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Max Erdmannsdörfer (14 June 1848 – 14 February 1905) (sometimes seen as Max von Erdmannsdörfer) was a German conductor, pianist and composer. He was born in Nuremberg. He studied at the Leipzig Conservatory, becoming concertmaster at Sondershausen. In 1874 he married the pianist and composer Pauline Fichtner, a student of Franz Liszt. She later used the professional name Pauline Erdmannsdörfer-Fichtner.Erdmannsdörfer corresponded with Liszt, and he premiered Liszt’s symphonic poem Hamlet at Sondershausen on 2 July 1876. He also once owned at least parts of the score of Liszt's lost Piano Concerto No. 3, which was finally pieced together only in 1989 from separate manuscript pages that had been dispersed as far afield as Weimar, Nuremberg and Leningrad.Max Erdmannsdörfer also had an associa

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  • Max Erdmannsdörfer (4 de juny de 1848, Nuremberg - 14 de febrer de 1905) fou un compositor alemany. Començà els seus estudis en la seva vila nadiua continuant-los després a Leipzig i Dresden. El 1871 entrà en la capella reial de , i el 1822 passà a Moscou, del qual conservatori en fou nomenat professor tenint com alumnes alguns que més tard foren uns bons professionals entre ells en Nikolaj Kocetov o en Traugott Ochs. L'any 1874 es va casar amb la pianista (1847-1916). Com a compositor va escriure: La Princesa Ilsa, Schéewitchen, i algunes d'altres obres. (ca)
  • Max Carl Christian Erdmannsdörfer, ab 1903 von Erdmannsdörfer, (* 14. Juni 1848 in Nürnberg; † 14. Februar 1905 in München) war ein deutscher Dirigent und Komponist. (de)
  • Max Erdmannsdörfer (14 June 1848 – 14 February 1905) (sometimes seen as Max von Erdmannsdörfer) was a German conductor, pianist and composer. He was born in Nuremberg. He studied at the Leipzig Conservatory, becoming concertmaster at Sondershausen. In 1874 he married the pianist and composer Pauline Fichtner, a student of Franz Liszt. She later used the professional name Pauline Erdmannsdörfer-Fichtner.Erdmannsdörfer corresponded with Liszt, and he premiered Liszt’s symphonic poem Hamlet at Sondershausen on 2 July 1876. He also once owned at least parts of the score of Liszt's lost Piano Concerto No. 3, which was finally pieced together only in 1989 from separate manuscript pages that had been dispersed as far afield as Weimar, Nuremberg and Leningrad.Max Erdmannsdörfer also had an association with Joachim Raff. He and Pauline were the co-dedicatees of the two-piano version of Raff's Piano Quintet, Op. 107, and they premiered it at Sondershausen on 22 September 1877. In 1870, Pauline had been the dedicatee of Raff’s Piano Suite in G minor. Erdmannsdörfer completed Raff's unfinished Symphony No. 11, Op. 214, after its composer's death, and had it published. He premiered Sir Alexander Mackenzie’s overture Cervantes at Sondershausen in 1877. In 1882 he became the principal conductor of the Russian Musical Society concerts in Moscow, and professor at the Moscow Conservatory. He and his wife remained there until 1889. He had a significant association with Pyotr Ilyich Tchaikovsky. While Tchaikovsky wrote that Erdmannsdörfer was "inclined to indulge the public's taste of exaggerated nuances" and "offhanded in his attitude to Russian music (except my own)", he nevertheless considered him "a very skilful, experienced and expert conductor". Tchaikovsky permitted him to conduct the following premiere performances of his works, all in Moscow: * Symphony No. 1 (revised version, 1 December 1883) * Festival Overture on the Danish National Anthem (1 December 1883) * Suite No. 2 (16 February 1884; Tchaikovsky had just attended the premiere of his opera Mazeppa the night before, and was in such a nervous state that he set out for Berlin and Paris on 16 February, without even remaining to hear the premiere of the Suite No. 2, which absence caused Erdmannsdörfer some offence.) * Concert Fantasia (6 March 1885) * Manfred symphony (11 March 