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Calvin Seerveld
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Calvin George Seerveld (born 1930) received a BA from Calvin College in 1952 and an MA in English literature and classics from the University of Michigan in 1953. He then went on to study under D. H. Th. Vollenhoven at the Free University (VU) in Amsterdam, where his doctoral dissertation dealt with Croce's aesthetics. It was supervised by Vollenhoven and Carlo Antoni. He then taught philosophy and German at Trinity Christian College and went on to teach philosophical aesthetics at the Institute for Christian Studies in Toronto.
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Calvin Seerveld
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Calvin Seerveld
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New York City, New York, US
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Calvin George Seerveld (born 1930) received a BA from Calvin College in 1952 and an MA in English literature and classics from the University of Michigan in 1953. He then went on to study under D. H. Th. Vollenhoven at the Free University (VU) in Amsterdam, where his doctoral dissertation dealt with Croce's aesthetics. It was supervised by Vollenhoven and Carlo Antoni. He then taught philosophy and German at Trinity Christian College and went on to teach philosophical aesthetics at the Institute for Christian Studies in Toronto. Seerveld has been influential in the reformational movement. In fact he was the first to coin the term reformational to describe the philosophical aspects of neo-Calvinism. He has taken Herman Dooyeweerd's aesthetic modal aspect and developed Dooyeweerd's ideas. His book Rainbows for a Fallen World has influenced many Christian artists. In it he argues that "aesthetic obedience is required of everyone by the Lord-artist or not." Lambert Zuidervaart identifies four claims that constitute Seerveld's contribution to aesthetics: * The aesthetic is part of the fabric of created reality, and aesthetic norms can be violated or ignored only at great cost. * The arts, despite their variety and their continuing development, are a unified sphere distinct from other spheres of cultural endeavour, offering opportunities for vocational service to Christians today. * The aesthetic is not limited only to the arts, just as the arts have many facets other than the aesthetic. * The core meaning of the aesthetic – and distinguishing characteristic of the arts – is "allusiveness" or "imaginativity".
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Carlo Antoni dbr:D._H._Th._Vollenhoven
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