About: Rondò

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Rondò (Italian pronunciation: [ronˈdɔ]) is a type of operatic vocal solo, popular in the late 18th century. The name identifies both a musical form and the type of materials used.

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  • Rondò (Italian pronunciation: [ronˈdɔ]) is a type of operatic vocal solo, popular in the late 18th century. The name identifies both a musical form and the type of materials used. (en)
  • Рондò (італ. Rondò [ronˈdɔ]) — музична форма і різновид оперних арій, поширених у музиці кінця XVIII століття. (uk)
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  • Ensslin, Wolfram. 2001. Die italienischen Opern Ferdinando Paërs: Studien zur Introduktion und zur rondò-Arie. Musikwissenschaftliche Publikationen 22. Hildesheim: Georg Olms. . (en)
  • Klein, Bert. 2002. "Vitellias Rondò Non più di fiori: Musikalische und entstehungsgeschichtliche Aspekte". Mozart-Studien 11:117–42. (en)
  • Schaumberg, Uta. 1999. "Die 'rondò'-Arien in Mayrs frühen 'opere serie'". In Johann Simon Mayr und Venedig: Internationales Musikwissenschaftliches Johann-Simon-Mayr-Symposion : Ingolstadt, edited by Franz Hauk and Iris Winkler, 187–94. Munich: Katzbichler. . (en)
  • Chegai, Andrea. 2004. "Forme limite ed eccezioni formali in mezzo seccolo di intonazione metastasiane: Cavatine, arie pluristrofiche, rondò e altro". In Il canto di Metastasio, 2 vols., edited by Maria Giovanna Miggiani, with a foreword by Giovanni Umberto Battel and a preface by Mario Valente, 1: 341–408. Bologna: Arnaldo Forni. (en)
  • Noiray, Michel. 1996. "Interrogations sur le rondò de Donna Anna". In D'un opéra l'autre: Hommage à Jean Mongrédien, edited by Jean Gribenski, Marie-Claire Mussat, and Herbert Schneider, 253–61. Paris: Presses Universitaires de France. . (en)
  • Nahon, Marino. 2005. "Le origini del rondò vocale a due tempi: Tempo musicale e tempo scenico nell'aria seria tardosettecentesca". Musica e storia 13, no. 1 : 25–80. (en)
  • Balthazar, Scott L. 1989. "Ritorni's Ammaestramenti and the Conventions of Rossinian Melodramma". Journal of Musicological Research 8, nos. 3–4 : 281–312. (en)
  • Beghelli, Marco. 2000. "Tre slittamenti semantici: Cavatina, romanza, rondò". In Le parole della musica. III: Studi di lessicoglia musicale, edited by Fiamma Nicolodi and Paolo Trovato, 185–217. Studi di musica veneta 27. Florence: Leo S. Olschki. . (en)
  • Paterson, Joanne. 1995. "From Rondo Aria to Cantabile-Cabaletta: The Italian Opera Aria in Transition, 1780–1825". MA Thesis. Calgary: University of Calgary. . (en)
  • Jonášová, Milada. 2009. "Sestos Rondò Deh per questo istante solo im Titus-Autograph". Mozart-Studien 18:137–62. (en)
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  • Rondò (Italian pronunciation: [ronˈdɔ]) is a type of operatic vocal solo, popular in the late 18th century. The name identifies both a musical form and the type of materials used. (en)
  • Рондò (італ. Rondò [ronˈdɔ]) — музична форма і різновид оперних арій, поширених у музиці кінця XVIII століття. (uk)
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  • Rondò (disambigua) (it)
  • Rondò (en)
  • Рондò (uk)
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