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A borrowed chord (also called mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period.

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  • A borrowed chord (also called mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period. Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be considered brief or transitory modulations and may be distinguished from secondary chords as well as altered chords. According to Sheila Romeo, "[t]he borrowed chord suggests the sound of its own mode without actually switching to that mode." (en)
  • El intercambio modal es una técnica musical, que se utiliza para la ampliación de una determinada tonalidad, en la que se trata de usar temporalmente acordes de otros modos paralelos al original, dentro del mismo centro tonal. (es)
  • En harmonie tonale, un accord d’emprunt est un accord appartenant à une tonalité autre que la tonalité en cours utilisé par simple juxtaposition, c’est-à-dire sans modulation. Parmi les notes réelles d’un accord d’emprunt, une au moins est donc étrangère à la tonalité courante. Cependant, toute note étrangère à un accord ne produit pas nécessairement un accord d’emprunt. Très employés dans les cadences, les accords d’emprunt peuvent être nombreux et variés. Les plus couramment utilisés sont les suivants. (fr)
  • Em harmonia tonal, um acorde de empréstimo ou acorde emprestado é um acorde pertencente a uma tonalidade diferente daquela que está em curso, utilizado por simples justaposição, ou, em outras palavras, sem modulação. Dentre as notas de um acorde emprestado, ao menos uma é "externa" à tonalidade corrente. No entanto, nem toda nota externa a um acorde produz necessariamente um acorde emprestado. Muito empregados nas cadências musicais, os acordes emprestados são de vários tipos. Os mais comumente empregados são os seguintes. * A "terça picarda" ou "terça de picardia" ocorre nas tonalidades menores e significa a prática de terminar os temas com a terça maior (acorde maior) ao invés de menor (no modo menor). * O rebaixamento do sexto grau de uma tonalidade maior, em variações diversas da subdominante. * O acorde de sexta napolitana. * As dominantes de passagem ou dominantes secundáririos; acordes de sétima ou nona como função dominante de outra tonalidade diferente daquela em curso. (pt)
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  • Borrowed chord in J.S. Bach's Prelude No. 1 in C major from The Well-Tempered Clavier (en)
  • Borrowed chord in Mozart's Piano Sonata No. 18, mvmt. II (en)
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  • { # \set Score.proportionalNotationDuration = # << \new PianoStaff << \new Staff << \clef treble \key a \major \time 3/4 \set Score.currentBarNumber = #13 \bar "" \new Voice \relative c'' { \set Score.tempoHideNote = ##t \tempo 4 = 60 cis8. e8 a8. g'2 eis32] a16-.[ cis-. e8.] e,16 b4 } >> \new Staff << \clef treble \key a \major \time 3/4 \new Voice \relative c' { 4 r8 8 8 r \clef bass r r 4 } >> >> >> } (en)
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  • El intercambio modal es una técnica musical, que se utiliza para la ampliación de una determinada tonalidad, en la que se trata de usar temporalmente acordes de otros modos paralelos al original, dentro del mismo centro tonal. (es)
  • En harmonie tonale, un accord d’emprunt est un accord appartenant à une tonalité autre que la tonalité en cours utilisé par simple juxtaposition, c’est-à-dire sans modulation. Parmi les notes réelles d’un accord d’emprunt, une au moins est donc étrangère à la tonalité courante. Cependant, toute note étrangère à un accord ne produit pas nécessairement un accord d’emprunt. Très employés dans les cadences, les accords d’emprunt peuvent être nombreux et variés. Les plus couramment utilisés sont les suivants. (fr)
  • A borrowed chord (also called mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period. (en)
  • Em harmonia tonal, um acorde de empréstimo ou acorde emprestado é um acorde pertencente a uma tonalidade diferente daquela que está em curso, utilizado por simples justaposição, ou, em outras palavras, sem modulação. Dentre as notas de um acorde emprestado, ao menos uma é "externa" à tonalidade corrente. No entanto, nem toda nota externa a um acorde produz necessariamente um acorde emprestado. Muito empregados nas cadências musicais, os acordes emprestados são de vários tipos. Os mais comumente empregados são os seguintes. (pt)
rdfs:label
  • Borrowed chord (en)
  • Intercambio modal (es)
  • Accord d'emprunt (fr)
  • Acorde de empréstimo (pt)
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