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- In music, the dominant 7♯9 chord ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root. This chord is used in many forms of contemporary popular music, including jazz, funk, R&B, rock and pop. As a dominant chord in diatonic harmony, it most commonly functions as a turnaround chord, returning to the tonic. The chord is also sometimes colloquially known, among pop and rock guitarists, as the "Hendrix chord" or "Purple Haze chord", nicknamed for guitarist Jimi Hendrix, who showed a preference for the chord and did a great deal to popularize its use in mainstream rock music. When used by The Beatles it has been called the "Gretty chord" although this can refer to a distinct six-string version. (en)
- L'accord hendrixien ou accord d'Hendrix (Hendrix chord en anglais) est un terme familier utilisé pour désigner l'accord de dominante 7/9♯, c'est-à-dire l'accord de septième de dominante avec neuvième augmentée, qu'a popularisé le guitariste américain Jimi Hendrix. (fr)
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| rdfs:comment
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- L'accord hendrixien ou accord d'Hendrix (Hendrix chord en anglais) est un terme familier utilisé pour désigner l'accord de dominante 7/9♯, c'est-à-dire l'accord de septième de dominante avec neuvième augmentée, qu'a popularisé le guitariste américain Jimi Hendrix. (fr)
- In music, the dominant 7♯9 chord ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root. This chord is used in many forms of contemporary popular music, including jazz, funk, R&B, rock and pop. As a dominant chord in diatonic harmony, it most commonly functions as a turnaround chord, returning to the tonic. (en)
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