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Untitled, more commonly referred to as The Blue Lady, 1999–2002, is a carved teakwood, metal, and indigo sculpture by Mumbai-based artist Navjot Altaf. The artwork represents a goddess of fertility and is painted bright blue, a traditional Hindu colour symbolizing divinity. The larger than life sculpture is also an illustration of the "challenges faced by women who try to claim recognition for their knowledge in parts of India." This contemporary South Asian work can be seen in the Sir Christopher Ondaatje South Asian Gallery of The Royal Ontario Museum in Toronto, Ontario, Canada. Notably, the sculpture is listed as one of the ROM's iconic treasures and has been considered to be one of the most important pieces in the museum's collection of South Asian art.

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  • Untitled, more commonly referred to as The Blue Lady, 1999–2002, is a carved teakwood, metal, and indigo sculpture by Mumbai-based artist Navjot Altaf. The artwork represents a goddess of fertility and is painted bright blue, a traditional Hindu colour symbolizing divinity. The larger than life sculpture is also an illustration of the "challenges faced by women who try to claim recognition for their knowledge in parts of India." This contemporary South Asian work can be seen in the Sir Christopher Ondaatje South Asian Gallery of The Royal Ontario Museum in Toronto, Ontario, Canada. Notably, the sculpture is listed as one of the ROM's iconic treasures and has been considered to be one of the most important pieces in the museum's collection of South Asian art. In 2003, (Untitled) The Blue Lady was exhibited at Talwar Gallery in New York City, which currently represents Altaf, in her first solo exhibition in the United States entitled In Response To.... The sculpture was installed alongside other human figures, similar in their monumental scale and brilliant indigo color, in what was an almost theatre-like setting; together, the solid, confident female figures became iconic presences, whose insistent physicality worked to "subvert...the narrative of patriarchal dominance and transcending the modes of art practices." The exhibition was instrumental in illuminating the gender-based concerns of Altaf's work, which questions the accepted language of eroticism, sexuality, and domesticity through the creation of figures, like (Untitled) The Blue Lady, of anomalous femininity. (en)
  • Sin título, también conocida como La dama azul (1999-2002), es una escultura de madera de teca esculpida, metal, e índigo del artista local de Mumbai Navjot Altaf.​​ Se trata de una representación de la diosa de la fertilidad y está pintada en azul brillante, un color tradicional Hindu que simboliza la divinidad.​ Como parte de la colección permanente del Museo Real de Ontario, esta escultura se encuentra en exhibición en la Galería del Sudeste asiático Sir Cristopher Ondaatje. (es)
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  • The Blue Lady Sculpture (en)
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  • The Blue Lady Sculpture.jpg (en)
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  • carved teakwood, metal, and indigo (en)
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  • Navjot's Untitled (en)
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  • Sin título, también conocida como La dama azul (1999-2002), es una escultura de madera de teca esculpida, metal, e índigo del artista local de Mumbai Navjot Altaf.​​ Se trata de una representación de la diosa de la fertilidad y está pintada en azul brillante, un color tradicional Hindu que simboliza la divinidad.​ Como parte de la colección permanente del Museo Real de Ontario, esta escultura se encuentra en exhibición en la Galería del Sudeste asiático Sir Cristopher Ondaatje. (es)
  • Untitled, more commonly referred to as The Blue Lady, 1999–2002, is a carved teakwood, metal, and indigo sculpture by Mumbai-based artist Navjot Altaf. The artwork represents a goddess of fertility and is painted bright blue, a traditional Hindu colour symbolizing divinity. The larger than life sculpture is also an illustration of the "challenges faced by women who try to claim recognition for their knowledge in parts of India." This contemporary South Asian work can be seen in the Sir Christopher Ondaatje South Asian Gallery of The Royal Ontario Museum in Toronto, Ontario, Canada. Notably, the sculpture is listed as one of the ROM's iconic treasures and has been considered to be one of the most important pieces in the museum's collection of South Asian art. (en)
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  • (Untitled) Blue Lady (en)
  • Sin título o La dama azul (escultura de Navjot Altaf) (es)
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  • Navjot's Untitled (en)
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