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Marie-Thérèse Reboul (26 February 1735—4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it. She may have been a student of Madeleine Françoise Basseporte. Prior to her marriage, Reboul-Vien engraved specimens for Sénégal: Coquillages (1757) by the French naturalist Michel Adanson and Dissertation sur le papyrus (1758) by the French antiquarian Anne Claude de Caylus.

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  • Marie-Thérèse Reboul (1728 - 1805eko abenduaren 25a) margolari frantsesa izan zen. Batez ere izadiarekin lotutako lanak egin zituen: loreak, izadi hilak, hegaztiak... (eu)
  • Marie-Thérèse Reboul (1728–28 décembre 1805), dite Madame Vien, est une artiste peintre française. (fr)
  • Marie-Thérèse Reboul (26 February 1735—4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it. She may have been a student of Madeleine Françoise Basseporte. Prior to her marriage, Reboul-Vien engraved specimens for Sénégal: Coquillages (1757) by the French naturalist Michel Adanson and Dissertation sur le papyrus (1758) by the French antiquarian Anne Claude de Caylus. Reboul-Vien was one of only fifteen women to be accepted as full academicians in the 145-year history of the Académie royale de peinture et de sculpture in Paris. She was admitted in 1757, the same year in which she married Joseph-Marie Vien. It had been 37 years since the last woman, Rosalba Carriera, became an academician. Reboul-Vien's husband was a prominent member of the Académie, which likely led to her acceptance. At the time, Reboul-Vien was described as "a painter of miniatures and gouaches specializing in flowers, butterflies and birds." Her reception piece was Two Pigeons Pigeons on a Tree Branch, which she submitted to the Académie in 1762. She exhibited her works at the Salons of 1757, 1759, 1763, 1765, and 1767. These included watercolors of a hen with her chicks, a kestrel killing a small bird, a golden pheasant from China, a brooding pigeon, and a bird of prey following a butterfly. At the Salon of 1767, Denis Diderot praised A Crested Hen Watching over Her Chicks as a "very handsome small painting" that was "painted with great vigor and coloristic truth ... Everything's right, including the bits of straw scattered around the hen." He concluded, more critically, "I'm surprised by her hen; I didn't think she was this accomplished." Even so, reviews of Reboul-Vien's works were mostly positive. Several of her works were acquired by Catherine the Great. By the late the nineteenth century, few of her watercolors could be located. (en)
  • Marie-Thérèse Reboul​(1728 – 1805) fue una pintora francesa, dedicada a historia natural, naturaleza muerta y flores. Marie-Thérèse se formó en la Real Academia de Pintura y Escultura en París, donde se convirtió en alumna del quién sería su futuro marido, el pintor Joseph-Marie Vien. Ambos tuvieron un hijo, Joseph Marie Vien, que también fue pintor. Pintó un gran número de pinturas al estilo bodegón y varias otras pinturas de pájaros, flores y frutos. Varias de sus obras fueron adquiridas por Catalina II de Rusia, y actualmente se encuentran en el Museo del Hermitage. (es)
  • マリー=テレーズ・ルブール、画家のジョゼフ=マリー・ヴィアンと結婚してヴィアン夫人(Marie-Thérèse Reboul、Madame Vien、1738年2月26日 - 1806年1月4日)はフランスの画家である。王立絵画彫刻アカデミーに入会を認められた数少ない女性の一人である。 (ja)
  • Marie-Thérèse Reboul, känd som Madame Vien, född 1738, död 1806, var en fransk målare. Hon var från 1757 medlem av Académie Royale de Peinture et de Sculpture. Hon målade främst historiska motiv, stilleben och blommor, och var även gravör. Hon gifte sig 1757 med målaren Joseph-Marie Vien. Traditionell historieskrivning har utpekat hennes make som hennes lärare, men det finns ingenting som bekräftar detta, och det är möjligt att hon var elev till Françoise Basseporte. Hon valdes 1757 in i franska konstakademien. Hon var en av endast femton kvinnor som invaldes i den kungliga franska konstakademien före franska revolutionen, och vid den tidpunkt hon valdes in var hon den första sedan Rosalba Carriera och Margareta Haverman 35 år tidigare. Hon deltog i akademiens utställningar mellan 1757 och 1767. Hennes specialitet anges vara blommor, fjärilar och fåglar. Hon graverade illustrationer till verk av naturforskaren Michel Adanson (1757) antikvarien (1758). (sv)
