| dbo:abstract
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- The Flyting of Dunbar and Kennedie is the earliest surviving example of the Scottish version of the flyting genre in poetry. The genre takes the form of a contest, or "war of words", between two poets, each trying to outclass the other in vituperation and verbal pyrotechnics. It is not certain how the work was composed, but it is likely to have been publicly performed, probably in the style of a poetic joust by the two combatants, William Dunbar and Walter Kennedy, before the Court of James IV of Scotland. The precise date of the event is not certain, but thought to have been around 1500. There are clues in the poem that suggest some of the features that the show must have contained. Each of the combatants had a commissar, both of whom are named in the work and sometimes directly addressed by the performers. These are (respectively) Sir for Dunbar and for Kennedy, both of whom were actual persons. Shaw (certainly) and Ross (probably) were also poets, and it seems possible that they played some material part in the performance. Ross, Shaw, and Kennedy are all three named as a group in the closing stanzas of Dunbar's Lament for the Makaris. (en)
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| rdfs:comment
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- The Flyting of Dunbar and Kennedie is the earliest surviving example of the Scottish version of the flyting genre in poetry. The genre takes the form of a contest, or "war of words", between two poets, each trying to outclass the other in vituperation and verbal pyrotechnics. It is not certain how the work was composed, but it is likely to have been publicly performed, probably in the style of a poetic joust by the two combatants, William Dunbar and Walter Kennedy, before the Court of James IV of Scotland. (en)
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