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rdfs:comment
Conlon Nancarrow (Texarkana, Arkansas, 27 de outubro de 1912 - Cidade do México, 10 de agosto de 1997) foi um compositor norte-americano. Nancarrow é quase exclusivamente lembrado pelas peças que escreveu para pianola. Ele foi um dos primeiros a usar instrumentos mecânicos como máquinas, muito além de uma representação da interpretação humana. Ele viveu a maioria da sua vida em introspecção, não se tornando famoso até à década de 1980. Hoje, ele é lembrado como um dos mais originais e incomuns compositores do século XX. Samuel Conlon Nancarrow (Texarkana (Arkansas), 27 oktober 1912 - Mexico-Stad, 10 augustus 1997), was een Amerikaanse componist die genaturaliseerd was tot Mexicaans staatsburger. Hij is vooral bekend door zijn composities voor de Player Piano (mechanische reproductiepiano). Conlon Nancarrow (ur. 27 października 1912 w Texarkana, w Arkansas, zm. 10 sierpnia 1997 w mieście Meksyk) – amerykański kompozytor, znany przede wszystkim z utworów na pianolę; od 1956 na stałe mieszkał w Meksyku. Конлон Нанкарроу, также Нанкэрроу (англ. Samuel Conlon Nancarrow, 27 октября 1912, Тексаркана — 10 августа 1997, Мехико) — американский и мексиканский композитор-экспериментатор. Conlon Nancarrow (Texarkana, 27 d'octubre de 1912 - Ciutat de Mèxic, 10 d'agost de 1997) fou un compositor nascut estatunidenc i nacionalitzat mexicà. Samuel Conlon Nancarrow (/nænˈkæroʊ/; October 27, 1912 – August 10, 1997) was an American-Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his Studies for Player Piano, being one of the first composers to use auto-playing musical instruments, realizing their potential to play far beyond human performance ability. He lived most of his life in relative isolation and did not become widely known until the 1980s. Samuel Conlon Nancarrow (* 27. Oktober 1912 in Texarkana, Arkansas, Vereinigte Staaten; † 10. August 1997 in Mexiko-Stadt) war ein mexikanischer Komponist US-amerikanischer Herkunft. Nancarrow wurde bekannt mit seinen 51 Studien (studies) für Player-Piano. Der Komponist stanzte seine Kompositionen für elektro-mechanische Selbstspielklaviere direkt in die Notenrollen der Klaviere. Die starken und breiten Papierstreifen, mit denen Nancarrow die Mechanik solcher Klaviere ansteuerte, sind in etwa vergleichbar den bei älteren Computern verwendeten Lochstreifen oder -karten. So konnte Nancarrow in Hinsicht auf Tempo, Rhythmus und Metrum neuartige musikalische Strukturen realisieren, die über die manuelle Spielfähigkeit von Pianisten weit hinausgehen. サミュエル・コンロン・ナンカロウ(Samuel Conlon Nancarrow、1912年10月27日 - 1997年8月10日)は、アメリカ合衆国生まれのメキシコの現代音楽作曲家。 Conlon Nancarrow (Texarkana, 27 ottobre 1912 – Città del Messico, 10 agosto 1997) è stato un compositore statunitense.Ha vissuto e lavorato in Messico per gran parte della sua vita, e nel 1955 ne ha preso la cittadinanza. Nancarrow è famoso per i pezzi scritti per Player Piano. È stato uno dei primi compositori ad usare strumenti musicali come automi meccanici, scrivendo lavori ben oltre le capacità umane. Ha vissuto gran parte della sua vita in un relativo isolamento, rimanendo praticamente sconosciuto fino al 1980. Conlon Nancarrow, född 27 oktober 1912 i Texarkana, Arkansas, död 10 augusti 1997 i Mexico City, Mexiko, var en amerikanskfödd tonsättare och som bodde och verkade större delen av sitt liv i Mexiko. Han stred mot fascisterna i spanska inbördeskriget från 1937 till 1939 och fråntogs sitt pass när han återvände till USA. Nacarrow gick i exil i Mexiko och blev mexikansk medborgare 1955. Flera av hans verk är skrivna för självspelande piano och hans musik är inspirerade av folkmusik och jazz samt av Johann Sebastian Bach. Hans musik uppmärksammades först på allvar på 1970-talet. Conlon Nancarrow est un compositeur américain, naturalisé mexicain, né à Texarkana le 27 octobre 1912 et mort à Mexico le 10 août 1997. Le travail de composition de Conlon Nancarrow est consacré à l'exploration méthodique de phénomènes rythmiques très complexes (polyrythmie, polytemporalité, canon de proportion, etc.), appliqués presque exclusivement au (le seul instrument capable, dans le Mexique des années 1940, d’exécuter ses œuvres). Samuel Conlon Nancarrow (Texarkana, 27 de octubre de 1912-México, D. F., 10 de agosto de 1997) fue un compositor mexicano de origen estadounidense reconocido por su monumental obra para piano mecánico. Se naturalizó mexicano en 1955. Su obra despliega recursos constructivos, formales y creativos que lo sitúan entre los compositores más destacados del siglo XX.
