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Statements

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dbr:Isaiah_the_Serb
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Isaiah der Serbe Isaiah the Serb
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Isaiah der Serbe (serbisch Исаија Србин Isaija Srbin) war ein Mönch, der im 15. Jahrhundert im serbisch-orthodoxen lebte, das etwa 15 km von Kumanovo entfernt im heutigen Mazedonien liegt. Als Schriftgelehrter komponierte er byzantinische Kirchenlieder in der kirchenslawisch-altserbischen und griechischen Sprache. Einige Werke waren auch bilingual. Sein Talent recht gut mit den unterschiedlichen Sprachen umzugehen förderte seine Karriere als Komponist innerhalb der serbisch-orthodoxen Kirche. Er verstand es zudem eigene Variationen und Elemente in seinen Kompositionen unterzubringen ohne vom vorgegebenen streng traditionellen Prinzip des byzantinischen Komponierens von Kirchenliedern abzuweichen. Isaiah the Serb (Serbian: Исаија Србин/Isaija Srbin) was a Serbian Orthodox hieromonk and composer of chants who flourished in the second half of the 15th century. Along with Kir Joakim, Kir Stefan the Serb, Nikola the Serb he faithfully followed Byzantine musical tradition, writing in the late kalophonic style of the 14th and 15th centuries.
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Isaiah der Serbe (serbisch Исаија Србин Isaija Srbin) war ein Mönch, der im 15. Jahrhundert im serbisch-orthodoxen lebte, das etwa 15 km von Kumanovo entfernt im heutigen Mazedonien liegt. Als Schriftgelehrter komponierte er byzantinische Kirchenlieder in der kirchenslawisch-altserbischen und griechischen Sprache. Einige Werke waren auch bilingual. Sein Talent recht gut mit den unterschiedlichen Sprachen umzugehen förderte seine Karriere als Komponist innerhalb der serbisch-orthodoxen Kirche. Er verstand es zudem eigene Variationen und Elemente in seinen Kompositionen unterzubringen ohne vom vorgegebenen streng traditionellen Prinzip des byzantinischen Komponierens von Kirchenliedern abzuweichen. Isaiah the Serb (Serbian: Исаија Србин/Isaija Srbin) was a Serbian Orthodox hieromonk and composer of chants who flourished in the second half of the 15th century. Along with Kir Joakim, Kir Stefan the Serb, Nikola the Serb he faithfully followed Byzantine musical tradition, writing in the late kalophonic style of the 14th and 15th centuries.
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