About: Beers, Steers, and Queers

An Entity of Type: album, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Beers, Steers + Queers (stylized as BEERS, STEERS + QVEERS: THE ALBVM) is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic.

Property	Value
dbo:abstract	Beers, Steers + Queers (stylized as BEERS, STEERS + QVEERS: THE ALBVM) is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic. (en)
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dbp:cover	Revoltingbeerssteers.jpg (en)
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dbp:headline	CD bonus track (en)
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dbp:name	Beers, Steers + Queers (en)
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dbp:note	* (en) Studio Mix (en) Drop Yer Britches Mix (en) Take 'Em Right Off Mix (en) cover of Olivia Newton-John's "Physical" (en)
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dbp:recorded	1987 (xsd:integer)
dbp:released	May 1990 (en)
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dbp:studio	Chicago Trax Studios (en)
dbp:title	Get Down (en) At the Top (en) Physical (en) Razor's Edge (en) Beers, Steers & Queers (en) Can't Sit Still (en) Cattle Grind (en) In the Neck (en) Something Wonderful (en) Stainless Steel Providers (en)
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rdfs:comment	Beers, Steers + Queers (stylized as BEERS, STEERS + QVEERS: THE ALBVM) is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic. (en)
rdfs:label	Beers, Steers, and Queers (en)
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