s] further into awkward melodrama." Christian Schröder, author of Hildegard Knef: Mir sollten sämtliche Wunder begegnen, wrote that the film appears "very French" and "very German" at the same time and compared it to the films of Éric Rohmer.

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  • 108.0
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  • Flügel und Fesseln ist ein kammerspielhafter deutsch-französischer Spielfilm aus dem Jahre 1984 von Helma Sanders-Brahms mit Brigitte Fossey und Hildegard Knef als Antagonistinnen in den Hauptrollen. (de)
  • The Future of Emily (German: Flügel und Fesseln) is a 1984 West German drama film directed by Helma Sanders-Brahms. Barbara Kosta, author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film, states that The Future of Emily, along with Laputa, "pursue[s] traditional narrative patterns" compared to Germany, Pale Mother, and "lapse[s] further into awkward melodrama." Christian Schröder, author of Hildegard Knef: Mir sollten sämtliche Wunder begegnen, wrote that the film appears "very French" and "very German" at the same time and compared it to the films of Éric Rohmer. (en)
dbo:cinematography
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  • 1984-12-03 (xsd:date)
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  • 6480.000000 (xsd:double)
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  • Theatrical release poster (en)
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  • Basis-Film-Verleih GmbH (en)
dbp:editing
  • Ursula West (en)
  • Bettina Böhler (en)
  • Galip İyitanır (en)
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  • future_of_emily (en)
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  • The Future of Emily (en)
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  • 1984-12-03 (xsd:date)
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  • 6480.0
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  • The Future of Emily (en)
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  • Flügel und Fesseln ist ein kammerspielhafter deutsch-französischer Spielfilm aus dem Jahre 1984 von Helma Sanders-Brahms mit Brigitte Fossey und Hildegard Knef als Antagonistinnen in den Hauptrollen. (de)
  • The Future of Emily (German: Flügel und Fesseln) is a 1984 West German drama film directed by Helma Sanders-Brahms. Barbara Kosta, author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film, states that The Future of Emily, along with Laputa, "pursue[s] traditional narrative patterns" compared to Germany, Pale Mother, and "lapse[s] further into awkward melodrama." Christian Schröder, author of Hildegard Knef: Mir sollten sämtliche Wunder begegnen, wrote that the film appears "very French" and "very German" at the same time and compared it to the films of Éric Rohmer. (en)
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  • Flügel und Fesseln (de)
  • The Future of Emily (en)
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  • The Future of Emily (en)
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