1886). Tchaikovsky's Suite No. 3 is dedicated to Erdmannsdörfer, who gave the Moscow premiere in January 1885, a few days after the world premiere in Saint Petersburg under Hans von Bülow. One source says Erdmannsdörfer conducted the premiere of Tchaikovsky's Serenade for Strings, Op. 48, but other sources say it was Eduard Nápravník (Saint Petersburg, 30 October 1881). It is possible Erdmannsdörfer conducted the Moscow premiere. Tchaikovsky so highly valued Erdmannsdörfer's arrangement of his Chant sans paroles, Op. 2, No. 3, from Souvenir de Hapsal that he himself conducted it in 1892. Erdmannsdörfer also orchestrated piano pieces by Anton Rubinstein. His own compositions are forgotten now. After returning to Germany in 1889, the couple settled in Bremen and in 1896 moved to Munich. Erdmannsdörfer supported the introduction of the five-stringed double bass invented by Carl Otho. (en)
  • マックス・エルトマンスデルファー(Max Erdmannsdörfer, 1848年6月14日 - 1905年2月14日)は、ドイツの指揮者、ピアニスト、作曲家。時おりマックス・フォン・エルトマンスデルファー(Max von Erdmannsdörfer)とされる。 (ja)
  • Макс Эрдмансдёрфер (нем. Max Erdmannsdörfer; в России Максимилиан Карлович Эрдмансдёрфер; 14 июня 1848, Нюрнберг — 14 февраля 1905, Мюнхен) — немецкий дирижёр. (ru)
  • Max Erdmannsdörfer, född 14 juni 1849, död 14 februari 1905, var en tysk dirigent. Erdmannsdörfer studerade vid konservatoriet i Leipzig, var hovkapellmästare i Sondershausen, konsertdirigent i Moskva, Bremen och Sankt Petersburg, samt hovkapellmästare. Erdmannsdörfer var även dirigent för akademikonserterna och lärare vid akademin för tonkonst i München. Hans maka, Pauline Erdmannsdörfer (född Oprawill), efter sina adoptivfar kallad Fichtner (1847-1916), var en framstående pianist och framstående pianopedagog. Hon hade varit elev till Franz Liszt. (sv)
  • Max Erdmannsdörfer (14 de junho de 1848 – 14 de fevereiro de 1905), também conhecido como Max von Erdmannsdörfer, foi um maestro, pianista e compositor alemão. Erdmannsdörfer nasceu em Nuremberg, e estudou no Conservatório de Leipzig, tornando-se mestre de concerto em Sondershausen. Em 1874 ele se casou com a pianista e compositora Pauline Fichtner, uma estudante de Franz Liszt. Mais tarde, ela usou o nome profissional Pauline Erdmannsdörfer-Fichtner. Erdmannsdörfer trocou correspondência com Liszt, e ele executou em sua estréia o poema sinfônico de Liszt, Hamlet, em em 2 de julho de 1876. Ele também possuía parte da partitura do Concerto para piano n. 3 de Liszt, que foi finalmente reunida apenas em 1989, a partir de páginas manuscritas separadas que foram dispersas em lugares distantes como Weimar, Nuremberg e Leningrado. Max Erdmannsdörfer também teve uma associação com Joachim Raff. A ele e Pauline, Raff dedicou sua versão de dois pianos do Quinteto de Piano, op. 107, e eles o executaram em sua estréia em Sondershausen, em 22 de setembro de 1877. Em 1870, Pauline foi homenageada com a Suite de Piano em Sol menor de Raff. Erdmannsdörfer completou a Sinfonia nº 11, de Raff, op. 214, inacabada após a morte do seu compositor, e a publicou. Em 1882 ele se tornou o principal regente dos shows da Sociedade Musical Russa em Moscou, e professor no Conservatório de Moscou. Ele e sua esposa permaneceram lá até 1889. Ele teve uma associação significativa com Piotr Ilitch Tchaikovski. Enquanto Tchaikovski escreveu que Erdmannsdörfer estava "inclinado a ceder ao gosto do público de nuances exageradas" e "despreocupado em sua atitude em relação à música russa (exceto a minha)", ele o considerava "um regente muito habilidoso, experiente e experiente". Tchaikovski permitiu que ele conduzisse apresentações de estréia de suas obras, em Moscou. * A Suite Nº 3 de Tchaikovski é dedicada a Erdmannsdörfer, que estreou em Moscou em janeiro de 1885, poucos dias depois da sua estréia mundial em São Petersburgo sob Hans von Bülow. Uma fonte diz que Erdmannsdörfer conduziu a estréia da Serenata para Cordas de Tchaikovski, op. 48, mas outras fontes dizem que foi Eduard Nápravník, em São Petersburgo, em 30 de outubro de 1881. É possível que Erdmannsdörfer tenha conduzido a estréia de Moscou. Tchaikovsky valorizou muito o arranjo de Erdmannsdörfer de seu Chant sans paroles, op. 2 n. 3, de Souvenir de Hapsal, que ele próprio conduziu em 1892. Erdmannsdörfer também orquestrou peças de piano de Anton Rubinstein. Depois de voltar para a Alemanha em 1889, o casal se estabeleceu em Bremen e em 1896 mudou-se para Munique. Erdmannsdörfer apoiou a introdução do contrabaixo de cinco cordas, inventado por Carl Otho. (pt)