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Nancarrow in 1987
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Samuel Conlon Nancarrow (Texarkana, 27 de octubre de 1912-México, D. F., 10 de agosto de 1997) fue un compositor mexicano de origen estadounidense reconocido por su monumental obra para piano mecánico. Se naturalizó mexicano en 1955. Su obra despliega recursos constructivos, formales y creativos que lo sitúan entre los compositores más destacados del siglo XX. En general, sus piezas se caracterizan por el uso de la polifonía basada en estratos de tempos distintos. Nancarrow fue el primero en aplicar sistemáticamente las teorías del compositor estadounidense Henry Cowell, quien en su libro "New Musical Resources" sugirió, en un breve párrafo, la idea de usar un piano mecánico para reproducir estructuras rítmicas súper-complejas basadas en la idea de que las frecuencias sonoras y rítmicas pertencecen a un mismo ámbito constructivo. Nancarrow desarrolló las idea de Cowell a niveles que rozan nuestras limitaciones perceptivas. Nancarrow creó el cuerpo principal de su obra en México. También escribió partituras para ejecutantes. Su trabajo puede dividirse en tres períodos: obras anteriores al piano mecánico, obras para piano mecánico y obras posteriores al piano mecánico. Samuel Conlon Nancarrow (* 27. Oktober 1912 in Texarkana, Arkansas, Vereinigte Staaten; † 10. August 1997 in Mexiko-Stadt) war ein mexikanischer Komponist US-amerikanischer Herkunft. Nancarrow wurde bekannt mit seinen 51 Studien (studies) für Player-Piano. Der Komponist stanzte seine Kompositionen für elektro-mechanische Selbstspielklaviere direkt in die Notenrollen der Klaviere. Die starken und breiten Papierstreifen, mit denen Nancarrow die Mechanik solcher Klaviere ansteuerte, sind in etwa vergleichbar den bei älteren Computern verwendeten Lochstreifen oder -karten. So konnte Nancarrow in Hinsicht auf Tempo, Rhythmus und Metrum neuartige musikalische Strukturen realisieren, die über die manuelle Spielfähigkeit von Pianisten weit hinausgehen. Die Hinwendung zum vorher von Komponisten weitgehend unbeachteten Player-Piano ergab sich aus frühen Erfahrungen mit der schlechten Aufführungsqualität seiner schwierig zu spielenden Kompositionen, aber auch aus Nancarrows Situation im mexikanischen Exil, wo er von Institutionen, die moderne Musik aufführen oder Komponisten fördern, isoliert war. Ab 1947 schrieb Nancarrow ausschließlich für dieses Instrument, für das er sich eigene Werkzeuge und Stanzmaschinen baute, auch der Klang des Klavieres wurde modifiziert. Conlon Nancarrow (ur. 27 października 1912 w Texarkana, w Arkansas, zm. 10 sierpnia 1997 w mieście Meksyk) – amerykański kompozytor, znany przede wszystkim z utworów na pianolę; od 1956 na stałe mieszkał w Meksyku. Conlon Nancarrow, född 27 oktober 1912 i Texarkana, Arkansas, död 10 augusti 1997 i Mexico City, Mexiko, var en amerikanskfödd tonsättare och som bodde och verkade större delen av sitt liv i Mexiko. Han stred mot fascisterna i spanska inbördeskriget från 1937 till 1939 och fråntogs sitt pass när han återvände till USA. Nacarrow gick i exil i Mexiko och blev mexikansk medborgare 1955. Flera av hans verk är skrivna för självspelande piano och hans musik är inspirerade av folkmusik och jazz samt av Johann Sebastian Bach. Hans musik uppmärksammades först på allvar på 1970-talet. サミュエル・コンロン・ナンカロウ(Samuel Conlon Nancarrow、1912年10月27日 - 1997年8月10日)は、アメリカ合衆国生まれのメキシコの現代音楽作曲家。 