About: Nukina Kaioku

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Nukina Kaioku (貫名 海屋, 1778–1863) was a Japanese painter and calligrapher. He had many pseudonyms, but Kaioku (海屋) and Sūō (菘翁) are the most well-known. He was considered a leader in the field of Japanese calligraphy during the Edo period. He was also good at painting in the Nanga style, which is a Japanese artistic style mean to emulate Chinese art and culture.

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  • Nukina Kaioku (japanisch 貫名 海屋, eigentlich Yoshii Shigeru (吉井苞), auch Kaisen (海仙), ab dem Alter von 60: Kaisō (海叟), Sankandō (三緘堂), Shūō (菘翁), Shuseidō (須静堂), Shūsō (菘叟), ab 70: Sūō (菘翁), Tekishūō (摘菘翁); geb. März 1778 in Tokushima; gest. 21. Juni 1863, Präfektur Kyōto) war in der späten Edo-Zeit japanischer Konfuzianist, Kalligraph und Maler im Nanga-Stil. Er zählt zu den drei großen Kalligraphen in der ausgehenden Tokugawa-Zeit. (de)
  • Nukina Kaioku (貫名 海屋, 1778–1863) was a Japanese painter and calligrapher. He had many pseudonyms, but Kaioku (海屋) and Sūō (菘翁) are the most well-known. He was considered a leader in the field of Japanese calligraphy during the Edo period. He was also good at painting in the Nanga style, which is a Japanese artistic style mean to emulate Chinese art and culture. (en)
  • 貫名 菘翁(ぬきな すうおう、安永7年3月(1778年) - 文久3年5月6日(1863年6月21日))は江戸時代後期の儒学者・書家・文人画家。江戸後期の文人画家の巨匠で、とりわけ書は幕末の三筆として称揚される。 姓は吉井、後に家祖の旧姓貫名に復する。名は直知・直友・苞(しげる)。字は君茂(くんも)・子善。通称は政三郎、のちに省吾さらに泰次郎と改める。号は海仙・林屋・海客・海屋・海屋生・海叟・摘菘人・摘菘翁・菘翁・鴨干漁夫など多数。室号に勝春園・方竹園・須静堂・須静書堂・三緘堂。笑青園などと名のっている。海屋・菘翁が一般に知られている。 (ja)
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  • Nukina Kaioku (japanisch 貫名 海屋, eigentlich Yoshii Shigeru (吉井苞), auch Kaisen (海仙), ab dem Alter von 60: Kaisō (海叟), Sankandō (三緘堂), Shūō (菘翁), Shuseidō (須静堂), Shūsō (菘叟), ab 70: Sūō (菘翁), Tekishūō (摘菘翁); geb. März 1778 in Tokushima; gest. 21. Juni 1863, Präfektur Kyōto) war in der späten Edo-Zeit japanischer Konfuzianist, Kalligraph und Maler im Nanga-Stil. Er zählt zu den drei großen Kalligraphen in der ausgehenden Tokugawa-Zeit. (de)
  • Nukina Kaioku (貫名 海屋, 1778–1863) was a Japanese painter and calligrapher. He had many pseudonyms, but Kaioku (海屋) and Sūō (菘翁) are the most well-known. He was considered a leader in the field of Japanese calligraphy during the Edo period. He was also good at painting in the Nanga style, which is a Japanese artistic style mean to emulate Chinese art and culture. (en)
  • 貫名 菘翁(ぬきな すうおう、安永7年3月(1778年) - 文久3年5月6日(1863年6月21日))は江戸時代後期の儒学者・書家・文人画家。江戸後期の文人画家の巨匠で、とりわけ書は幕末の三筆として称揚される。 姓は吉井、後に家祖の旧姓貫名に復する。名は直知・直友・苞(しげる)。字は君茂(くんも)・子善。通称は政三郎、のちに省吾さらに泰次郎と改める。号は海仙・林屋・海客・海屋・海屋生・海叟・摘菘人・摘菘翁・菘翁・鴨干漁夫など多数。室号に勝春園・方竹園・須静堂・須静書堂・三緘堂。笑青園などと名のっている。海屋・菘翁が一般に知られている。 (ja)
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  • Nukina Kaioku (de)
  • 貫名菘翁 (ja)
  • Nukina Kaioku (en)
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