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  • Max Erdmannsdörfer (4 de juny de 1848, Nuremberg - 14 de febrer de 1905) fou un compositor alemany. Començà els seus estudis en la seva vila nadiua continuant-los després a Leipzig i Dresden. El 1871 entrà en la capella reial de , i el 1822 passà a Moscou, del qual conservatori en fou nomenat professor tenint com alumnes alguns que més tard foren uns bons professionals entre ells en Nikolaj Kocetov o en Traugott Ochs. L'any 1874 es va casar amb la pianista (1847-1916). Com a compositor va escriure: La Princesa Ilsa, Schéewitchen, i algunes d'altres obres. (ca)
  • Max Carl Christian Erdmannsdörfer, ab 1903 von Erdmannsdörfer, (* 14. Juni 1848 in Nürnberg; † 14. Februar 1905 in München) war ein deutscher Dirigent und Komponist. (de)
  • マックス・エルトマンスデルファー(Max Erdmannsdörfer, 1848年6月14日 - 1905年2月14日)は、ドイツの指揮者、ピアニスト、作曲家。時おりマックス・フォン・エルトマンスデルファー(Max von Erdmannsdörfer)とされる。 (ja)
  • Макс Эрдмансдёрфер (нем. Max Erdmannsdörfer; в России Максимилиан Карлович Эрдмансдёрфер; 14 июня 1848, Нюрнберг — 14 февраля 1905, Мюнхен) — немецкий дирижёр. (ru)
  • Max Erdmannsdörfer, född 14 juni 1849, död 14 februari 1905, var en tysk dirigent. Erdmannsdörfer studerade vid konservatoriet i Leipzig, var hovkapellmästare i Sondershausen, konsertdirigent i Moskva, Bremen och Sankt Petersburg, samt hovkapellmästare. Erdmannsdörfer var även dirigent för akademikonserterna och lärare vid akademin för tonkonst i München. Hans maka, Pauline Erdmannsdörfer (född Oprawill), efter sina adoptivfar kallad Fichtner (1847-1916), var en framstående pianist och framstående pianopedagog. Hon hade varit elev till Franz Liszt. (sv)
  • Max Erdmannsdörfer (14 June 1848 – 14 February 1905) (sometimes seen as Max von Erdmannsdörfer) was a German conductor, pianist and composer. He was born in Nuremberg. He studied at the Leipzig Conservatory, becoming concertmaster at Sondershausen. In 1874 he married the pianist and composer Pauline Fichtner, a student of Franz Liszt. She later used the professional name Pauline Erdmannsdörfer-Fichtner.Erdmannsdörfer corresponded with Liszt, and he premiered Liszt’s symphonic poem Hamlet at Sondershausen on 2 July 1876. He also once owned at least parts of the score of Liszt's lost Piano Concerto No. 3, which was finally pieced together only in 1989 from separate manuscript pages that had been dispersed as far afield as Weimar, Nuremberg and Leningrad.Max Erdmannsdörfer also had an associa (en)
  • Max Erdmannsdörfer (14 de junho de 1848 – 14 de fevereiro de 1905), também conhecido como Max von Erdmannsdörfer, foi um maestro, pianista e compositor alemão. Erdmannsdörfer nasceu em Nuremberg, e estudou no Conservatório de Leipzig, tornando-se mestre de concerto em Sondershausen. Em 1874 ele se casou com a pianista e compositora Pauline Fichtner, uma estudante de Franz Liszt. Mais tarde, ela usou o nome profissional Pauline Erdmannsdörfer-Fichtner. Erdmannsdörfer trocou correspondência com Liszt, e ele executou em sua estréia o poema sinfônico de Liszt, Hamlet, em em 2 de julho de 1876. Ele também possuía parte da partitura do Concerto para piano n. 3 de Liszt, que foi finalmente reunida apenas em 1989, a partir de páginas manuscritas separadas que foram dispersas em lugares distantes (pt)
rdfs:label
  • Max Erdmannsdörfer (ca)
  • Max Erdmannsdörfer (de)
  • Max Erdmannsdörfer (en)
  • マックス・エルトマンスデルファー (ja)
  • Эрдмансдёрфер, Макс (ru)
  • Max Erdmannsdörfer (pt)
  • Max Erdmannsdörfer (sv)
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