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- Malawiko musika afrikar, britainiar eta amerikar musikaren eragina izan du historikoki. Malawiarrak bidaiariak eta langile migratzaileak izan dira denbora luzean, eta, ondorioz, haien musika Afrikako kontinente osora zabaldu eta beste musika mota batzuekin nahastu da. Malawiko musikaren hedapenaren eta nahasketaren arrazoi historikoetako bat Bigarren Mundu Gerra izan zen, hango soldaduek urrutiko lurraldeetara eraman zutelako Malawiko musika, eta beste musika batzuk ekarri zituztelako bueltan. Gerraren amaieran, adibidez, gitarra eta banjo bikoteak ziren popularrenak dantza taldeetarako; bi instrumentu horiek, noski, inportatuak ziren. Hego Afrikako eta Mozambikeko meategietan lan egiten zuten malawiarrek ere izan zuten eraginik musika estiloen fusio eta nahasketan, besteak beste Kwela izeneko musika estiloa sortuz. Garai kolonialean, Malawik oso abeslari ezagun gutxi eman zituen. Abeslari horietako bat Tony Bird izan zen, Nyassalandian jaiotako rock-folk abeslaria, garai kolonialeko malawiar arrunten bizitzari buruzko musika antikoloniala interpretatu zuena. Haren musikan, malawiar eta afrikaner tradizioak bateratu zituen. Haren estilo herrikoiak Ladysmith Black Mambazo taldearekin bira bat egitera eraman zuen 1980ko hamarkadan. Hastings Banda presidentearen agintaldian, izaera sexualki edo politikoki subertsiboa zen musika zentsuratu zen. Horren ondorioz, artista gutxik lortu zuten izen bat egitea nazioarte mailan 1964tik 1994ra. Hala ere, 1994ko alderdi anitzeko lehen hauteskundeen ondoren, artista askok izan zuten aukera euren artea publikoki praktikatzeko, eta Malawiko musika hazten hasi zen, orain Malawin entzun daitezkeen musika moduak garatuz. 1994az geroztik, herrialdeak etengabeko hazkundea izan du musika-industrietan eta abeslari ospetsuen kopurua ugaldu egin da. Aurreko garaietako zentsuraren ondorioz, gaur egungo malawiar artista asko gazteak dira batez ere. bezalako artistek industriako beteranoen babesa jaso dute eta elkarrekin lan egiten dute Malawiko musikari nortasun berri bat emateko. Artista asko nazioartean ere ari dira ospea lortzen; ezagunenak , , , , eta Lewis Kwitsa (Lulu) dira. 2015ean Malawiko musika lehen aldiz Grammy Sarien 58. edizioan saritua izan zen, delakoak I Have No Everything here izenburuko diska munduko musika diskorik onenaren saria irabazi zuenean. (eu)
- Music of Malawi has historically been influenced through its triple cultural heritage of British, African, and American music. Malawians have long been travelers and migrant workers, and as a result, their music has spread across the African continent and blended with other music forms. One of the prime historical causes of the Malawian musical melting pot was World War II, when soldiers both brought music to distant lands and also brought them back. By the end of the war, guitar and banjo duos were the most popular type of dance bands. Both instruments were imported. Malawians working in the mines in South Africa and Mozambique also led to fusion and blending in music styles, giving rise to music styles like Kwela. During the colonial period, Malawi saw rise to very few well-known singers. One such singer was Tony Bird a folk rock singer-songwriter who was born in Nyasaland and performed anti-colonial music about life for regular Malawians during the colonial period. His music is described as a fusion of Malawian and Afrikaner traditions. His popular style led him to tour with Ladysmith Black Mambazo in the 1980s. Under President Hastings Banda, the Malawian state censored music that it deemed to be of a sexual or politically subversive nature. This led to few internationally renowned artists entering the international arena from 1964-1994. After the country's first multiparty elections in 1994, however, many artists could now practice their art publicly, and Malawian music began to grow and develop into the music forms that can be heard coming out of Malawi now. Since 1994, the country has seen a steady growth in its music industries and in its local celebrities. Due to the period of music suppression, many of Malawi's new and up-and-coming artists are young. Artists like Young Kay are being supported by the veterans in the industry and are working together to give Malawian music a distinct new identity. Many local artists are also making headway internationally. Contemporary well-known international artists from Malawi are Wambali Mkandawire, Erik Paliani, Lucius Banda, Tay Grin, Esau Mwamwaya, Tsar Leo, Lawrence Khwisa (LULU). In 2015 Malawian music was recognized in the 58th Grammy Awards for the first time, with the nomination of Zomba Prison Project I Have No Everything Here for Best World Music Album. (en)
- Malawi é um país no Sudeste da África, habitado por uma grande variedade de grupos étnicos; sendo os o maior grupo. Em tempos modernos, poucas músicas do Malawi alcançaram renome internacional, embora o país tenha suas celebridades musicais que são bem conhecidas em alguns círculos estrangeiros. Uma das principais causas da recente fusão musical no Malawi foi a Segunda Guerra Mundial, quando os soldados trouxeram música de terras distantes. Até o final da guerra, a guitarra e o banjo, ambos importados, foram os dois mais populares instrumentos nas bandas de dança. (pt)
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- Malawi é um país no Sudeste da África, habitado por uma grande variedade de grupos étnicos; sendo os o maior grupo. Em tempos modernos, poucas músicas do Malawi alcançaram renome internacional, embora o país tenha suas celebridades musicais que são bem conhecidas em alguns círculos estrangeiros. Uma das principais causas da recente fusão musical no Malawi foi a Segunda Guerra Mundial, quando os soldados trouxeram música de terras distantes. Até o final da guerra, a guitarra e o banjo, ambos importados, foram os dois mais populares instrumentos nas bandas de dança. (pt)
- Malawiko musika afrikar, britainiar eta amerikar musikaren eragina izan du historikoki. Malawiarrak bidaiariak eta langile migratzaileak izan dira denbora luzean, eta, ondorioz, haien musika Afrikako kontinente osora zabaldu eta beste musika mota batzuekin nahastu da. Malawiko musikaren hedapenaren eta nahasketaren arrazoi historikoetako bat Bigarren Mundu Gerra izan zen, hango soldaduek urrutiko lurraldeetara eraman zutelako Malawiko musika, eta beste musika batzuk ekarri zituztelako bueltan. Gerraren amaieran, adibidez, gitarra eta banjo bikoteak ziren popularrenak dantza taldeetarako; bi instrumentu horiek, noski, inportatuak ziren. Hego Afrikako eta Mozambikeko meategietan lan egiten zuten malawiarrek ere izan zuten eraginik musika estiloen fusio eta nahasketan, besteak beste Kwela ize (eu)
- Music of Malawi has historically been influenced through its triple cultural heritage of British, African, and American music. Malawians have long been travelers and migrant workers, and as a result, their music has spread across the African continent and blended with other music forms. One of the prime historical causes of the Malawian musical melting pot was World War II, when soldiers both brought music to distant lands and also brought them back. By the end of the war, guitar and banjo duos were the most popular type of dance bands. Both instruments were imported. Malawians working in the mines in South Africa and Mozambique also led to fusion and blending in music styles, giving rise to music styles like Kwela. (en)
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