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- La Symphonie no 2 en ut majeur, Perger 2, Sherman 2, MH 37, est une symphonie de Michael Haydn, qui a été composée à Oradea en 1761. (fr)
- Michael Haydn's Symphony No. 2 in C major, Perger 2, Sherman 2, MH 37, was written in Oradea in 1761. Scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets and strings and continuo, in four movements: 1.
* Allegro 2.
* Andante, in F major 3.
* Menuetto e Trio 4.
* Presto The first movement begins almost like a concerto grosso, but is in fact in a proto-sonata form (with the very brief development carried almost entirely by the violins without accompaniment). The exposition has a repeat, and the development and recapitulation are also marked off by a repeat (which is not always observed). The slow movement is written for strings only, but the continuo is generally understood to continue through; the violas rather than the second violins double the first violins at the octave (Delarte, 2006). The Minuet has no pick-up, the horns and trumpets come to the foreground in the Trio. For the most part, the winds support the strings harmonically. The last movement is a lively rondo with a stronger tendency to F major than to G major. (en)
- La Sinfonia n. 2 in Do maggiore MH 37 (Perger 2, Sherman 2) è una composizione di Michael Haydn, scritta a Oradea intorno al 1761. (it)
- Symfonie nr. 2 in C majeur, Perger 2, Sherman 2, MH 37, is een symfonie van Michael Haydn. Hij schreef het stuk in Großwardein in 1761. (nl)
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- La Symphonie no 2 en ut majeur, Perger 2, Sherman 2, MH 37, est une symphonie de Michael Haydn, qui a été composée à Oradea en 1761. (fr)
- La Sinfonia n. 2 in Do maggiore MH 37 (Perger 2, Sherman 2) è una composizione di Michael Haydn, scritta a Oradea intorno al 1761. (it)
- Symfonie nr. 2 in C majeur, Perger 2, Sherman 2, MH 37, is een symfonie van Michael Haydn. Hij schreef het stuk in Großwardein in 1761. (nl)
- Michael Haydn's Symphony No. 2 in C major, Perger 2, Sherman 2, MH 37, was written in Oradea in 1761. Scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets and strings and continuo, in four movements: 1.
* Allegro 2.
* Andante, in F major 3.
* Menuetto e Trio 4.
* Presto The first movement begins almost like a concerto grosso, but is in fact in a proto-sonata form (with the very brief development carried almost entirely by the violins without accompaniment). The exposition has a repeat, and the development and recapitulation are also marked off by a repeat (which is not always observed). (en)
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