About: Chant royal

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The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme ababccddedE and a five-line envoi rhyming ddedE or a seven-line envoi ccddedE (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twice It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which

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  • Der Chant royal (Königsgesang) ist eine poetische Form der französischen mittelalterlichen Dichtung, die aus fünf elfzeiligen Balladenstrophen besteht. Ihr Reimschema lautet [ababccddedE], wobei ein fünfzeiliger Abschnitt nach dem Schema [ddedE] oder ein siebenzeiliger Abschnitt nach dem Schema [ccddedE] schließlich in den Refrain (E) mündet. Es wurde in der französischen Poesie im 14. Jahrhundert durch Christine de Pizan und Charles d'Orléans eingeführt; in England wurde seine Form gegen Ende des 19. Jahrhunderts im Zuge einer allgemeinen Wiederbelebung französischer Strophenformen aufgegriffen. (de)
  • The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme ababccddedE and a five-line envoi rhyming ddedE or a seven-line envoi ccddedE (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twice It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which was more popular in Southern France. The form was often used for stately, or heroic subjects. (en)
  • Le chant royal est une ancienne pièce de poésie française inventée au XIVe et cultivée avec ferveur jusqu’au XVIe siècle. Rejeté avec le lai, la ballade et le rondeau par les poètes de la Pléiade, au profit des odes et des sonnets, le chant royal survécut jusqu'à la Révolution dans les concours (puys ou palinods) de poésie d'Amiens, Rouen, Caen, Toulouse. Le chant royal fut décrit par Théodore de Banville dans son Petit traité de poésie française, ce qui provoqua un certain engouement pour la forme dans la deuxième moitié du XIXe siècle. (fr)
  • 王侯用詩形(おうこうようしけい、chant royal)は、詩の形式の一種。 (ja)
  • Il chant royal è una forma poetica che è costituita da cinque strofe di undici versi ciascuna (stanza) in uno schema di rime a-b-a-b-c-c-d-d-e-d-E ed un envoi di cinque versi con uno schema d-d-e-d-E oppure di sette con schema c-c-d-d-e-d-E. Esso fu introdotto nella poesia francese nel XIV secolo da Christine de Pizan e Carlo d'Orléans e venne introdotto in Inghilterra verso la fine del XIX secolo a seguito di un risveglio di interesse per la poesia francese. (it)
  • Chant royal (fr. pieśń królewska) – odmiana ballady francuskiej o największym stopniu skomplikowania formalnego. Pieśń taka składa się z pięciu strof, przeważnie jedenastowersowych, rymowanych ababccddede i przesłania (envoi). Ballady w formie chant royal pisał u schyłku średniowiecza między innymi Charles d'Orleans. Forma została reaktywowana w wieku dziewiętnastym. James Wilson Bright, Raymond Durbin Miller podają następujący przykład chant royal. I sit enthroned 'mid icy wastes afar,Beyond the level land of endless snow;For months I see the brilliant polar starShine on a shore, the lonelier none may know.Supreme I rule in monarchy of might, —My realms are boundless as the realms of Night.Proud court I hold, and tremblingly obeyMy many minions from the isles of Day ;And when my heralds sound aloud, beholdMy slaves appear with suppliant heads alway!I am great Boreas, King of wind and cold.I am the god of all the winds that are !I blow where'er I list, — I come, I go.Athwart the sky upon my cloud-capped carI rein my steeds, swift-prancing to and fro.The dreary woodlands shudder in affrightTo hear my clarion on the mountain height.The sobbing sea doth moan in pain, and pray,Is there no refuge from the storm-king's sway? "I am as aged as the earth is old,Yet strong am I, although my locks are grey ;I am great Boreas, King of wind and cold.[...]O Princes, hearken what my trumpets say! —"Man's life is naught, no mortal lives for aye;His might hath empire only of the mold,"Boast not yourselves, ye fragile forms of clay!I am great Boreas, King of wind and cold.(Clinton Scollard, King Boreas) (pl)
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  • Le chant royal est une ancienne pièce de poésie française inventée au XIVe et cultivée avec ferveur jusqu’au XVIe siècle. Rejeté avec le lai, la ballade et le rondeau par les poètes de la Pléiade, au profit des odes et des sonnets, le chant royal survécut jusqu'à la Révolution dans les concours (puys ou palinods) de poésie d'Amiens, Rouen, Caen, Toulouse. Le chant royal fut décrit par Théodore de Banville dans son Petit traité de poésie française, ce qui provoqua un certain engouement pour la forme dans la deuxième moitié du XIXe siècle. (fr)
  • 王侯用詩形(おうこうようしけい、chant royal)は、詩の形式の一種。 (ja)
  • Il chant royal è una forma poetica che è costituita da cinque strofe di undici versi ciascuna (stanza) in uno schema di rime a-b-a-b-c-c-d-d-e-d-E ed un envoi di cinque versi con uno schema d-d-e-d-E oppure di sette con schema c-c-d-d-e-d-E. Esso fu introdotto nella poesia francese nel XIV secolo da Christine de Pizan e Carlo d'Orléans e venne introdotto in Inghilterra verso la fine del XIX secolo a seguito di un risveglio di interesse per la poesia francese. (it)
  • The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme ababccddedE and a five-line envoi rhyming ddedE or a seven-line envoi ccddedE (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twice It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which (en)
  • Der Chant royal (Königsgesang) ist eine poetische Form der französischen mittelalterlichen Dichtung, die aus fünf elfzeiligen Balladenstrophen besteht. Ihr Reimschema lautet [ababccddedE], wobei ein fünfzeiliger Abschnitt nach dem Schema [ddedE] oder ein siebenzeiliger Abschnitt nach dem Schema [ccddedE] schließlich in den Refrain (E) mündet. (de)
  • Chant royal (fr. pieśń królewska) – odmiana ballady francuskiej o największym stopniu skomplikowania formalnego. Pieśń taka składa się z pięciu strof, przeważnie jedenastowersowych, rymowanych ababccddede i przesłania (envoi). Ballady w formie chant royal pisał u schyłku średniowiecza między innymi Charles d'Orleans. Forma została reaktywowana w wieku dziewiętnastym. James Wilson Bright, Raymond Durbin Miller podają następujący przykład chant royal. (pl)
rdfs:label
  • Chant royal (de)
  • Chant royal (en)
  • Chant royal (fr)
  • Chant royal (it)
  • 王侯用詩形 (ja)
  • Chant royal (pl)
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