Samuel Conlon Nancarrow (/nænˈkæroʊ/; October 27, 1912 – August 10, 1997) was an American-Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his Studies for Player Piano, being one of the first composers to use auto-playing musical instruments, realizing their potential to play far beyond human performance ability. He lived most of his life in relative isolation and did not become widely known until the 1980s. Conlon Nancarrow (Texarkana, 27 d'octubre de 1912 - Ciutat de Mèxic, 10 d'agost de 1997) fou un compositor nascut estatunidenc i nacionalitzat mexicà. Conlon Nancarrow est un compositeur américain, naturalisé mexicain, né à Texarkana le 27 octobre 1912 et mort à Mexico le 10 août 1997. Le travail de composition de Conlon Nancarrow est consacré à l'exploration méthodique de phénomènes rythmiques très complexes (polyrythmie, polytemporalité, canon de proportion, etc.), appliqués presque exclusivement au (le seul instrument capable, dans le Mexique des années 1940, d’exécuter ses œuvres). Très influencé par le jazz à ses débuts, il s'oriente petit à petit vers un langage plus expérimental, rejoignant alors certaines des préoccupations de compositeurs comme Elliott Carter, György Ligeti ou Iannis Xenakis notamment. Conlon Nancarrow (Texarkana, Arkansas, 27 de outubro de 1912 - Cidade do México, 10 de agosto de 1997) foi um compositor norte-americano. Nancarrow é quase exclusivamente lembrado pelas peças que escreveu para pianola. Ele foi um dos primeiros a usar instrumentos mecânicos como máquinas, muito além de uma representação da interpretação humana. Ele viveu a maioria da sua vida em introspecção, não se tornando famoso até à década de 1980. Hoje, ele é lembrado como um dos mais originais e incomuns compositores do século XX. Conlon Nancarrow (Texarkana, 27 ottobre 1912 – Città del Messico, 10 agosto 1997) è stato un compositore statunitense.Ha vissuto e lavorato in Messico per gran parte della sua vita, e nel 1955 ne ha preso la cittadinanza. Nancarrow è famoso per i pezzi scritti per Player Piano. È stato uno dei primi compositori ad usare strumenti musicali come automi meccanici, scrivendo lavori ben oltre le capacità umane. Ha vissuto gran parte della sua vita in un relativo isolamento, rimanendo praticamente sconosciuto fino al 1980. Samuel Conlon Nancarrow (Texarkana (Arkansas), 27 oktober 1912 - Mexico-Stad, 10 augustus 1997), was een Amerikaanse componist die genaturaliseerd was tot Mexicaans staatsburger. Hij is vooral bekend door zijn composities voor de Player Piano (mechanische reproductiepiano). Конлон Нанкарроу, также Нанкэрроу (англ. Samuel Conlon Nancarrow, 27 октября 1912, Тексаркана — 10 августа 1997, Мехико) — американский и мексиканский композитор-экспериментатор.
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