Marco Marziale was an Venetian painter from, known to have been active from 1492/1493 to 1507. He was a pupil of Giovanni Bellini, as stated in some of his inscriptions signing works, and was also influenced by Giovanni's bother Gentile, with possibly some elements of the style of Perugino also. From January 1493 (old Julian calendar), when he must have at least completed his training, he was employed by the Republic of Venice as an assistant to Giovanni Bellini on the Great Council Chamber in the Doge's Palace at a fairly modest salary. These paintings were all lost in the great fire of 1574. In 1493 he joined the confraternity of the Scuola di San Marco.

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  • Marco Marziale est un peintre italien de la République de Venise, connu pour avoir été actif dans la période de la Haute Renaissance, de 1492/1493 à 1507. (fr)
  • Marco Marziale (daty życie nieznane) – wenecki malarz działający w latach 1492/1493 – 1507. Uczeń Giovanniego Belliniego. Od stycznia 1493 roku (według kalendarza juliańskiego) pracował dla Republiki Weneckiej, pomagając Belliniemu przy pracach w Pałacu Dożów. Malowidła te zostały zniszczone podczas pożaru miasta w 1574 roku. W 1493 roku wstąpił do bractwa Scuola di San Marco. Około 1500 roku prawdopodobnie przybył do Cremony, zapewne jednak opuścił miasto po zajęciu przez wojska księstwa Mediolanu. Z 1507 roku pochodzą jego dwie ostatnie prace; brak jest informacji o dalszych losach malarza. W zbiorach National Gallery w Londynie znajdują się dwa obrazy ołtarzowe z kościołów w Cremonie, sygnowane przez Marzialego. Dwie wersje Wieczerzy w Emaus (opartej o zaginiony obraz Belliniego, znany dziś z ryciny) znajdują się w berlińskim Gemäldegalerie oraz w zbiorach Gallerie dell'Accademia w Wenecji, gdzie w tamtejszym Museo Correr znajduje się również Obrzezanie Dzieciątka Jezus z 1499 roku. Ponadto Mazialemu przypisuje się pewną liczbę niesygnowanych dzieł. (pl)
  • Marco Marziale was an Venetian painter from, known to have been active from 1492/1493 to 1507. He was a pupil of Giovanni Bellini, as stated in some of his inscriptions signing works, and was also influenced by Giovanni's bother Gentile, with possibly some elements of the style of Perugino also. From January 1493 (old Julian calendar), when he must have at least completed his training, he was employed by the Republic of Venice as an assistant to Giovanni Bellini on the Great Council Chamber in the Doge's Palace at a fairly modest salary. These paintings were all lost in the great fire of 1574. In 1493 he joined the confraternity of the Scuola di San Marco. In about 1500 he may have moved to Cremona, which Venice had just taken over in 1499, and which it held until 1509, when the Duchy of Milan recaptured the city. Marziale would no doubt have been unwelcome after this, if he was in the city. He is not documented there, but painted two altarpieces for Cremonese churches; it is possible these were sent from Venice, although the records of the scuola show him as absent from the city in 1505. In 1507 he signed works now in London and Berlin, after which nothing further about him is known. Several signed works are known, including the only two large altarpieces, both from churches in Cremona and now in the National Gallery, London. Two versions of the Supper at Emmaus, adapted from a lost work by Giovanni Bellini known from a print, are in the Gemäldegalerie, Berlin and the Gallerie dell'Accademia in Venice, where there is also a Circumcision of Jesus in the Museo Correr, dated 1499. Including unsigned attributed works, there is a probable surviving oeuvre of about a dozen paintings; apart from the wall-paintings lost in 1574, much of his painting may be among the large number of pieces assigned to the workshop of Giovanni Bellini. A small Adoration of the Magi, formerly in the Virginia Museum of Fine Arts, and only just attributed as an early work of Marziale's, was sold at Christie's, New York for $98,500 in January 2009. He was a rather conservative painter, whose works continued to follow compositional formats from the late 15th century, despite his possibly being only a few years older than Giorgione and Titian. His main figures stand upright and still in the older Venetian style, already long superseded in Florentine art. Although his figures are stiff, even "wooden", he takes great interest in textiles and decor in his works. Both the London altarpieces are set in spaces in front of apses decorated with gold mosaics in the manner of San Marco, Venice, and also of altarpieces by Giovanni Bellini. The Circumcision altarpiece features several donor portraits of the family of Tommaso Raimondi, the lawyer and poet who commissioned the work; their lavish and fashionable clothes are carefully depicted. In 1872, the English critic John Ruskin asked a friend in Venice to make a careful drawing of the embroidered table-cloth, probably from Egypt, depicted in the Correr Circumcision, which Ruskin adapted into a pattern for wallpaper which he used in the study of his house Brantwood in the Lake District. In Cremona he influenced, and may have trained, Altobello Melone. (en)
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  • 1500-1-1
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dbo:deathDate
  • 1600-1-1
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  • Left: Portrait of a man, by Marco Marziale.
  • Right: Allegory with unknown coat of arms. . Louvre Museum.
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  • Marco_Maziale_Portrait_of_a_man_1493_1507.jpg
  • Marco_Maeziale_Portrait_of_a_man_1493_1507_reverse.jpg
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dct:description
  • Italian painter (en)
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http://purl.org/linguistics/gold/hypernym
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  • Marco Marziale est un peintre italien de la République de Venise, connu pour avoir été actif dans la période de la Haute Renaissance, de 1492/1493 à 1507. (fr)
  • Marco Marziale (daty życie nieznane) – wenecki malarz działający w latach 1492/1493 – 1507. Uczeń Giovanniego Belliniego. Od stycznia 1493 roku (według kalendarza juliańskiego) pracował dla Republiki Weneckiej, pomagając Belliniemu przy pracach w Pałacu Dożów. Malowidła te zostały zniszczone podczas pożaru miasta w 1574 roku. W 1493 roku wstąpił do bractwa Scuola di San Marco. Około 1500 roku prawdopodobnie przybył do Cremony, zapewne jednak opuścił miasto po zajęciu przez wojska księstwa Mediolanu. Z 1507 roku pochodzą jego dwie ostatnie prace; brak jest informacji o dalszych losach malarza. (pl)
  • Marco Marziale was an Venetian painter from, known to have been active from 1492/1493 to 1507. He was a pupil of Giovanni Bellini, as stated in some of his inscriptions signing works, and was also influenced by Giovanni's bother Gentile, with possibly some elements of the style of Perugino also. From January 1493 (old Julian calendar), when he must have at least completed his training, he was employed by the Republic of Venice as an assistant to Giovanni Bellini on the Great Council Chamber in the Doge's Palace at a fairly modest salary. These paintings were all lost in the great fire of 1574. In 1493 he joined the confraternity of the Scuola di San Marco. (en)
rdfs:label
  • Marco Marziale (fr)
  • Marco Marziale (pl)
  • Marco Marziale (en)
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  • male (en)
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  • Marco (en)
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  • Marco Marziale (en)
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  • Marziale (en)
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