  • Мария-Тереза Ребуль, также известная, как мадам Вьен (26 февраля 1728 или 1738, Париж — 4 января 1806, там же) — французская художница. (ru)
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  • 1735-02-26 (xsd:date)
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  • 1806-07-04 (xsd:date)
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  • 1735-02-26 (xsd:date)
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  • Paris, France (en)
dbp:caption
  • Marie-Thérèse Reboul-Vien by Alexander Roslin (en)
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  • 1806-07-04 (xsd:date)
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  • Paris, France (en)
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  • Marie-Thérèse Reboul-Vien (en)
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  • French (en)
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  • Two Pigeons on a Tree Branch (en)
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  • Marie-Thérèse Reboul (1728 - 1805eko abenduaren 25a) margolari frantsesa izan zen. Batez ere izadiarekin lotutako lanak egin zituen: loreak, izadi hilak, hegaztiak... (eu)
  • Marie-Thérèse Reboul (1728–28 décembre 1805), dite Madame Vien, est une artiste peintre française. (fr)
  • Marie-Thérèse Reboul​(1728 – 1805) fue una pintora francesa, dedicada a historia natural, naturaleza muerta y flores. Marie-Thérèse se formó en la Real Academia de Pintura y Escultura en París, donde se convirtió en alumna del quién sería su futuro marido, el pintor Joseph-Marie Vien. Ambos tuvieron un hijo, Joseph Marie Vien, que también fue pintor. Pintó un gran número de pinturas al estilo bodegón y varias otras pinturas de pájaros, flores y frutos. Varias de sus obras fueron adquiridas por Catalina II de Rusia, y actualmente se encuentran en el Museo del Hermitage. (es)
  • マリー=テレーズ・ルブール、画家のジョゼフ=マリー・ヴィアンと結婚してヴィアン夫人(Marie-Thérèse Reboul、Madame Vien、1738年2月26日 - 1806年1月4日)はフランスの画家である。王立絵画彫刻アカデミーに入会を認められた数少ない女性の一人である。 (ja)
  • Мария-Тереза Ребуль, также известная, как мадам Вьен (26 февраля 1728 или 1738, Париж — 4 января 1806, там же) — французская художница. (ru)
  • Marie-Thérèse Reboul (26 February 1735—4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it. She may have been a student of Madeleine Françoise Basseporte. Prior to her marriage, Reboul-Vien engraved specimens for Sénégal: Coquillages (1757) by the French naturalist Michel Adanson and Dissertation sur le papyrus (1758) by the French antiquarian Anne Claude de Caylus. (en)
  • Marie-Thérèse Reboul, känd som Madame Vien, född 1738, död 1806, var en fransk målare. Hon var från 1757 medlem av Académie Royale de Peinture et de Sculpture. Hon målade främst historiska motiv, stilleben och blommor, och var även gravör. Hon gifte sig 1757 med målaren Joseph-Marie Vien. Traditionell historieskrivning har utpekat hennes make som hennes lärare, men det finns ingenting som bekräftar detta, och det är möjligt att hon var elev till Françoise Basseporte. (sv)
rdfs:label
  • Marie-Thérèse Reboul (es)
  • Marie-Thérèse Reboul (eu)
  • Marie-Thérèse Reboul (fr)
  • Marie-Thérèse Reboul (en)
  • マリー=テレーズ・ルブール (ja)
  • Ребуль, Мария-Тереза (ru)
  • Marie-Thérèse Reboul (sv)
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  • Marie-Thérèse Reboul-Vien (en)
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