About: Les Baigneuses (Gleizes)

An Entity of Type: work, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Les Baigneuses (also known as The Bathers) is a large oil painting created at the outset of 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was exhibited at the Salon des Indépendants in Paris during the spring of 1912; the Salon de la Société Normande de Peinture Moderne, Rouen, summer 1912; and the Salon de la Section d'Or, autumn 1912. The painting was reproduced in Du "Cubisme", written by Albert Gleizes and Jean Metzinger the same year: the first and only manifesto on Cubism. Les Baigneuses, while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simu

thumbnail
Property Value
dbo:abstract
  • Les Baigneuses (also known as The Bathers) is a large oil painting created at the outset of 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was exhibited at the Salon des Indépendants in Paris during the spring of 1912; the Salon de la Société Normande de Peinture Moderne, Rouen, summer 1912; and the Salon de la Section d'Or, autumn 1912. The painting was reproduced in Du "Cubisme", written by Albert Gleizes and Jean Metzinger the same year: the first and only manifesto on Cubism. Les Baigneuses, while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or group. Gleizes deploys these techniques in "a radical, personal and coherent manner". Purchased in 1937, the painting is exhibited in the permanent collection of the Musée d'Art Moderne de la Ville de Paris. (en)
  • Les Baigneuses est un tableau réalisé par Albert Gleizes en 1912. Cette huile sur toile cubiste représente des baigneuses dans un paysage arboré. Présentée au Salon des indépendants de 1912 puis au Salon de la Section d'Or plus tard la même année, elle est aujourd'hui conservée au musée d'Art moderne de Paris. (fr)
dbo:author
dbo:museum
dbo:thumbnail
dbo:wikiPageExternalLink
dbo:wikiPageID
  • 38270069 (xsd:integer)
dbo:wikiPageLength
  • 32624 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1096579495 (xsd:integer)
dbo:wikiPageWikiLink
dbp:artist
dbp:heightImperial
  • 48.300000 (xsd:double)
dbp:heightMetric
  • 105 (xsd:integer)
dbp:imageFile
  • Albert Gleizes, 1912, Les Baigneuses, oil on canvas, 105 x 171 cm, Paris, Musée d'Art Moderne de la Ville de Paris.jpg (en)
dbp:imageSize
  • 420 (xsd:integer)
dbp:imperialUnit
  • in (en)
dbp:medium
  • Oil on canvas (en)
dbp:metricUnit
  • cm (en)
dbp:museum
dbp:otherLanguage
  • English (en)
dbp:otherTitle
  • The Bathers (en)
dbp:title
  • Les Baigneuses (en)
dbp:widthImperial
  • 67.300000 (xsd:double)
dbp:widthMetric
  • 171 (xsd:integer)
dbp:wikiPageUsesTemplate
dbp:year
  • 1912 (xsd:integer)
dcterms:subject
gold:hypernym
rdf:type
rdfs:comment
  • Les Baigneuses est un tableau réalisé par Albert Gleizes en 1912. Cette huile sur toile cubiste représente des baigneuses dans un paysage arboré. Présentée au Salon des indépendants de 1912 puis au Salon de la Section d'Or plus tard la même année, elle est aujourd'hui conservée au musée d'Art moderne de Paris. (fr)
  • Les Baigneuses (also known as The Bathers) is a large oil painting created at the outset of 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was exhibited at the Salon des Indépendants in Paris during the spring of 1912; the Salon de la Société Normande de Peinture Moderne, Rouen, summer 1912; and the Salon de la Section d'Or, autumn 1912. The painting was reproduced in Du "Cubisme", written by Albert Gleizes and Jean Metzinger the same year: the first and only manifesto on Cubism. Les Baigneuses, while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simu (en)
rdfs:label
  • Les Baigneuses (Gleizes) (fr)
  • Les Baigneuses (Gleizes) (en)
owl:differentFrom
owl:sameAs
prov:wasDerivedFrom
foaf:depiction
foaf:isPrimaryTopicOf
foaf:name
  • Les Baigneuses (en)
is dbo:notableWork of
is dbo:wikiPageWikiLink of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License